 Другими словами, солнечный ветер состоит из отрицательных электронов и положительных ионов.

Радиозвук столкнувшегося солнечного ветра с гелиопаузой

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Потребление чая в килограммах на человека в год. Благодаря стабильному потребительскому спросу мировые цены на чай остаются стабильно высокими и, скорее всего, удержатся на ...По объемам потребления чая Россия занимает четвертое место в мире после Индии, Китая и Турции - чай в стране потребляет около ...


Fox Stone & Iguana Genetic - Two Worlds

The Sanskrit verbal adjective sáṃskṛta- may be translated as "put together, constructed, well or completely formed; refined, adorned, highly elaborated". It is derived from the root saṃ-skar- "to put together, compose, arrange, prepare",[5] where saṃ- "together" (as English same) and (s)kar- "do, make".
The term in the generic meaning of "made ready, prepared, completed, finished" is found in the Rigveda. Also in Vedic Sanskrit, as nominalized neuter saṃskṛtám, it means "preparation, prepared place" and thus "ritual enclosure, place for a sacrifice".
As a term for "refined or elaborated speech" the adjective appears only in Epic and Classical Sanskrit, in the Manusmriti and in the Mahabharata. The language referred to as saṃskṛta "the cultured language" has by definition always been a "sacred" and "sophisticated" language, used for religious and learned discourse in ancient India, and contrasted with the languages spoken by the people, prākṛta- "natural, artless, normal, ordinary".

American Sanskrit Institute-Lesson 02-01-Vowel Sandhi

Yaman is traditionally sung during the first quarter of the night.

Raga Yaman is a night raga which is very romantic in nature. This raga is often taught to beginners in Hindustani music. Some say its origin is from the Persian mode "Ei'man" from which "Yaman" originated. Others say it has Vedic origins as Raga Yamuna which over time altered as Yaman. 

Moods: bhakti, gambhir, shringar, serene, haunting 

This raga is also called Kalyan or Yaman-Kalyan. The raga has all shuddha swars except for the tivra Ma. It is this note which gives the raga its distinctive quality of peace, and tranquility. Some modernists consider Yaman, Yaman-Kalyan, and Kalyan to be one raga and only traditionalists consider these as three distinct ragas.

Other Ragas in Thaat Kalyan: 
Bhupali 
 
Raga Yaman-Kalyan  
In avraoha, if mM is used instead of M, the raga becomes Yaman-Kalyan
Avaroha: S'  N  D  P  mM  G  R  S
Moods: Peaceful, soothing. Raga of romantic poets

Aaroha:   'N  R  G  M  D  N  S'
Avaroha:  S'  N  D  P  M  G  R  S
Pakad:    'N  R  G  M  P,  R  G  R,  'N  R  S
Thaat:     Kalyan
Prahar:    Late Evening

Alaap:
1. 'N R G, R S - , 'N R G M G - , G M P - , M G - , R G R S -
2. 'N R S - , S 'N 'D 'P - , 'M 'D 'N R G - , G M G - , P M G R S -
3. 'N R G M P - , M D N D P - , M D N S' - , S' N D P - , N D P - , M G - , R G - , R S -
4. G M D N S' - , N R' S' - , S' N D P - , M D N S -
5. M D N R' S' - , N R' G' - R' S' - , S' N D P - , M D N - , M D N R' S' -
6. G M D N R' S' - , N R' G' - , R' S' - , N R' M' G' R' G' R' S' - , S' N' D' P' - , M D N S' -


Raga Yaman [Mandala - Healing Ragas. Sleep and  Beyond]

Raag Bhairavi (Hindi: भैरबी) (Urdu: بھیرویں‎) is a Hindustani Classical heptatonic (Sampurna) Raag of Bhairavi Thaat. Traditionally it is a morning raga. In modern times, at least in Khyal Gayaki, it is usually performed as the concluding (finale) piece in concerts. It is the defining raga of its own Thaat.
Carnatic music has a Bhairavi raga which is quite different from the Hindustani raga.
Hanumatodi in Carnatic music has the same scale as the Bhairavi in Hindustani music.

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