لَبَّيكَ لَبَيكَ يا سِرّي وَنَجوائي

Here I am, here I am, O my secret and my whisper

When He Began To Sway [OldNEO Edit] is a mesmerizing remix by DJ OldNEO, breathing new life into Maladonna's timeless track. Blending breakbeat, house, and techno, this electrifying journey transitions through the eras of electronic music, starting with the 80s, evolving through the 90s and 2000s, and landing in today's cutting-edge sounds. It's not just a remix but an experimental odyssey for OldNEO, marking his triumphant return after years of silence. A bold fusion of styles and eras, this track invites listeners to sway between nostalgia and innovation.

When He Began To Sway [ OldNEO Edit ]

In Sanhaja, Sy Xavi takes listeners on a breathtaking two-minute journey through a fusion of cultures. This electrifying track blends the mysticism of the Orient, the depth of the Middle East, the rhythms of North Africa, and the ethereal sounds of Northern Europe. The result is a genre-defying masterpiece that feels both ancient and futuristic, a celebration of global music that transcends borders.

Sanhaja

FKTML is Rif Kif Dubman's latest creation, a raw and hypnotic dubstep track that invites listeners to embrace the present moment. Without lyrics, the song speaks volumes through its bass-heavy rhythms and haunting melodies. According to Rif Kif, FKTML which stands for "F**k Them All" is his way of rejecting anything that doesn’t belong in the here and now. It’s a sonic declaration of inner peace, a moment of pure, existential clarity wrapped in deep, resonating beats.
This track is not just music; it’s a statement a reminder to let go of the noise and focus on the peace within.

Bio of Rif Kif Dubman :
Born and raised in the Rif mountains of northern Morocco, Rif Kif Dubman is a genre-blending DJ and producer who has carved out his own unique space in the global music scene. Proudly calling himself "the only Black man of the Rif," he challenges stereotypes in a region known for its European-like appearances, bringing a fresh perspective to Moroccan identity.
Rif Kif started his journey in the underground music scene, blending dub, reggae, dubstep, and downtempo into a hypnotic soundscape that reflects his roots and his vision of peace. In the 2010s, he was part of the multinational collective MasterOp Federation, where he honed his craft before embarking on a solo career. Over the years, he has traveled the world, carrying the sounds of the Rif, his dub-infused beats, and his message of unity and self-expression to audiences everywhere.
Through his music, Rif Kif Dubman has created what he calls his "Peace Universe," a sonic refuge where listeners can escape, reflect, and connect. His tracks are not just music they are experiences, deeply rooted in his heritage and his journey as an artist.

FKTML v.1

"Slow Dream" is a 2-minute downtempo exploration where lush textures meet ethereal melodies. Entirely freestyle, this track reflects TooF@n’s signature style of blending downtempo beats with the dreamy atmospheres of dreampop and the hazy, immersive soundscapes of shoegaze. With its hypnotic rhythm and delicate layers, "Slow Motion Dream" feels like a fleeting moment suspended in time, inviting listeners to lose themselves in its introspective vibe.

Who is TooF@n?

TooF@n is a genre-blurring DJ and producer who thrives on crafting atmospheric and emotionally rich music. Known for his ability to fuse downtempo, dreampop, and shoegaze influences, he creates soundscapes that are as dreamy as they are grounded. Whether through his freestyle productions or meticulously crafted tracks, TooF@n’s music transports listeners into a world where emotions and textures intertwine seamlessly.

Slow Motion Dream

"Reverse Motion Dream" is a continuation or evolution of the concept introduced in "Slow Motion Dream." While the first title explores the beauty of slowed-down moments, where time stretches and every detail is magnified, "Reverse Motion Dream" takes the audience deeper into the surreal realm by reversing the flow of time and motion entirely. It represents a shift from observing slow, dreamlike moments to experiencing an inverted, otherworldly journey where reality defies its natural order.

This progression suggests a deeper dive into the subconscious, where dreams not only slow down but begin to unravel and reverse, challenging perceptions of time, space, and motion.

Reverse Motion Dream

"FKTML v.3" by RIF KIF Dubman takes his iconic track to new heights. While it may initially feel similar to previous versions, the artist sees it as a completely new transformation. This third iteration continues the journey of his signature bass and drum interplay, enhanced by unique sound effects recorded directly from the natural landscapes of the Rif mountains. A raw and organic experience where every sound resonates with the spirit of the region.

FKTML v.3

Some emotions don’t need words. Rooftop Neons is pure sound no lyrics, not a single word yet it speaks volumes. Created in solitude during the 2020 lockdown, this track was TooF@n’s first experiment with shoegaze, blending hazy synths, swirling atmospheres, and infinite reverb. A soundscape where time dissolves, capturing a moment that now exists beyond time itself.

Now, as he prepares to unveil his 100% shoegaze album, TooF@n finally releases this hidden gem a glimpse into the sonic waves yet to come. A gift, frozen in sound, echoing into eternity.

Rooftop Neons

Rif Kif Dubman - FKTML v.2 🎛️🔄
Same structure. Same flow. Completely different soul.
With FKTML v.2, Rif Kif Dubman continues his mind-bending trilogy, proving that music isn’t just about notes and patterns it’s about emotion. Just like FKTML v.1 and FKTML v.3, this track follows the same framework, but it’s not the same song. It’s a different feeling, a new state of mind, a fresh perspective on repetition and change.
This is the final brick in the FKTML trilogy. The ultimate proof that the way we feel a track is just as important as the track itself.

FKTML v.2

The track "Sijilmassa" by Sy Xavi, produced by the talented Spanish artist, is a unique and introspective musical piece. This song, however, carries an extraordinary twist: the melody of "Sijilmassa" was dreamed by Toofan, an artist known for transforming his dreams into music. A different follow-up to the previous title "Sanhaja", this composition explores a surreal dimension where time flows backward, inspired by a reversed dream.

Sijilmassa

The melody awakens like a distant echo, unfolding through layers of ethereal textures and rhythmic tension. Breakbeat pulses intertwine with haunting synths, crafting a delicate balance between nostalgia and futuristic dynamism. A hypnotic initiation into the trilogy’s evolving sonic journey.

When He Began to Sway

#Day_01 - First Light (feat. MiraeBliss) 🌅 A delicate awakening, where MiraeBliss’ ethereal vocals intertwine with dreamy reverb, mirroring the glow of dawn.

#Day_01 - First Light (feat. MiraeBliss)

#Day_03 - Noon Reverie (feat. MiraeBliss) 🌞 MiraeBliss returns to illuminate this sun-drenched track, where shimmering layers pulse like heat waves on asphalt.

#Day_03 - Noon Reverie (feat. MiraeBliss)

#Day_06 - Nightfall Waves 🌊 A tidal wall of sound—crashing and retreating, lost in the depths of nocturnal reverb.

#Day_06 - Nightfall Waves

#Day_08 - Deep Echoes 🔊 Heavy, immersive, and hypnotic—distortion spirals into infinity.


#Day_08 - Deep Echoes

Rooftop Neons (Bonus Track) 🌃 The genesis of it all TooF@n’s first shoegaze experiment, now fully realized.


Rooftop Neons (Bonus Track)

Yamalki
A mind-expanding fusion of Malhoun poetry and warped electronic sound design. Chopped-up samples, hypnotic rhythms, and Hadri’s fearless manipulation of sound create a hallucinatory sonic experience.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.



Yamalki

Haoulo
Moroccan Raï like you’ve never heard before—remixed into a psychedelic trap trip. Eerie piano chords, distorted guitars, and deep, pulsing bass waves drift through a dreamlike haze, bending time and space.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.

Haoulo

Chaâbi music taken to the extreme. A warped Moroccan violin (kamanja) cries over heavy, murky trap beats, while strange, otherworldly sounds weave in and out. It’s Chaâbi on acid a surreal and avant-garde reinvention of Moroccan folk.

pSYKOK is a groundbreaking DJ duo from southern Morocco, blending trap, dark trap, trip-hop, dark techno, electronica, and drum & bass, all infused with a deep psychedelic essence.
At the decks, Salah Hadri is one of North Africa’s most daring DJs—a fearless innovator who takes risks and pushes sonic boundaries. His sets are unpredictable, hypnotic, and electrifying.
Beside him, Mahmoud Hamdi, a multi-instrumentalist and trumpet virtuoso, brings an organic, melodic touch to their electronic soundscapes. Sometimes, Hamdi plays live alongside Hadri, creating immersive, real-time fusion sets where traditional and modern sounds collide.
Their music reshapes Arab, North African, and African sounds, transforming them into dark, psychedelic electronic journeys unlike anything heard before.

Stati Sko

A deep dive into psychedelic gravity distortion. Graviton is a hypnotic mix of heavy bass, warped synths, and eerie, atmospheric drones, creating a feeling of floating through an unstable dimension. The track bends between dark techno, trip-hop, and glitchy electronica, with sporadic bursts of North African percussions emerging like echoes from a distant world.

At its core, Graviton feels like a sonic black hole pulling you deeper, twisting time, and dissolving reality into a cosmic trance.

Graviton (Bonus Track 1)

Rider in the Storm

If the Horses of Remoteness Overwhelm You

🌊 Rider in the Summer Storm 🌴
BlueDay is back with a refreshing summer version of their iconic track, Rider in the Storm. Dive into an electrifying vibe where deep house and house music intertwine to create the perfect soundtrack for your summer nights.
Let yourself be carried away by vibrant rhythms, captivating melodies, and an energy that captures the essence of summer storms. A track to enjoy under the stars or on the dance floor. 

Rider in the Summer Storm

BlueDay returns with a winter-inspired version of their iconic track, Rider in the Storm. Step into a mesmerizing world where deep house and house music meet frosty, atmospheric elements to create a soundscape perfect for the colder months.
Feel the chill of winter storms through hypnotic beats, immersive melodies, and an energy that resonates with the season's magic. Whether you're by the fire or on the dance floor, this track will transport you. 

Rider in the Storm (Winter)

BlueDay Jok reimagines his iconic track The Honeybee in collaboration with L0w Battery, creating a deep house masterpiece. This version combines the poetic depth of the original lyrics with L0w Battery's signature bass-effect vocals, delivering a haunting and immersive experience.
With hypnotic beats and a dark, atmospheric vibe, this track is perfect for late-night listening or deep dancefloor moments. Let The Honeybee take you on a journey through sound and soul.

Lyrics : 

The Honeybee

(Verse 1) The honeybee spoke, said, "I don’t trust no crooked man, No greedy hand to pull my wings, to claim my land." She told me, "Look now, child, and see the broken crown, A king that heals, a shepherd bleeds, but no word gets around."
(Chorus) Welcome, honeybee, fly high and free, Through the dust, through the trees, through the bones of history. Welcome, honeybee, oh, light on my hand, Sing your tune for the lost and the damned.
(Verse 2) Sing low by the river, by the roses and the thorns, Where the preacher’s voice is hollow and the gambler’s oath is sworn. Oh, mercy’s in the garden, but the field is soaked in blood, And the wind hums a sorrow no whiskey can flood.
(Chorus) Welcome, honeybee, fly high and free, Through the dust, through the trees, through the bones of history. Welcome, honeybee, oh, light on my hand, Sing your tune for the lost and the damned.
(Bridge) I asked her, "Why do your soldiers bow and break? No lies, no schemes, no poison in their wake?" She said, "I don’t serve no hollow king, no beast in silver chains, The weight of gold will drown a man before the flood or flame."
(Outro) The king may heal, the shepherd’s torn, The preacher prays, the thief is born. But the whisper in the fields, the fire in the sky, Says the honeybee lives, though the wicked may die.

The Honeybee

"Echoes of a Myth" is a mesmerizing single that showcases the enchanting collaboration between Lotus Pastel and the acclaimed DJ and producer OldNEO. The song weaves together ethereal melodies and pulsating beats, creating a soundscape that transports listeners to a realm where dreams and reality intertwine. With lyrics penned by 3SR, the song explores themes of nostalgia, identity, and the timeless nature of myths, inviting audiences to reflect on their own stories and experiences.

Lotus Pastel is an emerging artist known for her enchanting blend of dreamy pop and ethereal sounds. Before releasing her highly anticipated album under the 90dB Project label, she will debut a single titled "Echoes of a Myth," in collaboration with the renowned DJ and producer OldNEO. With a unique voice and captivating presence, Lotus invites listeners into her imaginative world, drawing inspiration from nature, culture, and the magic of life.

Lyrics:

"The Myth We Forget"
We don’t believe in myths, yet we’re the tale,
A future’s legend, carved in the fragile veil.
The woman, a species of omni-appear,
She loves you, but will only miss herself in the mirror.
Jump! Believe me, dodge, leap, and dive,
Swim through the void your guides say can’t survive.
Dance like the flames, run like the breeze,
Flow like the water in time’s endless seas.
In you, the universe; through you, the dream,
By me, the words, let’s rise to the rooftop’s gleam.
Love yourself, love the rest, stay love,
Here, elsewhere, forever, beneath and above.
Speak when the voice is yours to ignite,
Say what matters, not just noise in the night.
Build your fortune, crush the remains,
Count the days, and celebrate what sustains.
Be born! Be reborn! Again and again,
Until you become what you’re meant to attain.

Echoes of a Myth

“People” is a soul-stirring dance ritual wrapped in a deep groove. Produced by the genre-blending maestro Baby Blue Gleam, the track fuses rootsy folk-reggaeton guitar lines with deep house rhythms, pulsing like a prayer in motion. Inspired by the sacred verses of protection, it carries both ancestral weight and club energy.
Jo Chris delivers the main vocals with a grounded, meditative tone, while BabyG brings ethereal harmonies, whispering between the beats like a spirit speaking through the night. The hook loops like a trance: mantra meets movement, faith meets fire.
This is not just a song. It’s a protection spell you can dance to.

People

Artist: Baby Blue Gleam Genre: Deep House / Electro Ritual


“Aqisa” gets a dancefloor resurrection by Baby Blue Gleam, who turns the cursed legend into a pulsating deep house anthem.
Built on a slow-burning bassline, tribal percussion, and a looping vocal sample whispering "Aqisa... Aqisa...", the track captures the sensation of being chased by a ghost through smoke and strobe lights.
It’s seductive, tense, and spiritual like dancing at the edge of a cliff. Aqisa has entered the club, and she’s not leaving alone.


Aqisa

"Wicked Wind Called Aqisa" is a dark and hypnotic ritual disguised as a song. Bluday Jok summons ancient winds through pulsating beats and gritty textures, while MiraeBliss's voice weaves a haunting spell both ethereal and venomous.
Inspired by the mythical sorceress Aqisa, this track revives her legend through distorted whispers, tribal rhythms, and dreamlike synths. It’s a sonic exorcism the storm speaks, and it knows your name.
Aqisa is not just a ghost. She’s the wind, the envy, the echo behind the curtain.

Wicked Wind Called Aqisa

After the intimate original version, "Emporte-moi" returns in a breathtaking new shape reworked by DJ and producer OldNEO. This edit wraps Lotus Pastel’s whispered plea in hypnotic synth waves, slow-motion beats, and delicate electronic textures.

 A perfect balance between fragility and groove, between the need to escape and the rhythm that holds you back. Originally written as "Que la nuit m’oublie", the lyrics remain the same  but the energy transforms. 

A bonus track, a memory remix, a dance of shadows.

Lyrics :

Vers 1
Je dérive lentement, l’air devient léger, Des étoiles qui tombent dans mes nuits éveillées. Les pas s’effacent, résonnent dans le vide, Emmène-moi là où le silence se décide.

Refrain
Porte-moi sous un ciel tranquille, Là où le monde s’éteint sans bruit. Serre-moi là où l’aube vacille, Que la nuit oublie qui je suis.

Vers 2
Le vent murmure entre les branches, Comme l’ombre douce sur la mer blanche. Des doigts qui cherchent dans le temps flou, Laisse-moi fuir, laisse tout.

Refrain
Porte-moi sous un ciel tranquille, Là où le monde s’éteint sans bruit. Serre-moi là où l’aube vacille, Que la nuit oublie qui je suis.

Outro
Plus de routes, plus de destin, Juste le souffle d’un ciel sans fin. Emmène-moi là où repose le rien…

Paroliers : Zachary Tali / 3SR

Emporte-moi


J’ai bu ton nom is the first absurd anthem from Intolérence. OldNEO’s fractured electronics meet Bob Salim’s voice in a strange ritual where words lose their meaning and sound becomes intoxication. It is not about logic. It is about delirium, obsession and the pleasure of breaking language apart until only rhythm remains.

Intolérence is born from the encounter between Moroccan DJ OldNEO and French singer Bob Salim. Two voices from different horizons, united by a need to break through limits.

OldNEO carries the weight of heritage, bending Andalusian echoes and classical muwashshah into electronic landscapes built on breakbeat, darkcore, and drum & bass. Bob Salim brings a sharp French lyricism, a voice that cuts between chant and poetry, intimate and violent at the same time.

Their music is not polite. It grows from conflict, from the refusal of silence, from the fracture between cultures and generations. Intolérence crafts soundscapes where Arabic modes and French words face each other, overlap, and collide.

The result is raw, unsettling, and magnetic. A band that does not hide behind masks, but steps forward with noise, tension, and beauty, uncompromising and direct.

J’ai bu ton nom

Avec Hello Grey!, Mêm Pa s’empare d’un titre de Lotus Pastel et le réinvente à leur manière. Plus brut, plus insolent, leur version garde la poésie des paroles mais lui injecte un groove constant, proche de Stromae, entre riffs acérés et beats modernisés. C’est une danse dans le noir, pleine d’ironie et de vérité, qui résonne comme un hymne des rues parisiennes.

90dB Project

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