OSTs

Dustin O'Halloran - We Move Lightly (EVERLONE REMIX)

GTA IV TBoGT - Pause Menu Song

This is the GTA V pause menu music without the horrible hissing background noise...

I love this song but everywhere I looked the quality was bad, it was too quiet or there was a hissing noise in the background so I grabbed the best one I found and removed the hissing plus upped the volume a little... I felt that someone might be looking for the same thing so I figured I may aswell upload it here...

Rockstar Games and Rockstar North owns any and all rights related to this game. I'm just sharing this non-profit ect...

GTA V - Pause Menu Music - Cleaned

intro to resident evil song i made earlier

human milipad (intro)

Monade ville Ariane Le Futur VII contact Sacem pour uniquement creative commons jamendo MusicStartSacem

Comme entre 2008 et 2016 , réouverture d’une page jamendo [ pour ce titre Monade ville Ariane Le Futur VII]   voir ce lien http://jamen.do/l/602040  sur mon profil jamendo 2025 et + artiste Julien BOULIER  pour des usages non commerciaux uniquement roylaties et programme de monétisation you tube , plateformes réseaux sociaux , etc..., avec le choix de laisser quelques morceaux sous statut creative commons , mais cette fois depuis 2025 en pouvant légalement avoir aussi 800 morceaux pourtant déposés désormais Sacem à but commercial, MusicStartSacem non déposé Sacem Creative Commons à but non commercial uniquement royalties liés au programme de Monétisation sur You tube à déclarer pas + de 200 ou 400 euros par trimestre comme activité artistique à la CAF pour le calcul de la prime d’activité et aux impôts dans la section "revenus artistiques"

Monade ville Ariane Le Futur VII contact Sacem pour uniquement creative commons jamendo MusicStartSace

J’ai participé  à 2 une réunions récemment à Brest en 2024-2025 qui nous expliquaient les nouveautés de la plateforme Sacem notamment bien distinguer MusicStartSacem et Sacem désormais qui sont complémentaires, MusicStartSacem servant notamment à protéger les collaborations à distance et les morceaux pas terminés, en cours de construction, avec les apports et les idées de plusieurs participants à différents moments de la création d'un morceau avant son dépôt définitif Sacem à usage dans ce cas davantage commercial. Les morceaux peuvent être ainsi laissés protégés et laissés avec une option non commerciale , uniquement pour des royalties et des projets de monétisation type You Tube ou  soundcloud, les revenus étant entre 200 et 400 euros par trilmestre ou semestre, comme entre 2010 et 2017 de mon côté, et à déclarer aux impôts dans la section "revenus artistiques" , ou pour la Caf dans le calcul de la prime d'activité actuellement encore , trimestriel et désormais depuis 2025 en avril, à la source pour la CAF .

Il était dit qu’on peut choisir de protéger MusicStart Sacem en choisissant l’option "non commercial" creative commons pour un morceau que l’on choisit de ne pas destiner à un usage commercial.

C’est pourquoi j’ai ouvert une page jamendo avec un profil qui dit que pour cet artiste Julien BOULIER, moi-même , je poste sur cette plateforme ce morceau "Monade ville Ariane Le Futur VII" en choisissant de le laisser libre de circuler sur les plateformes you tube , avec le programme de monétisation qui n’est pas dans le cadre l’un usage commercial.

Uniquement des royalties.

J’ai également uploadé sur les réseaux sociaux ainsi que sur mon site internet officiel, parmi mes 800 morceaux déposés sacem avec un usage commercial souhaité, ce titre qui est uniquement creative commons sur soundcloud pro et sur Bandcamp mon espace personnel de la plateforme d’albums numériques musicaux.

Julien BOULIER
Je n’ai pas trouvé où se trouve sur la section Musicstartsacem, le bouton ou l’option à activer comme à une époque avec la mention "choix de laisser en creative commons, à buyt non commercial".

C’est pourquoi je me propose de vous envoyer un mesage le spécifiant à chaque fois que je protègerai uniquement MusicstartSacem sans déposer Sacem , et quand je choisirai de uploader un titre à but non commercial sur la plateforme jamendo pour l’artiste Julien BOULIER (moi-même) sur mon profil portant mon nom [Julien BOULIER] (2ème prénom Mathieu).

Monade ville Ariane Le Futur VII

the man from cuba

Instar

Constant Return

GTA IV TLAD - Soundtrack

GTA IV - The Lost and Damned # Theme Song

San Junipero (80s-90s-00s-?S) - 00:00
Faith, Hope, Fear & Falling In Love - 04:04
Tick Tock (Clock Of My Heart) - 06:49
Night Drive - 10:53
Property Of Tucker Systems - 13:30
In Sickness, In Health - 15:42
Life Eternal - 18:11
Waves Crashing On Distant Shores Of Time - 20:29
Endless Summer - 25:34
San Junipero (Saturday Night In The City Of The Dead) - 28:10

San Junipero OST - Black Mirror (Clint Mansell)

from 'MYTH II - A Need to Survive' [CD|LP|DIGITAL]
Denovali Records · den306
available on all formats at http://denovali.com/theeyeoftime

The Eye of Time is the solo-project of French musician, Marc Euvrie. His new album ‘Myth II : A Need To Survive’, released 3rd August on Denovali Records, is the second part of a trilogy of releases about the path that humanity takes over the ages. A multi-layered tapestry of experimental sound, ‘Myth II : A Need To Survive’ merges darkness and hope via minimalist beats and stark bass.

Myth is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. Myth is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. Myth is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

On ‘Myth II : A Need To Survive’, Marc adds, “The period between the release of the first two records of this trilogy is a most significant one in my life. ‘A Need To Survive’ is the perfect title to name it. I have fought darkness. I have faced myself. I've been into the deepest introspection ever, but I'm on my way to recover, and I will never be the same again. I guess I have faced the worst but most important period that everybody will face in his life. To know yourself better, to see the bad and the good things you're capable of.”

He goes on to say, “I feel that the album trilogy I started in 2016 will match my path to become a better person in balance. ‘Myth I : A Last Dance For The Things We Love’ corresponds to my falling into darkness, ‘A Need To Survive’ to finding the energy to rise again and the last record which will be named ‘To Heal’, corresponds to me right now, feeling positively mature.”

Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, although he has been classically trained. He started to play piano at 9 years old, composed his first pieces at 15 and studied cello at a Conservatoire after finishing school. Euvrie played in several bands before, being influenced by Claude Debussy, Philip Glass, Frederic Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion and Portishead, he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time.

His extensive self-titled debut album was released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (‘Acoustic’) or pitch-black despair (‘Anti’). ‘Myth I : A Last Dance For The Things We Love’, released in 2016, dealt with introspection, impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm, accompanied by both grim and hopeful melodies.

The cover artworks of the ‘Myth’ album trilogy display pictures by Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH II : A Need To Survive

The Eye of Time - Foldings

This isn’t mine, enjoy. Please don’t sue me.

GTA IV - Pause Menu Music Theme

Our Eyes Connected 👫
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💬 Never apologize for showing feeling. When you do so, you apologize for the truth.
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Suggested track: https://youtu.be/1MT9T4P25DA

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Our Eyes Connected

Download

Ennuison - Our Eyes Connected

Awakening

Original soundtrack from the indie game World of Goo.
http://kylegabler.com/WorldOfGooSoundtrack/ for more info.

21. Are You Coming Home, Love MOM

This is a cover of the piece Ascent Day 1 by Ludovico Einaudi....a very soothing and peaceful piece of music! Recorded on phone..therefore the disturbances. And apologies for the mistakes and glitches.

San Junipero OST - Black Mirror (Clint Mansell)

Ahmed Abd Al Razik

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