Transendent stuff.. thank u for this beauty

AE MODULAR

K7 "au supermarché" de Claude Barbara en vente chez Indian Redhead : https://indianredhead.bandcamp.com/album/au-supermarch

Claude Barbara - Hotesse (Tendresse)

buy tape + digital nicemusiclabel.bandcamp.com - also available on Spotify, Apple Music, Tidal, Google Play, Juno Download and more.

taken from Nina Buchanan 'Sunk' NM009

Debut release of hi-res, bare bones hardware techno from Melbourne-based synthesis explorer Nina Buchanan. Parallel to creating woozy extended synth pop jams in duo Video Ezy (Paradise Daily) as well as pushing dynamic textural noise forms into unique shapes in UTI (duo with Maya Kjellstrand of Bleach Boys, Leopard Leg), Buchanan has arrived at a precision nexus of brutalist techno and a truly uplifting style of ecstatic melodic synth riffage. Conjuring thick atmospheres and tonalities with almost blu-ray levels of vibrancy is perhaps in essence attributable to the simplicity of her chosen elements; 1 synth, 1 drum machine - the rest is purely incendiary sparks, resonating brightly in the spaces in between. For fans of Helena Hauff, Regis, Nitzer Ebb.

Sunk

Nina Buchanan 'Waiting Game'

AE Modular

Mastered by Brendan Zacharias at Cirrus Audio

Balaban - Religious Service

5 layers of AE_modular, just exploring some sounds. AE_mod only, plus some VST FX.

Some AE_modular Analogue Noise

recorded for Tangible Waves
https://www.tangiblewaves.com/

all electronic sounds created using their AE Modular system, small module assortment with minimal editing.

interjections and accompaniment by viola and tenor guitar.

AEM session

Idea comes from awesome AE Modular and awesome AE Modular Forum : try them!

http://forum.aemodular.com/thread/204/patch-challenge-9-make-noise

Make some Noise! 

Theme: Create a piece using noise as your main (or only) audio source. 

Submission window: Monday 4th March -> Monday 11th March (23:59:59)

Background:
Noise comes in various forms of randomness and color. Experiment with noise as your main audio source, or if you like the added challenge, as your only audio source this week. If you do not own or do not want to use the tangible waves NOISE module, feel free to send external noise audio signals into your AE Modular instead.


The challenge is set, and runs during the submission window set out above, however, please feel free to add entries or leave comments after the initial challenge has ended.

Each entry should contain:

    Link to audio or video example (embedded preferred)
    Short (or not so short) patch notes, explaining how you have built on the above theme



Your entry can be as short/long as you wish, a simple sound or a track, use external fx or synths, do what you can in the time you have - go wild, make the challenge yours!
You are welcome to use previous entries, as inspiration, build on them to form something new, or just use in a different way, you are welcome to submit multiple entries.

If you are posting on social media (youtube, soundcloud) , please tag with #AEChallenge and #AEModular, and include a link back to the challenge thread here on the AE Modular forum.


Everyone is actively encouraged to comment on entries,
provide feedback and ideas... you are welcome to continue commenting/discussing outside of the submission window. The more we discuss, the more we all learn :) 


This is part of the AE patch challenge series - if you would like more information, or have ideas for the challenge, please post on the patch challenge thread.

Maya in a Black and White Room - AE Modular Patch Challenge #9 Make Some Noise

The challenge was simply to play something that came to mind when looking at the picture (which is out of my studio window, using an IR filter).

All parts were improvised, although it took two passes as I couldn't set everything up at once. The AE Modular part is actually two sounds recorded live at the same time - one is a sequence from the SEQ16 with a well-modulated NYLE FILTER and the other is a Bastl Kastle using the same modulating LFO patched across and the whole thing passed through a modulated SVFILTER. Then there are the Mellotron parts, all played live but afterwards.

AE Modular Weekly Patch Challenge #17 - Play What You see

From split tape 'Boiling Sea' with Atonet, released October 25 2019 through Moloton.

Moonilena - Shore Leave

Final track on 'Mechanosphere', Cam Deas' debut album for The Death of Rave

Available on CD and download from Boomkat.com 31/10/19
https://soundcloud.com/camdeas

Mechanosphere

Solitude

Cam Deas - Solitude [RAVE029]

lovozero.bandcamp.com/album/descend

‘Descend’, the new work of modificatory project Lovozero, encapsulates Anastasia Tolchneva’s sound setting of cross-disciplinary performance of the same name, passed during the first TKANI session in Mutabor, Moscow's most spectacular underground music venue. By the guidance of Anastasia, Maria Kharitonova and Anna Kravchenko performers tried to reverberate the processes of genesis, growth and dissolution of various structures in human body during the event. The capture of inevitable fluidity was the main aim of the whole act; the reaching of urgent kinæsthetic freedom that creates a proper possibility for reversing of linkage between impulse and motion.

And apart from industrial multileveled interior of Mutabor and various objects of complex nature (silicon, concrete, aluminum) within it and the dancers’ bodies floating in their presence, it was Lovozero’s sound had been calibrating the sentiment right and righteously. (A)synchronous and (a)symmetric pulses, muted murmuring and lowercase crackles were the same parts of derived (un)certainity, as inclusive presence of spectators and strain of happened movements did. Now this splash of noise and tune is accessible for everybody – and everybody could test his own knuckles and fibers in the same measure that occurred that evening.

Descend

Lovozero – Descend Pt. II (from Klamm23)

Pre-order/save https://idol.lnk.to/laurel-halo-possessed

Music by Laurel Halo
Additional production by Paul Corley
Mixed by Paul Corley
Mastered by Noel Summerville
Published by Decca Publishing, a division of Decca Music Group Ltd.

P&C Vinyl Factory, 2020

Zeljava

Paradisia is the every other year compilation Gang of Ducks digitally releases.

This issue, named 20 after the possibly craziest year in recent human history, is also the first issue not curated by the label itself.
In fact, it is curated by Mana, Hyperdub affiliate and long-time G of D friend.

He took care of the compilation asking contributions to some of his favourite musicians and friends, not focusing on a single mood but rather letting them express their ideas and personalities in a free-flow.

The compilation so happened to be on the very same page with the label's philosophy.

Digital romance, analogue rawness, curated productions, instinctive approaches, dancefloor-ready and introspective compositions, beautifully co-exist through this 17-tracks collection, where each piece stands by its own and is still somehow linked with the others through a common shared attitude.


Curated by Mana
Mastered by Nick Foglia at Polo Torino
GODREC025
© Gang of Ducks 2020
released August 7, 2020

cD0174

yes, original materials created by airick asher woodhead, who also works on the @doldrumss project, this is all original material, with collaborations involving @ylangylang, @leeparadise + @caitlin-wellfleeohbrien ! /// for broadcast on @radiockut show free city radio, accompanying photo by toni dimitrov from @postglobaltrio in macedonia, photo is mountains in macedonia.

airick asher woodhead — free city radio mix

With his first solo project, HAND, Sascha Bachmann combines tape loops and moving images to create contrast with the fast, loud world we live in, forging space for emotions, self-reflection, calmness and also excitement.

On ​Reveal (his 2nd Album),​ Sascha Bachman, aka ​HAND​, has created a unique balance of classic ambient music, sounds and musical figures that touch the edge of melody and harmony, and a just-above-subliminal pulse. These elements come together in a sound world that is in turn comforting and haunting. ​Reveal's​ surface may be gentle, but the music reaches deep, starting with the stratospheric heights of “God Only Knows,” to the galactic distances of “Into the Void,” and concluding with “Poem for Tanja,” a nostalgic poem for magnetic tape.

AEM session

555e

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Exodus Looper

la bolsa chica

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