This is my second full album, released in 2020.

Composition & Mix : Romain AUPAIX-LECLOUX-BÉSIAT
Mastering : Samuel AUBERT - OpenMastering

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Ruinoj [FULL ALBUM]

XNXX

Pianists Xenia Pestova and Pascal Meyer at contemporary music festival Ars Musica, Brussels, Belgium, 2018.

Textile 1 (2006) for two pianos came into being when Egidija Medeksaite discovered the technique of mapping the patterns she was using in her textile work onto musical structures. The initial formula for a composition is fixed in the form of a geometrical textile pattern; the white and black elements of the grid convey musical microformations of the same nature but in opposition (for example, the ascending or descending directions of the movement of sounds), as if they were warp and weft of a textile. What is important for pianist here is to achieve the smooth, flowing, encompassing flow of sounds, as if they were the play and sparkle of small crystals. 

Linas Paulauskis, Music Information Centre Lithuania

Textile_1

A transcendental sound journey into the inner depths...

Gone Again

she only meets me in the shadows

Perplexing Patternity is the result of this stormy year. Kind of a purging or clean up. Lot's of hard and weird stuff happening. Trying to manage through it and find some kind of peace amidst all the craziness. Kind of old school electronic. Wanting to escape to childhood nostalgia, but maybe incorporate this hectic all over feeling and the simultaneous search for peace of mind in it. Hope it's something you'd enjoy to listen. For me it was kind of a struggle and the my feeling about whole project is kind of confused, but sometimes you just got to see it trough, I think.

Peace Worlds

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Sleepless

"Bene qui latuit bene vixit"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : G.R Mottez

Ruinoj

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"Obiit"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Gerold Hinzen

RULO

"Oleum perdidisti"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Maximalfocus

IIIvaN

"Omnis homo mendax"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Tarun Singh (Mahabaleshwar, India)

C'était Le Futur

"Rigor mortis"

Composition & mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Nick Fewings (Pompeii)

Pontes

Tak Slap

NaviarHaiku 352 
Harp 
Choirs
Synths 
Dreams of peaceful waters

Ornate Silk, Spring Rain

Ornate Silk, Spring Rain (NaviarHaiku 352)

"Certamen bonum certavi"

Composition & Mix : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - Openmastering
Image : Valentin Salja 

https://unsplash.com/photos/9kbaq1xoIr0?utm_source=unsplash&utm_medium=referral&utm_content=creditShareLink

Pugna

"Pax in terra hominibus bonae voluntatis"

Composition : Romain AUPAIX-LECLOUX-BESIAT
Mastering : Samuel AUBERT - OpenMastering
Image : Delfi De La Rua (unsplash)

Kuros

Crow

Fake Electro-Acoustic musician

other projects (past & present)
@sguall (rap)
@ricinn
@sonsofapache1 (rock)
@oyojo (rap)
@secheprod
@ortta (rock)
@pulsarsessions (jam)

Background photography by Navi

RULO

6klop

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