This is a clone of a Clark Gainster. A pedal that is very transparent. Which means your Les Paul will still sound like a Les Paul. This pedal is designed to preserve the tone of your guitar and every nuance of your playing style while adding a convincing tweed-like growl. In the demo, I go through several different settings on the pedal as well as adjusting the volume on the guitar.

Tweed Drive

This is the Transdrive, which is my version of the Timmy pedal. It is a very nice transparent low to medium gain overdrive pedal.

Transdrive Overdrive

This is my version of the $1000+ Klon Centaur. It was the Klon that ushered in a new category for OD pedals, the transparent Overdrive. If instead of trying to create a tone with your pedal you are only trying to enhance it, you need transparency. the Klon Centaur's party trick is that it will sound like more of what you already have. With the gain set to minimal you can dial in an absolutely clean boost which can push an amp to the verge of clipping. From here dialling in the OD it will give you a low to medium gain drive tone that seems to integrate itself into your amp. I personally have mine second in my pedal chain after my wah pedal and leave it on all the time.

The Kingpin Overdrive

This is my version of the Marshall ShredMaster.  The ShredMaster is a discontinued versatile distortion pedal that has often been called a “Marshall in a box.” It effectively emulates the sounds of overdriven Marshall amps, but it has great range and allows for subtle and nuanced changes to be made to the level of distortion a guitar player wants. 

Shredking

The Pitman Delay is my version of the Mad Professor Deep Blue Delay. It is a natural sounding digital/analog delay, with analog direct signal path. It has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

604 Custom Guitar Pedals

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