breakcore, dnb and some other stuff too probably but mostly breakcore

samples: different dialogues from anime ''aku no hana'' and ''merry christmas mr. lawrence'' by ryuichi sakamoto (r.i.p.)

KoçitSkoria - つまんない

Volume 2 of the 'Kaizo Demos' continues with the experimentation with the nostalgic rave sounds of the first iteration, but with a more energetic and manic twist; employing influences of footwork, gabber and happy hardcore.

Void EVENT

sometimes time doesn't fix everything.

3/3

time

this track is about all the ppl in my head that are constantly screaming, never letting me rest, and who call me names; ive tried to be friends with them before, but idkk, they just want me to die. 

thanks for helping me hit 1k followers on twitter yehyehyeh

https://twitter.com/Myst666Cierra

IMAGINARY FRIENDS

This song is about killing me, like, talking to myself n shit so don't worry ; ) < 3

Should I Kill You

🌫️
ok ty for 30k plays

thanks for the sample @whitelight21

do I have any feelings for this pathetic life?

444 444 444 444 
444 444 444 444 
444 444 444 444 
444 444 444 444

guardian angel

pay respects
https://soundcloud.com/tanukineirirecords/dl-tnr-024-from-e-p

ethan come back breakcore needs you

With the game's primeval setting, any modern-sounding instruments would be out of place in the score. This limited the sound palette to woodwinds, percussion, vocals, and amorphous ambientish synth sounds. The structure of the game demo required three different intensity levels for the main loop, menu loop, and narrative loop for the fragments when the player interacts with the distant, mysterious voices telling them something.

YouTube

Indie Game Music Contest IGMC F25 - Seasons of Solitude (Sleepy Noon Radio entry)

24 instrumental compositions explore themes of transformation, alienation, and existential anxiety through the lens of lo-fi aesthetics and dark trap. The warmth of Roland's analog synthesizers contrasts with the cold absurdity of modern existence — like Kafka's characters trapped in endless bureaucratic corridors, sounds get stuck between the walls of a tiny room.
The album is a diary of sleepless nights where the boundaries of reality blur, a human transforms into sound, and sound becomes a document of internal trial. Recorded on obsolete equipment in an impossible space, it becomes a testament to how creativity is born not despite limitations, but because of them.
Each track is a small confession, written while waiting for something inevitable that must happen before dawn. © 2025 Legenki.

time

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*lky

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