That slow cycle countable beating is likeable

Bleeps and weeps

From Dr Berndt Hoffmann - Marine Life
http://gameoflife.bandcamp.com/album/dr-berndt-hoffmann-marine-life

Dr Berndt Hoffmann - Subsea Plume

just testing the Morphing Terrarium E350 - sending through Topobrillo Wavefolder and Cwejman DMF

  bassdrumsound from Cwejman S1

MT E350

K7 "au supermarché" de Claude Barbara en vente chez Indian Redhead : https://indianredhead.bandcamp.com/album/au-supermarch

Claude Barbara - Hotesse (Tendresse)

04 Dell' Influenza

undawald boi

would anyone notice if im gone?

fissh

Off "Punctuations Of Joy And Despair" album by Nuances.

Nuances - Together We Lie

World Counsellor — Untitled (Wild Rose Country, A1)

@beliawinnewisser is returning to Präsens Editionen with her debut album as a solo artist. Radikale Akzeptanz is her second release on the “the curious label arm of Lucerne’s zweikommasieben magazine” (as Boomkat put it) after PE-010, an esoteric split tape with Berlin’s @leozylberberg that sold out pretty much the instant it hit the street.

Radikale Akzeptanz, a furious amalgamation of (synth-)pop references and more abstract sounds, combines long running traits from Winnewisser’s practice in various band projects (including Evje and α=f/m) with rather new interests from her studies in sound art at Hochschule der Künste Bern. A bittersweet off-pop-hymn like “The View” with its bubble-y melodies can be found next to an austere piece like “WAHDWTH,” that is examining a dry motif, transforming it into a squawking kick eventually. The record is not about those two poles however, but rather the in-between. Radikale Akzeptanz is coined by an overall quality equally relaying on pop-sensibilities and brutal sound design, as perfectly exemplified in tracks like “III” or “Ataraxie.” Add a good amount of time spent in clubs and you get the Skull Disco-esque banger “Albasty”—the closing track on this gutsy album.

The title Radikale Akzeptanz (or radical acceptance, as the term would translate from German) stems from a concept in evidence-based psychotherapy. Its basis is the notion that only an uncompromising acceptance of your situation can lead to a reduction of your suffering. Thus, radical acceptance doesn’t mean satisfaction—rather it’s supposed to be a taking on, an acknowledgement. Even more than the concept as such though, it’s the expression’s mere sound that is of interest to Winnewisser: [ʀadiˈkaːlə akʦɛpˈtanʦ]. Homey and adventurous, gentle and challenging, at ease with itself and full of tension(s)—as if coming to terms with the materiality of our life as such.

—

The record was mastered by @rolflaureijs (of Wavering Hands, @edipo-re etc.) and features an enigmatic artwork including a booklet full of drawings by Vinzenz Meyner. After successive LPs by @gondwana_andreataeggi and @wishniak it’s the third audio release on Präsens Editionen in 2018.

Belia Winnewisser – Trapped In My Mind

http://soundcloud.com/mudlogger was born in the UK and lives in small village in North East Thailand close to Laos.

His music is 100% modular.

He records live, in one take, with no external sequencing.

He uses black patch cords, because they were cheaper.

Free dl

Mudlogger - Don't Smile It Might Hurt (+ video)

"Stele" out June 21st via Perfect Aesthetics.

https://perfectaesthetics.bandcamp.com/album/stele

Stele

Stele, side A

READ THE ARTICLE: https://www.paynomindtous.it/sutarti-joshua-sabin-subtext/
@subtext-recordings
@joshuasabin

Edinburgh-based composer and sound designer Joshua Sabin is an experimental artist which has been working since the mid-2010 with extensive sample and field recordings manipulation. He released his debut record, called Terminus Drift, for the now Berlin-based label Subtext Recordings in February 2017. 

Sutarti is the latest Joshua Sabin's work which will be officially made available tomorrow, July the 5th in vinyl and digital formats. While his debut album explored humans' relationship with the environment, space, and ubiquitous digital technologies, Sutarti draws influence from the psychoacoustic features and the compositional structures existing within early Lithuanian folk music. In this record, Sabin taps into the exterminated field recordings archive of the Lithuanian Academy of Music and Theatre Ethnomusicology massively editing, distorting, pitching, filtering, and manipulating them to better exploit the emotional impact of the human voice on the listener's conscious (and unconscious) self.

We are very happy to present you the third episode in the overall 40-minutes-long Sutarti record, split into six separate movements. Sutarti: III takes on with more than 6 minutes of archival voices radical recontextualizations, which, at the same time, manifest from Joshua Sabin's very personal, interesting and inspiring artistic research, and also try to directly reflect and recontextualize the universal, ancestral potency of the Voice as humans' primary means to express themselves.

Sutarti 

Joshua Sabin - 'Sutarti: III' [PAYNOMINDTOUS premiere / Subtext Recordings]

bytecas is an experimental music act by sound designer Rui Peixoto who was born and raised in Coimbra, Portugal and is currently located in Cambridge, USA

Rui has been exploring all sorts of synthesizers and electronic instruments for more than 10 years and is currently combining dissonant experimental sounds with more traditional elements

His main instrument is an eurorack modular synth and he uses DIY'ed cables of specific lengths to minimize his OCD towards cable clutter

Babel is the result of jam sessions exploring the combination of razor sharp FM timbres from a cylonix cyclebox oscillator with warm chords from a Fender Rhodes mkI piano

All tracks are recordings of live performances

Sounds and artwork: Bytecas 

Dl from Game Of Life

Bytecas - Verbum

Final track on 'Mechanosphere', Cam Deas' debut album for The Death of Rave

Available on CD and download from Boomkat.com 31/10/19
https://soundcloud.com/camdeas

Mechanosphere

Solitude

Cam Deas - Solitude [RAVE029]

Lose yourself in the circuitry of the original 1965 Buchla 100 with NYZ (Dave Burraston) as he utilizes Barbara Hero's Lambdoma tuning theories to create two slow, deeply layered, subconscious, organic and meditative compositions.

NYZ's split 12" with ELEH will be released at the same time as Millz Medz and both records are available in a first pressing of 500 copies.

David Burraston is an award winning artist/scientist working in the areas of technology and electronic music, operating Noyzelab as an independant art/science music studio since 1981. His experimental arts practice encompasses field recording, landscape-scale sound art, chaos/complexity, practice-based research, sound synthesis and electronic music. He performs, lectures, conducts workshops and creates art installations in Regional NSW and around the world. David also designs and builds sound synthesizers based on his theories of chaos/complexity science. He was recently interviewed by Bandcamp Daily and The Wire Magazine.

David has worked with many diverse collaborators such as Aphex Twin, Chris Watson, Doug Quin, Russell Haswell, Robin Fox, Oren Ambarchi, Sarah Last, Cat Hope, Garry Bradbury, William Barton, Alan Lamb, MIT Media Lab and the Australian Broadcasting Corporation. In 2014 he independently published the legendary "SYROBONKERS!", the most technical and in-depth interview ever given by Aphex Twin.

fissh

555e

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