All submissions to Haiku 283:

http://www.naviarrecords.com/2019/06/05/naviarhaiku283-the-clear-day-in-the-rainy-season/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

The clear day in the rainy season/The madder red of the twilight appeared/And vanished instantly

This track was created for the Naviar Haiku group.
283 week haiku
naviarlab.tumblr.com/

background various VST - muted trumpet - Yamaha mx49 :-)

2019-06-06

The clear day in the rainy season(Naviarhaiku 283)

The clear day in the rainy season.
The madder red of the twilight appeared
And vanished instantly.

haiku by Takahama Kyoshi  https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems
picture by Kevin Hou https://unsplash.com/@kevinhou

For more information visit http://www.naviarrecords.com/about/naviar-haiku

vanished

halF cleaR [naviarhaiku283]

Submitted to Naviar Haiku 283.

 naviarhaiku283 – The clear day in the rainy season

The clear day in the rainy season.
The madder red of the twilight appeared
And vanished instantly.

Poem by Takahama Kyoshi 

Kyoshi was the editor of the haiku magazine Hototogisu, which promoted a more traditional style of haiku compared to other contemporary schools which were not following the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku. He was active during the Shōwa period of Japan.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

haiku by Takahama Kyoshi  https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems
picture by Kevin Hou https://unsplash.com/@kevinhou

The madder red of the twilight

The Madder Red Of The Twilight - naviarhaiku283

Quasi-generative sine waves and lap steel loops slowly unfold material from the rainy season raga Megh. A slow 17 beat rhythmic cycle played on a bell gradually gets swamped by non-pulsed layers.

naviarhaiku283: the clear day in the rainy season

made in iris2
lunatic moon
abrupt red glows
.

naviarhaiku283 – The clear day in the rainy season

The clear day in the rainy season.
The madder red of the twilight appeared
And vanished instantly.



Kyoshi was the editor of the haiku magazine Hototogisu, which promoted a more traditional style of haiku compared to other contemporary schools which were not following the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku. He was active during the Shōwa period of Japan.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 12th June 2019

haiku by Takahama Kyoshi  https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems
picture by Kevin Hou https://unsplash.com/@kevinhou

lune afterglow (naviarhaiku283)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

lune afterglow (naviarhaiku283)

sevenism