Very interesting! Truly electronic metal. I like it!

This is my second full album, released in 2020.

Composition & Mix : Romain AUPAIX-LECLOUX-BÉSIAT
Mastering : Samuel AUBERT - OpenMastering

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Ruinoj [FULL ALBUM]

This is the first half of the music I did for the Skyrim Creation, Heart of the Mountain. I was able to really stretch my compositional muscles and write in a variety of styles. I cannot wait to share these tracks with you! Full Album out Halloween 2025!

Invocation of Telijih

Höllefahrt

I DID IT. I FINALLY FIGURED IT OUT. I proudly present, "DUBMETAL". 

Break Me Down (Final)

This is my approach of rework of an old classic tune by Simon and Garfunkel, concentrating on the thought, how the ideas of "silence" and "sound" relates  to eachother. Enjoy.

Please check out the great original too!
Headphones highly recommended!

Owl Yeah - Sound Of Silence ( EMPTY SHELL Edit )

Based on Joseph Conrad's novel Heart of Darkness. This one-minute musique concrète composition explores the borderline between so-called civilized peoples and those described as savages.

Composed for 60 Seconds 2019

Heart of Darkness

From the Bandcamp release Bosrand: https://martinhoogeboom.bandcamp.com/album/bosrand
Featuring Paul Mimlitsch (https://soundcloud.com/r369improv) on bass clarinet.
Mastered by Marlon Wolterink/White Noise Studio
Part of De Dissonante Weg, a series of ongoing studio and live gui-tronic improvisations.
A Martin Hoogeboom Project (DS1240/2020)

Bosrand

Bosrand (I)

Only You

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

"Bene qui latuit bene vixit"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : G.R Mottez

Ruinoj

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"Oleum perdidisti"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Maximalfocus

IIIvaN

"Omnis homo mendax"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Tarun Singh (Mahabaleshwar, India)

C'était Le Futur

"Rigor mortis"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Nick Fewings (Pompeii)

Pontes

Marco Lucchi : piano
Susan Matthews : electronics

a rework by Susan Matthews of some previous tracks by Marco Lucchi

for "piano patterns", a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns

settembre 2020

Marco Lucchi & Susan Matthews - piano patterns (combinations)

"Certamen bonum certavi"

Composition & Mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - Openmastering
Image : Valentin Salja 

https://unsplash.com/photos/9kbaq1xoIr0?utm_source=unsplash&utm_medium=referral&utm_content=creditShareLink

Pugna

"Pax in terra hominibus bonae voluntatis"

Composition : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Delfi De La Rua (unsplash)

Kuros

Fake Electro-Acoustic musician

other projects (past & present)
@sguall (rap)
@ricinn
@sonsofapache1 (rock)
@oyojo (rap)
@secheprod
@ortta (rock)
@pulsarsessions (jam)

Background photography by Navi

IIIvaN

6klop

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