MRMR NIGHT

Toronto-based Automaticamore joined Running Hot this month, providing a mix of Italo-Disco and Synth-Pop gems. Expect sounds from Ralph River Band, Ishtar, and more.

Running Hot Radio w/ Automaticamore  - April 2021

Heather brings her unique feminine touch to kick off our podcast series. Dive into a world of nuanced sounds and relax to her first ever mix!

Thank you @heather-johns-1 !

Artwork by Pedro Zoz

925 Mix Vol. 01 by HEATHER - FUTURE GAZE

@cosmosmic at outro lado

foto: coletivo.negativo

Cosmo at Outro Lado - Waking Life '24

For our tenth mix in our burgeoning series, we've shaken the format up a bit. Having previously put out exclusively live recordings from our parties and Bonanza, this time we have a nice, juicy studio mix from our friend Wyndham.

I (Ben) first met Wyn at Freerotation in 2022, where we immediately formed a strong bond over music and the unity that specific dance floors can bring. Having taken the plunge to go solo to Freero, Wyn returned the favour and hopped across the Atlantic to attend Bonanza 2023, playing on the Thursday night with fellow deep digger and BFF Sami. 

A champion of clean grooves, nifty breaks and immaculate mixing, Wyn delves deep into his bag of classic tech house and breaks for a 3 hour voyage here on Rio 010. You can catch him playing on the beach at Bonanza 2025 in a few weeks, as well as his Swivel label parties throughout the year back in London.

Rio 010 - Wyndham

Dea live at Hoppetosse. I remember needing a DJ to make a smooth and coherent transition from the more electro and with a higher BPM liveset from Detroit In Effect to a slowerr BPM and more straight and 4/4 based beat, and I thought directly of her to handle the merging role. Was not disappointed, have a nice trip.

Sonic Sorceress currently conjuring up sounds in Berlin with trail leading back to Slovenia, Ibiza, Croatia and beyond...
Half of ERIS.
Bad in Bad Flatmates.
@dekitron
ra.co/dj/deadvornik
www.instagram.com/dekitron/

Outer Place Discovery 013 - Dea

Womb resident Satoshi Otsuki is something of a local legend. The list of artists who have visited Tokyo and have benefited from the sonic support of Satoshi is staggering. From Satoshi Tomiie to Vlad Caia, Maher Daniel to Junkie Inoue, there is no limit to depth of this selector’s bag. We were also lucky enough to have Satoshi welcome us when we rolled into town as part of our Asian tour, and we don’t have to labour the point that he knocked it out of the park. [continue reading at...https://trommelmusic.com/music/podcast/trommel-221-satoshi-otsuki/]

Trommel.221 - Satoshi Otsuki

Albeit Mix Series 023 - Croft.

Sunset Memories

Sunset Memories (Extended Mix)

Buy on Beatport

Gilles Aiken, the Berlin DJ better known as Edward, makes shadowy club tracks with a surrealisticedge. He evolves his DJ sets with a sharp sense of groove but it's his cosmic streak that gives his music depth. Over the years this combination has made him a mainstay of the Giegling crew. Further labels he works with are Baby Fords Trelik, Pal and Fankfurt based “DieOrakel”.

Edward @ Kiosk Radio 14.09.2025

move

Hamburg's king of vinyl houses it up in a deliciously deep style on this week's RA podcast.

RA.161 Lawrence

Carlo & Selma, DJ duo and co-founders of Copenhagen party collective Group Therapy, deliver a mix that joins the dots between ambient, spiritual house, dramatic builds and ecstatic drops. A journey for the wandering mind that ventures into an imagined dance floor while we wait for the real deal to reopen.

https://soundcloud.com/carloselma 
https://www.facebook.com/carloandselma
https://www.residentadvisor.net/dj/carloselma

Tracklist:
Quaid — Uncanny Valley
Lena Platonos — Ηδύποτο Ρουμπίνι (Liqueur Ruby)
River Yarra — Toad charmer
Golden Ivy — Levitera
CCL — Tachyon Frog
Nathan Micay — If The World’s Still Here On Monday
Dr. Atomic — Schudelfloss (High on Hedonism mix)
Longhair — Forbidden dance
Fruit — unreleased
Intact — Act’s Of Sensation (Techno version)
Bicycle Thieves — Slap (Our mix)
Or:la — Grayed Out
Daiserta — Georgia Bird
Barbarella — Barbarella (The irresistible force mix)
Fruit — unreleased
Kosh — In a Maze (Electro edit)
Swoose — Lotus
DYI 1990 — Odisea
Pillow Queen — Estrel Nights
Jaymie Silk — Perc Life
Circuit 900 — Yabao (Drum mix)
Chiba — Time Flies (Extended mix)
Azealia Banks — Liquorice
Hinako Omori — 早歩き [haya_aruki‘]

Carlo & Selma (04/09/20)

Single handedly re-discovering a myriad of excellent UK Bleep and Breakbeat productions from the vaults of obscurity, we have been after a mix from Anil since this series started. As head honcho of the impeccable "Futhur Electronix" label, Anil continues his quest for the unheard of by bringing old and new music back to life - always with his fine-tuned ears for great production value. He also tells us that this mix consists of 99% unreleased songs, which only goes to underline the rigor of his work.

Anil (Furthur Electronix)

Dropping mix number fifty three is @Dekatmemwa

Needing little introduction they're hosts of their own podcast series which provides multi-genre mixes from selectors all over the world. They're also a DJ collective based in Saint Petersburg, Moscow and Potsdam. Although separated, they get together to deliver rare and unconventional grooves for the dancefloor or during their residency show on Test FM Radio. @testfm_radio

Meanwhile here, the full trio take us on a wobbly trip of goodness beginning with downtempo before the mix speeds up to uncover its eclectic dancey side full of house jams! Enjoy! :)

M a g i c a s t - 0 5 3 🎇 - De Kat Memwa

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

5918 minutes of music.
No promo. Only personality.
No limitations on genre, style or time. 
Just letting people introduce themselves.

Illustration: Otto Bonnen

Anil (Furthur Electronix)

5918mins.

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