グルーヴ感あって最後までかっこいいです！

Track taken from the new Sonologyst album, "Interdimensional";
https://sonologyst.bandcamp.com/album/interdimensional

"Interdimensional" explores the paraphysical dimension of cosmic music. It completes the dilation process of his sound, which began with the albums "Silencers" and "Ancient Death Cults And Beliefs", which now form an ideal trilogy inspired by what is beyond the boundaries of science.

"Interdimensional" is inspired by the scientist Michio Kaku who theorized what could be the remote future of the human species; beyond matter, the stars, and known dimensions. A future that could lead us to the victory over the end of everything, beyond the foreseen and inevitable death of the universe known to us.

Also a cosmic record in terms of sound, "Interdimensional" is pervaded by a sense of stasis reminiscent of Thomas Köner's isolationist electronics, but still characterised by the use of electrified instruments, analogue synthesizers and recordings of resonant metal objects. Unlike the previous albums, however, the typical dark experimental / post industrial sound of Sonologyst is filtered through hazy warping reverberations and infinite delays, which musically depict the intergalactic journey of a civilization in search of a possible future beyond death.

Music ad astra.

Sonologyst: Analogue synthesizers, electronics, dronin table.

Mastered by Sonologyst
Graphic Design by Abby Helasdottir
Released by Cold Spring Records

Interdimensional

Ad Astra

Mondnacht

20220914

Grabación de Campo por @mapasonoroap
.
Descripción:
“Era una fría mañana de Junio, me encuentro en el parque del centenario, un parque urbano en el plano de Arica, realizando grabaciones de campo para el proyecto “Mapa Sonoro de Arica y Parinacota”, en ese horario se pueden escuchar diversas especies, como Chincoles (Zonotrichia capensis), Picaflores del Norte (rhodopis vesper), Águilas (Generanoaetus melanolecus),  Cernícalos (Falco tinnunculus), Paloma común (Columba livia), Tórtolas Quiguagua (columbina cruziana), entre otras especies. por suerte la costanera que bordea el parque tenía muy poco movimiento y todavía no llegaban las familias, ya que era un domingo de día. Así  que arme el equipo y puse a grabar al micrófono zoom H3vr que realiza grabaciones ambisonic (esfera 360°) y en ese lapso de tiempo de grabación , volaban alrededor entre el follaje de los árboles una colonia de tórtolas.
En la grabación se pueden escuchar tres tipos de vocalizaciones, llamados generales, llamado de atención y vocalización de enfrentamiento entre machos. La vocalización de las tórtolas es muy interesante ya que las personas que no conocen la especie creen que es una “pequeña rana croando”. Mientras grabo el audio solo me queda sentarme, respirar hondo y disfrutar del ambiente."

Equipos: 
Micrófono ambisonic zoom H3vr
.
Localidad: Parque del centenario, Región Arica y Parinacota, Ciudad Arica  - Chile 
Fecha: Junio del 2021
Hora: Desde las 9:00 am a 10:00 am (GMT-3)
.
Bio: 
Gato del Desierto (gdsf.cl) (Arica, Chile), Manuel M. Figueroa (Gato del Desierto), nacido en la ciudad de Arica, desde muy pequeño gracias a su madre, comienza por el amor a las Artes, las tradiciones y la conservación. Fue fotógrafo de danza y arte, con exposiciones en Chile y Perú. Comienza en el área de sonido el 2016, y el 2020 crea el proyecto de Mapa Sonoro, el año 2021 participa en las transmisiones de Tsonami Radio (Chile), en el 2022 participa en el Festival Sur Aural (Bolivia) y Festival Asimtria (Perú). Actualmente sigue con nuevas fases del mapa sonoro y comienza como investigador sonoro.
 
Links: 
Proyecto Fonografico Mapasonoroap  ist’aña suyu https://gdsf.cl
Instagram: @mapasonoroap @gato_desierto.cl
SoundCloud: @mapasonoroap

Compilación de Vocalizaciones de Tortolita Quiguagua - Columbina cruziana

iota

Dog is my Oath

26/3/23

Wee gust then the rain comes

After Eights 8.08

90909 - 16 KATSUDOU

Verse 1

(scene 1)
A light and an embryonic 3d rectangle are centered on the scene.
A pulsating energy may also occur on the background’s empty lull.
They float and seemingly have no animation.
Suddenly without any visible provocation they decay into specks of matter which expand from the very same reality expanding to the left, then up, then down, until they have disintegrated into the nothingness that was there first.
The scene turns totally material void again.
Then, a one dimensional straight line, length synchronously expanding.
The line in constant moves from left to right and right to left of the screen.
It bends (initiating point), moves up and down, left to right at different angles until the separate end-alpha and omega- reconnect.
It also spotlights and gets thicker.
Reality synchronously expands.
When it reaches origo (also refigured-reference to scene 1), it swivels, two bend marks of each curving separate ends directly to the side at, apparently, a right angle of viewing perspective.
About the last second of this scene, reality expands a bit less, and curved still separated ends synonymously bends into forming nearly a blocky shape held by its sides.
Meanwhile the voice stresses out asking "where"

"Where have the years gone?"

2. Verse 2

(scene 2)

A pillar stands, and someone passes by interacting with it.
Different people (actors), dimbodiments, headless and so just normal movement of arms and legs and torsos.
body language without language. Flux syncing different people passing the pillar. Body parts (limbs) are interacting with the pillars, seemingly observing, getting reactions from it. Since the first person passed, the pillar synchronously spins and nothing occurs for the next 10 seconds or less.
Up to some point of the spin the pillar rotates in one direction and then another, till it stops.
Fire voice asks "can it speak".
"What it thinks?!"

Feeling confused faces, touching very bluntly against the object.
No one speaks.
Almost like a ritual.
Then the scene fades into two pillars back to back moving away from each other.
Separation, delay and combination in certain positions of the upright stand.
Patterns developing, standing up leaving, returning, pillars turning.

There are 12 pillars (two rows that are six back to back each one.
Both rows together back to back to form an arch of 12).

"What" the pulsar askes.."About the body and the soul"...between and in between them "Did they appear just to inquire about their spacial limits".

Then lifelike.
Black with hints of red and blue, constantly expanding and rejoining again.
Some sort of dance, symphony of colors.
Definitions harden.
"What about the colors in between?"
Spacial limits when try to join form flesh replica.
Lineless face, pupil eyes, more symmetrical bodies than before.

During the symphony a voice asks if pillars are smaller.
"If our visions vsible or just mine..."

Verse 3

Then more activity between the pillar and travelling persons.
The thread ends when the activity finalizes to people sitting down, comfortably sitting to walk face to face, body cirlevr outside, on the outside of their pegs.
Pathological synchronization.
Forming a large circle.
"They are like sons and daughters dancing and featuring humanity when waiting for the end of the line."

Can you see: silhouette faces?
Can you hear: "Yes the end the end..."?
Eye still trying to discern, "can you see the end"?

There a bright flash appears
And it says: "There were answers to these questions that were through!"
This is not that important alive listening engends: If you don't believe them it would make the thread of Truth tearing.
The product of superimposition holds water so long as we believe in it.

.˛  ºÇ•||<‹⁄∑˙˚’

Instincts // 232

sample from my steel tongue drum track.
played drums with it.
Thank you.

art work by afloe_art

Sinicuichi (free download)

from 90's with 909.
Shapes of repetitive sounds.

「反復する音のかたち」


--SOUND

KATSUDOU
NANOKA

--DESIGN
MARIE

90909 - 16 KATSUDOU

90909

Recent comments

comvert

Related tracks