On July 16th, multidisciplinary producer, designer and 3D artist Raynor de Groot serves up Future Static, his debut full-length on Atomnation / Intercept as Coloray. More than simply a collection of music, the record will be presented in an all-new virtual space where each track is a portal to a different world.

https://atomnation.bandcamp.com/album/future-static

Dutchman de Groot has proven himself as an accomplished conceptual artist who draws together many different creative fields. He has released everything from lush synth-pop to deep techno, and has real songwriting ability. 2019's 'Can't Stop' in collaboration with Eagles & Butterflies proved that as it crossed over multiple scenes and became one of the year's standout tracks thanks to support from heavy hitters as diverse as Hunee and Four Tet. Âme & Dixon have also regularly supported Coloray's music and asked him to release 'Gazing Eyes' on their Innervisions label.

Two years after his Real Life Cinema EP on Atomnation, Future Static finds de Groot open a new chapter that explores a more conceptual sound. The album "translates the concept of man and computer creating a new reality where logic and emotion seems to be at odds with one another." Its 12 tracks have club-ready grooves, but also exquisite synth designs that are edgy and uptempo. They will be translated to a live show and interactive music experience in VR, on your phone and desktop. In the show, online visitors will be able to get lost inside the mind of an AI and watch and interact with a Coloray performance.

The album opens with the intergalactic ambiance of 'Center Of The C#' before the bright chords of 'Broken Mirrors' welcome you into your new reality. Pained vocals seem to yearn for something lost, but that is soon forgotten on 'Echoes' with its crashing breaks. A bright, lively and optimistic lead synth takes you onwards towards the dystopian meltdown of 'Line Break I.' 'Face of Value' rebuilds with a chunky groove and surging bassline while vocals bring a sense of humanity.

There is a trance-inducing euphoria to 'New Moon +' that leads you to feel elevated, then 'Line Break II' encourages you to take in your reality as it suspends you amongst crystalline pads and lush sci-fi sounds. 'Kill The Ego' has a darkened mood, with menace in the percolating bass and tension between the drums and synths. This ambitious album plays out through the cyborg techno funk of 'Digital Abyss' and 'Moire', and after 'Line Break III' acts like an intense ambient reboot, 'Resurrection' sends you off on a hopeful electro lullaby.

Presented with an artfully designed gatefold sleeve, Future Static is a groundbreaking project from Coloray that pushes creative boundaries while offering an immersive listening experience.

Coloray - Future Static [album previews]

pre-order https://daviddouglasmusic.bandcamp.com/album/escapism

Atomnation's 90th release is to be an album from long time associate David Douglas. He first appeared on the label in 2012 and now Escapism is a triumphant return across 10 tracks of deeply melodic and melancholic electronic music, with artwork by Menno Fokma.

David is a consistently high quality and prolific producer who has put out key albums like Moon Observations and Spectators Of The Universe, as well as vital EPs such as Mountain Pink and Royal Horticultural Society. He is an accomplished video editor who also edits documentaries while at the same time being an all encompassing producer. David finds inspiration in the majesty of the cosmos and the grandeur of nature and manages to capture the essence of that in his music. He has had critical acclaim from esteemed outlets like Pitchfork and XLR8R, has played all round the world and frequently has his music synced by brands like Louis Vuitton, Channel, Givenchy, and Fiat. After a short break, he is now back and better than ever in 2021.

This is an album that finds a perfect balance between heady underground sounds and more catchy pop tracks. After a serene ambient opener that soothes the mind, 'Wade' featuring NYC based artist Erika Spring (from indie-band Au Revoir Simone) is an airy bit of avant pop with a clean, heavenly vocal offset by stuttering synths and rubbery beats. 'Can You Feel It' again explores the tension between melancholic, mournful beats and synths and a more upbeat vocal that soars to the skies.

There is plenty of bright, reflective and shiny melody to ensure 'Golden Days' lifts your spirits, and a high point half way through the album comes from 'Lumen' featuring contemporary Dutch star Blaudzun, with whom David has worked as HATY HATY. Here they explore a heavenly house vibe with vocals that send shivers down your spine and have you desperate for an outdoor summer dance. Later, 'Drifting Away' is a bristling broken beat track with hyper speed drums and bass underpinning shimmering melodies that sounds like nothing else out there. After that, 'Come Alive' brings upbeat house and organic hits with sun scorched synths, and finally Erika Spring reappears on the tender downbeat lullaby that is 'Fade Into My Heart' which closes things down in stylish fashion.

This is an accomplished and adventurous album that takes you on an emotional ride through the ups and downs of everyday life, all with a delicate musical touch.

David Douglas - Escapism [album previews]

The new album from Japanese producer boys be kko is out Friday Nov 26th https://atomnationrec.lnk.to/hensa

boys be kko - HENSA [album previews]

Lex Ludlow debuts on Atomnation with the Midnight EP, a four-tracker filled with woozy, seductive house grooves.

https://atomnationrec.lnk.to/midnight

Sri Lanka-born but Sweden-raised, Lex Ludlow has spent years working in the dance music industry on events, in nightclubs, singing and co-producing with various projects, but only now is she stepping out with her own sounds. The tracks are made on a simple set-up, detailed with plenty of personal found sound. Each track is as free-flowing as the ocean that gives her such inspiration: as well as DJing and producing, Ludlow freelances as a sailmaker. With Midnight, she showcases her love of supple grooves, manipulated vocals and liquid synths.

The title track opens up with a taught house beat and lovely wet claps. Wordless vocals are smeared up top with hooky percussive ticks and angelic coos. It's a dreamy minimal sound that is gorgeously warm. 'Marble Arch' is a sumptuous and soft deep house groove with daubs of synth colour and elastic bass. It's stripped back but oozes soul.

The brilliant 'Sailors Lullaby' has pendulous drums that soon hypnotise as wordless vocals bleed in from above. The deft pads and soft-focus melodies all make for a dream-like sound that has you lost in your own thoughts. Finally, 'Sunday Morning' is the most upbeat, with firmer claps and kicks but still lots of frayed edges, bleary-eyed chords and aching pads that strike a perfectly melancholic note.

With the Midnight EP, Lex Ludlow has immediately found her own beautifully unique sound.

Lex Ludlow - Midnight [12" previews]

https://awekid.bandcamp.com/album/body-logic

Awe Kid explores ideas of trans-humanism, evolution and digital immortality on Body Logic, a fantastically lush new album for Atomnation. The immersive 10 track record plays with organic, breathing textures punctuated by moments of digital unrealness to result in an album permeated with a dream-like quality. This contrast is mirrored by the artwork from Portugal's acclaimed The Royal Studio.

Awe Kid is an alias of Sine Language Records co-founder Rick Parsons. It is the product of years spent exploring a multitude of different music. From early days in post-hardcore groups and on to a love of 90s Warp, electronic jazz and more experimental niches, the multi-instrumentalist has now settled on his own unique fusion of breaks, ambient and left-field dance music. This deft studio wizard mixes up melodic nostalgia with forward-thinking sound design using whatever he can get his hands on, from analog and modular hardware, to samplers, field recordings to digital techniques.

Says Parsons, “I love working with digital processes because you get these unexpected moments where you dial something in, that somehow takes on a tangible, organic form in the real world. Searching for these sweet spots was the motivation for the album, contrasting natural textures against synthetic elements, and finding ways to create something that feels like it exists outside of the computer.”

While the album pays homage to dance music traditions, such as the broken beat of title track 'Body Logic', and full-throttle breaks of 'Zenith', these are assimilated and repurposed to create something that defies genre categorization. The listener's journey is perfectly paced, with broody but uplifting cuts of electronica giving way to shimmering, celestial melodies, and dusty breakbeats emerging from dense layers of atmosphere, only for the mood to be reset with soothing, suspenseful synths and haunting vocal samples. Elsewhere, devastatingly emotional ambient is followed by punchy grooves and propulsive melodies to make for a real ride.

Awe Kid's Body Logic is an adventurous record that manages to move you emotionally, physically and mentally.

The first two singles, 'Eve' and 'Planar,' were supported by the likes of Mary Anne Hobbs (BBC 6 Music), Jamz Supernova (BBC 1Xtra), John Digweed, Sister Bliss, object blue (Rinse FM), Zuli (NTS), Gassy (NTS), Martelo (NTS), Spinee (NTS), Stocks & Shares (Noods), Crossing The Danny (Noods) and others. Body Logic is out in April on Atomnation Records.

Awe Kid - Body Logic

*** 12 INCH VINYL OUT SUMMER 2022 INCL. ONE MORE REMIX FROM EAGLES & BUTTERFLIES. PRE ORDERS FOR THIS ARE AVAILABLE 2022-q3. ***

https://coloray.bandcamp.com/album/future-static-remixes
https://open.spotify.com/album/3kBb50Cc20LyaW7SzGnvxL?si=qwB8VtNLTxOgSlUpRUOgMQ

While listeners around the world continue to play the rich array of tracks on Coloray's debut album Future Static, Atomnation now serves up some tasteful remixes of it by Baril, Sam Goku and Nadia Struiwigh. The album served as a portal to a different world with stylish synths bringing plenty of colour and emotion to the club-ready grooves. Now they are all reworked for different moments on the dance floor but with equally high levels of design.

Baril - one of the main artists of Coloray's Intercept label - flips 'Broken Mirrors' into a scuffed-up groove built on crisp breaks with a faster tempo. Melancholic pads bring a sense of sombreness while the airy, half-pitched vocals add plenty of soul. A perfect piano-laced breakdown builds the energy so that when it drops again hands are sure to go in the air.

Sam Goku's own music was the subject of a fine remix EP late in 2020 and now the Munich-based artist shows off another side with his cosmic take on 'Line Break.' Slivers of synth shimmer and shine while suspensory chords bring more bright light to the tight, twisted drums and bass that take you ever higher.

Sydney-based Dutch artist Nadia Struiwigh offers the final remix of 'Center Of The C#' after establishing her unique sound on labels like on Central Processing Unit, Denovali Records and Nous'klaer Audio. She slowly builds a vibe over seven enthralling minutes, initially with majestic ambient synth work and then with subtle drum rotations that lock you into a state of hypnosis.

All three of these remixes bring a fresh perspective to the still essential originals. On top, a peak time bonus remix from collaborator and friend Eagles & Butterflies is in planning this summer for when the 12" vinyl will hit shelves. Stay in tune for more! 
credits

Coloray - Broken Mirrors (Baril Remix)

AWE KID - BODY LOGIC - OUT APRIL 22 ON 2LP VINYL & DIGITAL

https://awekid.bandcamp.com/album/body-logic

Awe Kid explores ideas of trans-humanism, evolution and digital immortality on Body Logic, a fantastically lush new album for Atomnation. The immersive 10 track record plays with organic, breathing textures punctuated by moments of digital unrealness to result in an album permeated with a dream-like quality. This contrast is mirrored by the artwork from Portugal's acclaimed The Royal Studio.

Awe Kid is an alias of Sine Language Records co-founder Rick Parsons. It is the product of years spent exploring a multitude of different music. From early days in post-hardcore groups and on to a love of 90s Warp, electronic jazz and more experimental niches, the multi-instrumentalist has now settled on his own unique fusion of breaks, ambient and left-field dance music. This deft studio wizard mixes up melodic nostalgia with forward-thinking sound design using whatever he can get his hands on, from analog and modular hardware, to samplers, field recordings to digital techniques.

Says Parsons, “I love working with digital processes because you get these unexpected moments where you dial something in, that somehow takes on a tangible, organic form in the real world. Searching for these sweet spots was the motivation for the album, contrasting natural textures against synthetic elements, and finding ways to create something that feels like it exists outside of the computer.”

While the album pays homage to dance music traditions, such as the broken beat of title track 'Body Logic', and full-throttle breaks of 'Zenith', these are assimilated and repurposed to create something that defies genre categorization. The listener's journey is perfectly paced, with broody but uplifting cuts of electronica giving way to shimmering, celestial melodies, and dusty breakbeats emerging from dense layers of atmosphere, only for the mood to be reset with soothing, suspenseful synths and haunting vocal samples. Elsewhere, devastatingly emotional ambient is followed by punchy grooves and propulsive melodies to make for a real ride.

Awe Kid's Body Logic is an adventurous record that manages to move you emotionally, physically and mentally.

Awe Kid - Body Logic [album previews]

Atomnation marks its 100th release with Peter, Barbara, Beth & Friends, the stunning debut album from Blomfelt & Narby. The immersive nine-track record arrives on May 27th and is a widescreen listen that fuses acoustic and electronic sounds with loose field recordings and tightly programmed drums.

https://blomfeltnarby.bandcamp.com/album/peter-barbara-beth-friends

Finnish-born Henrik Blomfelt grew up in Gaspar Narby's homeland of Switzerland, but the pair met on the dance floor of a pool club in Peckham while studying in London. Gaspar’s indie pop solo project was rewarded with a broad sweep of tastemaker tips from new music and electronica media alike, while Henrik had co-founded Resolution, an audio-visual collective and event series. The two eventually moved in together, but it's only a couple of years later, when Gaspar visited Henrik’s homeland of Finland, that they began making music together. They wrote half of the tracks that appear on the LP there, using an old piano, a cassette recorder found on location and their laptops. The second half was finished back in London.

The artwork's photos were taken by Henrik's brother Mikael on a trip to Mount Etna, Italy. "The surreal colours and vastness of the otherworldly landscape really resonated with us," they explain. "Our writing is mostly instinctive, but notions of colour, texture and space are definitely our focus. We often wonder whether our music is for the club or for the living room, perhaps Mount Etna is the true answer.[laugh]"

Wherever you listen to this emotive album, it cannot fail to resonate because of the way it draws you in close, yet builds expansive landscapes to surround this intimacy. There are beautiful contrasts throughout, such as the malfunctioning machine sounds and perfectly angelic female vocals on 'Peter Is OK Now,' or the frantic nature of the drums on 'Barbara Just Left' which are at beautiful odds with the soul-soothing chords.

Depending on where and when you listen to the likes of 'Trevor Left A Message' you will either ride the suspensory grooves to a higher state of enlightenment or get lost in the sombreness of the bass. As much as tracks like 'Kevin Has Been Thinking About His Taxes Too Much' carry enough weight and dynamism to power a dance floor, there is also an aching vulnerability to it that lends itself more to isolated listening on headphones. Elsewhere, the lo-fi chords and skeletal garage grooves of 'Tiffany Finds Faith On Fridays' might get your head down in a club, but the organic nature of the keys and warming vocal hums also lift your spirits.

Between the album's more propulsive moments, you are brought back down to earth with ambient tracks like the devastatingly insular 'Beth Is Crying' and hauntingly melancholic 'Jim Lost Control.' It is that duality - those off-set layers, opposing textures and the tension between private inner feelings and extroverted dancefloor joy that make this such a powerful album.

Peter, Barbara, Beth & Friends brings together the real and the abstract, the imagined and the lived, into a compelling record that moves you both physically and emotionally.

Pre-order

Blomfelt & Narby - Simon Took A Break

South London's Baby Rollén lands on Atomnation with a fresh remix of Lex Ludlow's 'Midnight'. The club-ready workout is another colourful and characterful weapon from this diverse artist.

Rollén has been making music for over a decade now, and in that time has picked up plenty of fine label credits with the likes of Nick Höppner’s Touch From A Distance and Bristol's influential Futureboogie. He also recently launched his own outlet Slump Recordings and, like his own music, it is defined by an appreciation of classic club sounds but with a contemporary edge. From jungle to UK garage, disco to bass-heavy techno, Rollén has done it all.

Lex Ludlow - Midnight (Baby Rollén Remix) is primed and ready for the dance floor. It has crisp, punchy house drums with a subtle garage skip, throwback piano chords that douse you in love and a seductively smooth bassline. The whole thing is perfectly uplifting and smooth, with neon-hued synths leaving long tails in their wake and deft effects adding extra warmth and soul.

This well-crafted remix is easy to love and impossible to resist.

South London's Baby Rollén lands on Atomnation with a fresh remix of Lex Ludlow's 'Midnight'. The club-ready workout is another colourful and characterful weapon from this diverse artist.

Rollén has been making music for over a decade now, and in that time has picked up plenty of fine label credits with the likes of Nick Höppner’s Touch From A Distance and Bristol's influential Futureboogie. He also recently launched his own outlet Slump Recordings and, like his own music, it is defined by an appreciation of classic club sounds but with a contemporary edge. From jungle to UK garage, disco to bass-heavy techno, Rollén has done it all.

Lex Ludlow - Midnight (Baby Rollén Remix) is primed and ready for the dance floor. It has crisp, punchy house drums with a subtle garage skip, throwback piano chords that douse you in love and a seductively smooth bassline. The whole thing is perfectly uplifting and smooth, with neon-hued synths leaving long tails in their wake and deft effects adding extra warmth and soul.

This well-crafted remix is easy to love and impossible to resist.

Lex Ludlow - Midnight (Baby Rollén Remix)

https://atomnationrec.lnk.to/PeterBarbaraBethandFriends

Atomnation marks its 100th release with Peter, Barbara, Beth & Friends, the stunning debut album from Blomfelt & Narby. The immersive nine-track record arrives on May 27th and is a widescreen listen that fuses acoustic and electronic sounds with loose field recordings and tightly programmed drums.

Finnish-born Henrik Blomfelt grew up in Gaspar Narby's homeland of Switzerland, but the pair met on the dance floor of a pool club in Peckham while studying in London. Gaspar’s indie pop solo project was rewarded with a broad sweep of tastemaker tips from new music and electronica media alike, while Henrik had co-founded Resolution, an audio-visual collective and event series. The two eventually moved in together, but it's only a couple of years later, when Gaspar visited Henrik’s homeland of Finland, that they began making music together. They wrote half of the tracks that appear on the LP there, using an old piano, a cassette recorder found on location and their laptops. The second half was finished back in London.

The artwork's photos were taken by Henrik's brother Mikael on a trip to Mount Etna, Italy. "The surreal colours and vastness of the otherworldly landscape really resonated with us," they explain. "Our writing is mostly instinctive, but notions of colour, texture and space are definitely our focus. We often wonder whether our music is for the club or for the living room, perhaps Mount Etna is the true answer.[laugh]"

Wherever you listen to this emotive album, it cannot fail to resonate because of the way it draws you in close, yet builds expansive landscapes to surround this intimacy. There are beautiful contrasts throughout, such as the malfunctioning machine sounds and perfectly angelic female vocals on 'Peter Is OK Now,' or the frantic nature of the drums on 'Barbara Just Left' which are at beautiful odds with the soul-soothing chords.

Depending on where and when you listen to the likes of 'Trevor Left A Message' you will either ride the suspensory grooves to a higher state of enlightenment or get lost in the sombreness of the bass. As much as tracks like 'Kevin Has Been Thinking About His Taxes Too Much' carry enough weight and dynamism to power a dance floor, there is also an aching vulnerability to it that lends itself more to isolated listening on headphones. Elsewhere, the lo-fi chords and skeletal garage grooves of 'Tiffany Finds Faith On Fridays' might get your head down in a club, but the organic nature of the keys and warming vocal hums also lift your spirits.

Between the album's more propulsive moments, you are brought back down to earth with ambient tracks like the devastatingly insular 'Beth Is Crying' and hauntingly melancholic 'Jim Lost Control.' It is that duality - those off-set layers, opposing textures and the tension between private inner feelings and extroverted dancefloor joy that make this such a powerful album.

Peter, Barbara, Beth & Friends brings together the real and the abstract, the imagined and the lived, into a compelling record that moves you both physically and emotionally.

Blomfelt & Narby - Trevor Left A Message

https://atomnationrec.lnk.to/PeterBarbaraBethandFriends

Atomnation marks its 100th release with Peter, Barbara, Beth & Friends, the stunning debut album from Blomfelt & Narby. The immersive nine-track record arrives on May 27th and is a widescreen listen that fuses acoustic and electronic sounds with loose field recordings and tightly programmed drums.

Finnish-born Henrik Blomfelt grew up in Gaspar Narby's homeland of Switzerland, but the pair met on the dance floor of a pool club in Peckham while studying in London. Gaspar’s indie pop solo project was rewarded with a broad sweep of tastemaker tips from new music and electronica media alike, while Henrik had co-founded Resolution, an audio-visual collective and event series. The two eventually moved in together, but it's only a couple of years later, when Gaspar visited Henrik’s homeland of Finland, that they began making music together. They wrote half of the tracks that appear on the LP there, using an old piano, a cassette recorder found on location and their laptops. The second half was finished back in London.

The artwork's photos were taken by Henrik's brother Mikael on a trip to Mount Etna, Italy. "The surreal colours and vastness of the otherworldly landscape really resonated with us," they explain. "Our writing is mostly instinctive, but notions of colour, texture and space are definitely our focus. We often wonder whether our music is for the club or for the living room, perhaps Mount Etna is the true answer.[laugh]"

Wherever you listen to this emotive album, it cannot fail to resonate because of the way it draws you in close, yet builds expansive landscapes to surround this intimacy. There are beautiful contrasts throughout, such as the malfunctioning machine sounds and perfectly angelic female vocals on 'Peter Is OK Now,' or the frantic nature of the drums on 'Barbara Just Left' which are at beautiful odds with the soul-soothing chords.

Depending on where and when you listen to the likes of 'Trevor Left A Message' you will either ride the suspensory grooves to a higher state of enlightenment or get lost in the sombreness of the bass. As much as tracks like 'Kevin Has Been Thinking About His Taxes Too Much' carry enough weight and dynamism to power a dance floor, there is also an aching vulnerability to it that lends itself more to isolated listening on headphones. Elsewhere, the lo-fi chords and skeletal garage grooves of 'Tiffany Finds Faith On Fridays' might get your head down in a club, but the organic nature of the keys and warming vocal hums also lift your spirits.

Between the album's more propulsive moments, you are brought back down to earth with ambient tracks like the devastatingly insular 'Beth Is Crying' and hauntingly melancholic 'Jim Lost Control.' It is that duality - those off-set layers, opposing textures and the tension between private inner feelings and extroverted dancefloor joy that make this such a powerful album.

Peter, Barbara, Beth & Friends brings together the real and the abstract, the imagined and the lived, into a compelling record that moves you both physically and emotionally. 
credits

Blomfelt & Narby - Andre Brought His Child To School

Electronic innovator Max Cooper steps up to Atomnation with one of his standout remixes.

https://atomnationrec.lnk.to/EveMaxCooperRemix

Cooper is someone who combines his academic background and science PhD with high concept electronic music-making. He has worked with machine learning specialists, often uses video to enhance his music and is someone who brings personal emotion as well as technical skill to his work. It comes on his own Mesh label as well as Fields and most recently in the form of his acclaimed Unspoken Words album back in March.

His take on Awe Kid's 'Eve' is built on breakbeats that float through space. Plunging bass dives down deep as the celestial ambient pads float up top. There is tension in that duality that tugs at you both emotionally and physically as well-crafted synth patterns unfold in their midst.

This is a heady, pensive track that is perfectly suited to those late-night moments on the dance floor and compliments Awe Kid's lush debut LP 'Body Logic' that was released in April this year.

Awe Kid - Eve (Max Cooper Remix)

One compilation featuring 9 artists, all based in various cities from all over the world. Krasnodar, Barcelona, Amsterdam, Zielona Góra, Umeå, Delft, Berlin, Reykjavik and New York. It is amazing to imagine how music is able to connect different people and places who most likely wouldn’t have been connected otherwise.

Order: http://atomnation.bandcamp.com/album/the-spaces-in-between
More info: http://atomnation.net/ATM017-Various-Artists-The-Spaces-In-Between

The Spaces In Between

Snapshot Two

Tonik - Snapshot Two

Koett - Babylon (feat. David Poohl)

Download via iTunes georiot.co/FranSevenRipplesInTime or via Bandcamp http://atomnation.bandcamp.com/album/ripples-in-time

1. Parallel Walls
2. Son
3. At Least
4. Twenty Ten
5. Time For

Out 1 July 2014

Ripples In Time

Parallel Walls

Fran Seven - Parallel Walls

''Largely influenced by their scenic Nordic home, the duo have delivered an extremely musical and emotional album with an endless blend of swirling melodies, serene soundscapes, and the type of instrumentation that's reminiscent of tones and textures one would encounter while wandering through a lush green forest.'' - David Garber, Thump

Order 12" Vinyl, Bandcamp: http://bit.ly/1o5bM5U
Order 12" Vinyl, Amazon: http://amzn.to/1wGDZs0
Order digitally, iTunes: http://geni.us/GidgeAutumnBells


Autumn Bells

Dusk

Gidge - Dusk

Tonik Ensemble - Until We Meet Again (Olaf Stuut Remix)

The debut album "Snapshots" by https://soundcloud.com/tonikmusic - available on 12", CD and Digitally:

Bandcamp: https://atomnation.bandcamp.com/album/snapshots
iTunes: http://geni.us/TonikEnsembleSnapshots
Amazon: http://amzn.to/1Dp3m4J
Juno: http://www.juno.co.uk/artists/Tonik+Ensemble
HMV (Japan): http://bit.ly/17lh0ZB

Snapshots

Nangilima

Tonik Ensemble - Nangilima

New www.soundcloud.com/applescal album 'For' out May 18th via Atomnation
Pre-order 12" / Digital: https://atomnation.bandcamp.com/album/for

Tour dates April, May, June:
02 Apr, Sneaky Petes, Edinburgh, UK
04 Apr, Dance Tunnel, London, UK
05 Apr, Antwerp Mansions, Manchester, UK
10 Apr, Atomnation Night OT301, Amsterdam, NL
17 Apr, Toldi, Budapest, HU
18 Apr, Sisyphos, Berlin, DE
25 Apr, La Centrale, Dijon, FR
27 Apr, Oranjebloesem, Amsterdam, NL
01 May, Simplon, Groningen, NL
02 May, Victorie, Alkmaar, NL
02 May, Toffler, Rotterdam, NL
09 May, Trickfilm Festival, Ludwigsburg, DE
16 May, Volt, Hamburg, DE
22 May, Nuba, Paris, FR
28 May, For's official album release show, Paradiso, Amsterdam, NL
13 Jun, Doorgedraaid, Leiden, NL
17 Jun, Atomnation Night at Boulevard, Off Sonar, Barcelona, SP
27 Jun, Fiese Remise, Berlin, DE
(...all shows are DJ sets)

Overseas

Applescal - Overseas

Love over Entropy remix for "Why You" of @polynation 's Allogamy EP.

Love over Entropy Remix download: bit.ly/1NALzvT
Allogamy vinyl: atomnation.bandcamp.com/album/allogamy
Allogamy Digital: atomnationrec.lnk.to/polynation
Allogamy Spotify: spoti.fi/1kAmo1Z

Why You (The Remixes)

Why You

Polynation - Why You (Love over Entropy Remix)

New track by https://soundcloud.com/fran-seven for the Atomnation < 2015 Compilation. 
Available to download for free at Bandcamp: atomnation.bandcamp.com/album/2015-compilation

Free Download

Fran Seven - Mauri

New track by www.soundcloud.com/gidgeofficial for the Atomnation < 2015 Compilation. 
Available to download for free at Bandcamp: atomnation.bandcamp.com/album/2015-compilation

Gidge - You (Other Version)

New track of @applescal 's upcoming EP, 'Leone Highway' - out January 22. 
https://atomnation.bandcamp.com/album/leone-highway-ep
AtomnationRec.lnk.to/ApplescalLeone

Leone Highway EP

Isomethyl

Applescal - Isomethyl

New https://soundcloud.com/olafstuut album 'Run' is out June 10. 
Pre-order: https://atomnation.bandcamp.com/album/run
More info: http://atomnation.net/ATM039-Olaf-Stuut-Run

Olaf Stuut - Thank You

Unfold is out now: atomnationrec.lnk.to/Unfold

￼01. Di-rect – You & I (@fran-seven Edit)
￼02. @olafstuut – Siren (@dauwd Remix)
￼03. @oldegods – None Of These Bitches (In Daikanyama)
￼04. @applescal – Harmony Two
￼05. @sau-poler - Esperits
￼06. @koett - Blacksad
￼07. @daviddouglasmusic & @young-montana – No One
￼08. @polynation – Why You (@love-over-entropy Remix)
￼09. @portablesunsets – Loft Mentality
￼10. @gidgeofficial – Fauna Pt II

Applescal - Harmony Two

Di-rect - You & I (Fran Seven Edit)

Deltawerk = Applescal x Hessel Stuut
Passages LP is out now
atomnationrec.lnk.to/passages

Deltawerk - Sample

https://atomnation.bandcamp.com/album/spectators-of-the-universe-the-remixes

David Douglas - Highway Of Love (Polynation Remix)

Vinyl: atomnation.bandcamp.com/album/50an
Spotify: open.spotify.com/album/1bfsDcoxd9r87LnQitL794

Weval - Ways To Go (Alternative Version)

Gidge - Huldra (Other Version)

Rising duo https://soundcloud.com/innellea deliver two remixes for https://soundcloud.com/tunnelvisions1 ' Imaja’s Drum track - one of the highlights of their previously released The Celestial Ritual LP.

Beatport ➫ bit.ly/2J0YEVD
12" ➫ atomnationrec.lnk.to/InnelleaRemix

Tunnelvisions - Imaja's Drum (Innellea's Cosmic Consciousness)

https://atomnationrec.lnk.to/TheCelestialRemixes

Tunnelvisions - Imaja's Drum (Bawrut Remix)

Released on our 2019 Compilation amongst tracks from Sam Goku, Tunnelvisions, Mordisco, Sky Civilian, Polynation, Coloray, boys be kko,  and Milio.

https://atomnation.bandcamp.com/album/2019-compilation

Applescal - Open Heart

Half Age EP

Detian

Weval - Detian

Half Age

Weval - Half Age

http://atomnation.bandcamp.com/album/half-age-ep

Weval - The Most

soundcloud.com/Gidgeofficial consists of Jonatan Nilsson and Ludvig Stolterman, who were born and raised outside of Umeå, a small city in northern Sweden. Their main source of inspiration is the vast, snow covered woodlands of the North. They have for instance recorded all of their percussions in the forest, using only the sticks and rocks that can be found there. Gidge are currently located in Paris, where they have been developing their live performance for the last six months or so.

’For Seoul’ came about after the duo went on a trip through Asia, and spent a number of days in the South Korean capital. They fell in love with Seoul, and later on created this two-part hymn for the giant city.

Name Your Price for this EP via the Atomnation store: http://atomnation.bandcamp.com/album/for-seoul

For Seoul

For Seoul Pt I

Name Your Price

Gidge - For Seoul Pt. I

https://soundcloud.com/tunnelvisions1 return to their home label Atomnation for a fourth fantastic release in the last three years. This six track excursion builds on the pair's warm, richly melodic and always hypnotic style with fantastically colourful results.

atomnation.bandcamp.com/album/end-of-time

Tunnelvisions is Emiel van den Dungen and Raynor de Groot. Both artists keep busy with their own solo projects (Milio and Coloray respectively) but continue to find fascinating middle ground when they come together in the studio. 2020 saw them step out on Moscoman's Disco Halal and Solomun's Diynamic, while they have also been remixed to great effect with influential DJs like Dixon and Tale Of Us playing the results. Now, though, they are back on Atomnation with another superb collection of cuts.

The undulating 'Acid Neverland' opens up with its succulent and supple drums overlaid with heavenly chords and glowing pads. Coloray's vocals are then layered in to bring some drive and attitude to this most compelling of tracks. 'King Cobra' is a dubby delight. Its airy hi hats, bulbous bass notes and tripped out melodic motifs all sinking you into a trance.

There is more angst and energy to the malfunctioning melodies and steel-plated drums of 'Mirrored Identities' while 'Waiting For The Morning' is a perfect dreamscape. It's a super widescreen track with deft pads coming in and out of focus, glistening melodies reflecting light and pulsing drums locking you in. 'Private XS' flips the vibe with more drawn out and sinewy synths gurgling and bubbling away as they ride up and down the scale like a slow motion cosmic explosion. Last but not least, 'End of Time' has the most pop hooks and catchy riffs of the lot. They dart about the mix as smeared pads and crunchy, punchy drums encourage you to cut loose.

This is another masterfully cohesive collection of colourful dance floor cuts that take in pop, techno and synth music and skew them the unique lens of Tunnelvisions.

Atomnation

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