Run Away With Me

render_renoise

Alt Fork Branch (DanTron McTronDan + ER)

Made as part of the  RPM ACID GOD compilation out SOON.

MY SEED IN COMFORT ( ACID GOD DEMO v.1 )

As Long As U Forget 2

djmix_fvfr_bc18

Made using only the samples in the pack.
Sequenced in Renoise 3.2

sample Contest reddit

I had a good time making this tune and the cover art. 

xxx_178

Fictional Genre: Etiamunda

Your mission is to create a track in the following fictitious genre. Interpret this genre description however you wish, and create a song that
fulfills your vision of this genre. You may use any sound sources you desire in this competition.
Genre: Etiamunda
Tempo: Adagio, 66 - 76 beats per minute.
Time signature: 4/4, 6/8, or 7/4.
Instrumentation:
Natural percussion, especially tonal-mallet instruments (marimba, vibraphone, etc.)

Long droning chords in deep pads and airy harmonics.

And highly rhythmical synths with shorter articulations such such as pizzicato, trills, glissando, staccato, marcato, etc.
Characteristics:

History: Sheet music recently discovered in an old stone hovel unearthed in an excavation in Cumbria gives us Etiamunda as the first hint at 
modern music composition. Cumbria is the place where the musical Skiddaw Stones were discovered in the early 1800s and the person who discovered
them had also been, we have good reason to think, highly trained in classical instrumentation. Mixing the two elements of the Stones and classical

instruments the composer discovered new worlds in music that no other before had attempted.
Structure: Inspired by the long rolling hills in Cumbria, the composer decided that music should be written in even ratios: for every crescendo 
there must also be an equal decrescendo. Based upon this simple formula, the composition structures used were: ABA, ABCBA, AABBAA, ABCCBA. In fact
'Etiamunda' roughly translates from Latin as "Even Wave."

Time frame: After analysis of the nearly 400 of the compositions we've discovered that no composition the composer wrote in Etiamunda exceeded 
1:40 seconds. It's still one of the great mysteries of music as to why this was, but the leading theory is that the forum in which all of the pieces
were performed was outdoors and no stringed instrument of the time could stay in tune for that period of time outside.

Ancillary:
Cumbria is a cold place for most of the year. The land and forests are dark green and the rocky hills dark gray. Compound this with the fact 
that it rains there often and is as often foggy, the nature of most of the pieces are extremely solemn and depressing. To achieve this the composer
often used the Dorian and Phrygian modes when not using the natural minor scale.


http://www.banjolin.co.uk/modes/dorian_mode.htm http://www.banjolin.co.uk/modes/phrygian_mode.htm
In a note found in a journal the composer wrote the following: "The system of waves coming in from the ocean is miraculous: they are at first 
shallow and even, then they build and build, then at the apotheosis they crash with magnificent thunder and slowly return back into themselves until
they are but a trickle on the beach. Should not everything in life be the same? Should not every music be so modeled?"
Sometimes but not always the compositions would change time signature and key at the climax of the piece then return to the original time 
signature at the decrescendo.
Natural harmonics within the strings were employed often.

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