Name: طَالَما أشكُو غَرامي - نور الدين خورشيد by 9bloo5
Duration: 15 min 20 s
Description: طَالَما أشكُو غَرامي \ طَابَ لي خَلع عذَاري

موشح : ان أنعمت ليلى / حسن حفّار و منشدي حلب

lyric

بغيابك تسهر الدنيا على بابي 
قمر و نجوم و خيالات تخطر على بالي 
بغيابك ليل و ورد يتعربش عشباكي 
يسمعني قصص و حكايات كمشة آهات مثل الصدى بترن بترجع عبالي تعن 
يوم السبت الناس تنام بتحس براحة الجو العام تفرشي سنانك بالحمام تطلع على بالك مش تمام إنك من وضعك مش مكان تحكيش مع حالك روق يا مان بس تنعس تنفس خود كمان الدنيا بتاخد مين ما كان شو ما كانت تعطي كيف لكان في باللعبة أشكال ألوان ريح راسك إفرش و نام على باب بيتك حط رنان بدي كمان يعمل ألوان 
بدي كمان يعمل ألوان (يعمل ألوان) 

بغيابك الصيف لبس معطف شتا و الربيع انحرق قلبه 
تاه و ضاعت نسماته من يومها لا حدى عاد شافه ولا إندل له و لا إندل له و لا حدى عاد شافه 
بغيابك يسهرني قلبي ليالي.... (رهيب المقطع)
و الدنيا شاردة و ما تضحك في بالي
رعود و برق صراخ يسد الحلق
و وجع القلب يغص القلب 
نستنى يفك الغلق أستنى أستنى يفق الغلق 

و غفيت غفيت
عندي شو غفيت
و صحيت صحيت
عندي شو صحيت
و مشيت مشيت معي شو مشيت
و نسيت نسيت عندي شو نسيت 


اوتوستراد بغيابك

Out NOW on LP, Digital, CD and Tape! Purchase from our Bandcamp http://wonderwheelrecordings.bandcamp.com/album/silt

Wonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called “The New Star Of Nubian Pop” by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as “East African Retro Pop” - it’s music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it’s Eastern instrumentation, soaring vocal melodies, and pentatonic arrangements. 

The album has it’s musical roots in the Nubian “Songs of Return” that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that went under water after Egypt built Aswan High Dam to control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade – a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band’s musical curiosities in the concept of migration and Silt is their take on this mixed with the musical fusion happening in 1970s Khartoum, along with Arabic and North African influences appearing in the mix. 

Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named 1 of the Top 5 “Must Hear” international albums by NPR). She has also collaborated with French producer Débruit on the album Aljwal, released this past November via Soundway Records UK. 

The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and the Festival du Mond Arab in Montreal just to name a few. 



Habibi Taal

written by  Cheikh Imam and Ahmed Fouad Negm  ( http://en.wikipedia.org/wiki/Sheikh_Imam) 
A Satirical song about  how the American president NIXON was welcomed in Egypt with all the protocol in 1974.

I  just added some percussion to Maryam s voice .
Her power and charisma revives this song in a very modern way.
I don t know if i will add anything to it ... i ll let her decide ...

MARYAM SALEH  Nixon BABA ( tribal mix )

كلمات: نصر الحبال
غناء : نصر الحبال و معتز قطب

حلقة حرية و بس - الموسم الثالث: سوريا_جديدة
http://www.youtube.com/watch?v=3uh5kYwtUBk

New Syria | سوريا جديدة

زياد رحبانى - بصراحه

طَالَما أشكُو غَرامي \ طَابَ لي خَلع عذَاري

طَالَما أشكُو غَرامي - نور الدين خورشيد

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شارع الحمرا  -خالد الهبر

Hamza El Din - Escalay (The Water Wheel) Konstantin Sibold Edit

original song written by Hamza El Din
published on Nonesuch / Explorer Series 1971
performed by the Kronos Quartet 1998
additional production and remastering by Konstantin Sibold 2009
contains extracts from the live DVD recording In Accord by the Kronos Quartet
published on Arthaus Musik 2001


طَالَما أشكُو غَرامي - نور الدين خورشيد

9bloo5

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