In true Nillo fashion, after nearly a 3 year unannounced hiatus from releasing original music, an album emerges. Upon first listen it becomes glaringly obvious, he went away to plunge deeper into the source of sound alchemy. To get to know his machines. And to invite spontaneity and synchronicity to dance hand in hand around a raging midnight fire.

Percussion pervades the album as one would expect, often played live and layered in blissful chaos. In a new turn, synthesized percussives infiltrate the soundscape in a most powerful and austere fashion, bringing with it a whole new dimension of depth. Beautiful, almost contradicting arrays of strings, vocals and distorted synth pads are placed throughout make this Nillo's most congruent and intriguing work. An album that never once strays the path of purity of craft.
credits
released July 13, 2023

-----------------
Mastering: Nathan Hall
Artwork: Möstros (www.instagram.com/m_o_s_t_r_o_s_)
license
all rights reserved
tags
Tags
world electronica exotica world music Costa Rica

NILLO - Señor del Trueno

Random Collective - Costa Rica + Canada + France
Programa Espacial Indígena Latinoamericano - Latinoamérica
Radio Bemba - Costa Rica
Akumandra - USA + México
Sounds and Colours - UK
Shika Shika - México + France + Germany + Argentina
Voodoohop - Brazil + Germany
Basy Tropikalne - Poland
Canal Dub - Ecuador
Tropical Twista Records - Brazil
Tepeme Musica - México
Dos Tierras - México
Casa Caos - Brazil
Curuba Records - France
NOAF - Chile
Frente Bolivarista - Brazil

Cover Art: Möstros www.instagram.com/mostrosinside

∴  Sencillos  ∴

Discografía Completa www.nillo.bandcamp.com

∴  Álbumes ∴

Mezclas decolonizadas para: 
mi am bu - Portugal
La Rara - Perú
Inédito - México
Mousikē - Turkey
Random Collective - Costa Rica
Nômade Tukum - México 
Nomade Records - Chile + Germany + México
Moonatic - México
Amateur Exotic - Russia
єภςuєитя⊙'ร - México
Tropical Twista Records - Brazil
Tepeme Musica - México
Kybele - Germany
Ethno Kult - France
Wabi Sabi - South Africa
Casa Caos - Brazil

Cover Art: Möstros www.instagram.com/mostrosinside

∴  Mixtapes ∴

Fertil Discos - Argentina
Mousikē Records - Turkey
Random Collective - Costa Rica
Akasha Records - México
Casa Caos - Brazil
Cosmic Awakenings - USA

Cover Art: Möstros www.instagram.com/mostrosinside

∴ Remixes ∴

https://soundcloud.com/nillocr
@sleepingnacho
.
"𝘛𝘰𝘥𝘰 𝘭𝘰 𝘲𝘶𝘦 𝘰𝘧𝘳𝘦𝘤𝘦 𝘶𝘯𝘢 𝘦𝘹𝘵𝘳𝘦𝘮𝘢 𝘳𝘦𝘴𝘪𝘴𝘵𝘦𝘯𝘤𝘪𝘢 𝘢𝘭 𝘮𝘰𝘷𝘪𝘮𝘪𝘦𝘯𝘵𝘰 𝘱𝘦𝘳𝘦𝘤𝘦"
𝘓𝘶𝘤𝘳𝘦𝘤𝘪𝘢 𝘔𝘢𝘳𝘵𝘦𝘭
.
arte x Tatiana Cuoco
mastering x Sebastian Cordoves
foto original x Daniela Perez Mitolo
producción general x Mai Aimé / Andrés Schteingart

Bandcamp

San Ignacio - Ay Pobre De Mí (Nillo Remix)

@nillocr
-------------------------------------------------------------------------------
“Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music... musicians hip, it must be well used for the gift of humanity.” Fela Anikulapo Kuti
-------------------------------------------------------------------------------
Artwork 
Möstros vs mi.am.bu

Voodoo Suite :: Nillo :: Mixtape #2

“¿Penetrará el hombre algún día el misterio de las cosas ocultas?
El velo se descorre ante él a medida que se purifica; pero para comprender ciertas cosas le son menester facultades que no posee aún.”

Allan Kardec


Artowork: Möstros

Las estrellas son agujeros en la noche por los que se filtra la luz del Infinito

NILLO y Nathan Hall con Kibi Luis Quetzal - Cosmología Cabécar (Radio Edit)

Santi D - Rainha (Nillo Remix)

Master: Nathan Hall 
Artwork: Möstros
///////////////////////////////
“Las comunicaciones entre el mundo espiritista y el corporal están en la naturaleza de las cosas, y no constituyen ningún hecho sobrenatural.”
Allan Kardek

Niña Brujo

https://soundcloud.com/nillocr
remixed https://soundcloud.com/jiony

Jiony - Purposeless Universe (Nillo Remix)

♬ Click for more ☞ https://trndmsk.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @nillocr's EP on @randomcollectivecr here: 
➟ Bandcamp: https://randomcollective.bandcamp.com/album/se-or-del-trueno

In true Nillo fashion, after nearly a 3 year unannounced hiatus from releasing original music, an album emerges. Upon first listen it becomes glaringly obvious, he went away to plunge deeper into the source of sound alchemy. To get to know his machines. And to invite spontaneity and synchronicity to dance hand in hand around a raging midnight fire. 

Percussion pervades the album as one would expect, often played live and layered in blissful chaos. In a new turn, synthesized percussives infiltrate the soundscape in a most powerful and austere fashion, bringing with it a whole new dimension of depth. Beautiful, almost contradicting arrays of strings, vocals and distorted synth pads are placed throughout make this Nillo's most congruent and intriguing work. An album that never once strays the path of purity of craft.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Nillo - Ser Sombra [Random Collective]

In true Nillo fashion, after nearly a 3 year unannounced hiatus from releasing original music, an album emerges. Upon first listen it becomes glaringly obvious, he went away to plunge deeper into the source of sound alchemy. To get to know his machines. And to invite spontaneity and synchronicity to dance hand in hand around a raging midnight fire.

Nillo - Mujer Río

In true Nillo fashion, after nearly a 3 year unannounced hiatus from releasing original music, an album emerges. Upon first listen it becomes glaringly obvious, he went away to plunge deeper into the source of sound alchemy. To get to know his machines. And to invite spontaneity and synchronicity to dance hand in hand around a raging midnight fire. 

Percussion pervades the album as one would expect, often played live and layered in blissful chaos. In a new turn, synthesized percussives infiltrate the soundscape in a most powerful and austere fashion, bringing with it a whole new dimension of depth. Beautiful, almost contradicting arrays of strings, vocals and distorted synth pads are placed throughout make this Nillo's most congruent and intriguing work. An album that never once strays the path of purity of craft.

Nillo - Bukulú

In true Nillo fashion, after nearly a 3 year unannounced hiatus from releasing original music, an album emerges. Upon first listen it becomes glaringly obvious, he went away to plunge deeper into the source of sound alchemy. To get to know his machines. And to invite spontaneity and synchronicity to dance hand in hand around a raging midnight fire.

Percussion pervades the album as one would expect, often played live and layered in blissful chaos. In a new turn, synthesized percussives infiltrate the soundscape in a most powerful and austere fashion, bringing with it a whole new dimension of depth. Beautiful, almost contradicting arrays of strings, vocals and distorted synth pads are placed throughout make this Nillo's most congruent and intriguing work. An album that never once strays the path of purity of craft.

Nillo - Canción de Amor Maleku

Nillo - Negra

Live recording
Rythmic base for Quetzal Sessions

Quetzal Sessions (the V mix)

Remix for Supersónica's original track "Oscura Noche"

Instruments: harmonium, tabla, bongó, synths, machines and balls

Oscura Noche (Supersónica feat NILLO)

Relato de la creación del Mundo en la voz de don Fernando Waisa
 Don Fernando es un Óköm, un cantor de cantos funerarios que guía con sus cantos el camino al Surakaska, donde el alma regresa a su Originadora.
Don Fernando pertenece al clan Korkuak, los clanes los dejó Sibö durante la creación

Creación (Feat Fernando Waisa Óköm)

Une météorite avance et s'effrite, 
Son chant est sombre et mystérieux...
Mes idées s'évaporent et il pleut.
Tu boues, tu t'évapores et tu pleus...
Goûter le son du vent, 
Entendre tes cheveux pousser, 
Sentir ta voix sur moi, 
Pendant que les bulles dansent vers la surface, 
Face à moi, mon nombril me sourit...

004 Lune Noire | Nillo & Sentidor Feat. Valentine Roche

Algo duerme mientras las ánimas que me habitan explotan en llamas en el cuarto, cuarto verde, adentro en la montaña, donde cada noche se empluman mis sueños, los que se traducen al mundo gracias a su existencia.
Algo duerme mientras muero y vivo, algo asecha en los bordes de la cama, algo que me transforma en guerrero cuando el cenit se derrama sobre el bosque.
La razón de este sonido yace dormida entre las velas de mi magia, lo interno y el rocío del alba...

Dormida

Los mayas más viejos y sabios, cuentan que los Dioses crearon todas las cosas en la Tierra y al hacerlo, cada animal, cada árbol y cada piedra le encargaron un trabajo. Pero cuando ya habían terminado, notaron que no había nadie encargado de llevar sus deseos y pensamientos de un lugar a otro.

Como ya no tenían barro ni maíz para hacer otro animal, tomaron una piedra de jade y con ella tallaron una flecha muy pequeña. Cuando estuvo lista, soplaron sobre ella y la pequeña flecha salió volando. Ya no era más una simple flecha, ahora tenía vida, los dioses habían creado al x ts’unu’um(colibrí).

Los nombres mayas en las aves, generalmente se relacionan con los sonidos que producen, sean sus cantos o sonidos producidos por las plumas, por ejemplo x ts’unu’um para los colibríes.

Era tan frágil y tan ligera que el colibrí podía acercarse a las flores más delicadas sin mover un solo pétalo, sus plumas brillaban bajo el sol como gotas de lluvia y reflejaban todos los colores.

Entonces los hombres trataron de atrapar a esa hermosa ave para adornarse con sus plumas. Los Dioses al verlo, se enojaron y dijeron: “si alguien osa atrapar algún colibrí, éste morirá”. Por eso es que nadie ha visto alguna vez a un colibrí en una jaula, ni tampoco en la mano de un hombre.

De ésta forma es que esta misteriosa y delicada ave ha podido llevar a cabo el encargo de los Dioses:

“Llevar de un lado a otro los pensamientos de los hombres"

Ilustración por Selket Yhay / Diselachando 

Download

Colibrí _ Nillo & Sentidor para WOS

We were kindly invited by Sounds and Colours Magazine to be part of this album which contains new versions of the recordings of Vincent Moon in his travels over Perú, this song, a strong manifestation of magic inspired us to explore more percussion and atmospherical sounds than the regular to  recreate the power of the voices and give more enphasis of what is happening deep in that jungle when the spirits come to heal and dance...

Sonidos Raíces del Perú

Curanderos _ Nillo & Sentidor para Sounds and Colours

Dogon en el Alba

https://soundcloud.com/barubass
https://www.facebook.com/barubass

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

SIBÖ ( Dj Baru Remix )

https://soundcloud.com/ste-vie-1
https://www.facebook.com/saintevieofficial

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

Montanha (Sainte Vie's Perspective)

https://soundcloud.com/dj-ground
https://www.facebook.com/djground13

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

Forêt ( Dj GrOun土 A.k.a Ground -ChillMountain Remix)

https://soundcloud.com/dj-foimao
https://www.facebook.com/djfoimao

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

Dogón En El Alba (Dj FoiMAo Rework)

https://soundcloud.com/senorongo
https://www.facebook.com/SNRNG

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

Okhöm (SNRNG Remix)

https://soundcloud.com/bruno-alberto-1
https://www.facebook.com/wolfprojection

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

Casa Da Minha Alma (Wolf Remix)

https://soundcloud.com/cloveontherocks-1
https://www.facebook.com/C.lovedj

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions. 

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.” 

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.” 

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”

El Río (Zouyina Remix)

Danza interna, esotérica
de miles de almas en pena
En las sombras de una selva me oculto
Mientras camina desprevenida la presa

El tiempo ha juntado lo que el viento no lleva
mientras me transformo en halos que devoran conciencia
El tiempo no ha pasado, la selva espera
y con ella miles de ojos rojos sedientos de luna llena....



Diablitos

Hay seres que se arrastran entre hojas secas y nostalgia
desatando  luchas interminables, desgarrando con veneno el alma
Al inicio del final, suspendido en la nada
comprendo lo abstracto de su batalla....
Aprendiz de Chamán, Curandero
Asesino de la nada...


Serpientes

Master: Nathan Hall(@nathanhall-1)
Music + Artwork : NILLO
Samples: Parts of a  Bri-Bri traditional ceremony

Jaguar de Agua

@shango-records
Waking up in the middle of the night, feeling the gentle touch of moss on your bare skin and overwhelmed by the eery yet calming atmosphere of unknown surroundings and civilizations. This is a location no one ever goes to, only exceptional people, a destination unreachable by common means, but a place warming the lines between having a music dream and a state of mind. Welcome to The Abkhaz Of Caucasus land. Take a step closer, don't be afraid, this is where your strangest dreams come true....

The Abkhaz Of Caucasus

Download in Bandcamp

NILLO - Spirit Blong Ol Bubu // Shango Records

Maste:r @nathanhall-1
Artwork: Mostros (facebook.com/mostrosinside)

Sample: flute, seashell & vocal extracts from traditional "danza de nacimiento los diablitos" from the Boruca tribe // Costa Rica

The traditional dance is a representation of the colonization days where the Spanish conquerors (represented  with bulls masks) chase the indigenous who wears the handcrafted devil masks.

The day before the celebration, at midnight, bombs are thrown into the air announcing the birth, that is, the birth of the little devils. These begin their journey in the hill Brugrá, in Boruca, or in the hill of King Curré, according to the town where the festival takes place. The little devils sing a traditional song called saloma and they sound snails of cambute and horns, after which they pass from house to house, where they are greeted with chicha and meals, while they continue to sing and dance intertwined with their arms to the rhythm of the music.

The morning of the celebration, the bull appears, whose objective is to kill the little devils. They face him led by the Elder Devil, in three contests throughout the day, during the three days of the celebration. These contests are trips around the community: the bull attacks the devils to throw them to the ground, where they can even break the mask. On the part of the little devils, the essential idea of ​​the game is to face the bull and provoke it. Finally, the bull defeats and kills the little devils, symbol of the Spanish victory during the conquest. The last to fall is always the Greater Devil, who represents the cacique. All the little devils are lying on the ground, an act that is known as the Tomb, which takes place on the last day of the party. After this, the bull flees and takes refuge in the mountain, after which, the Greater Devil sounds a snail and returns the life to the devils (in what is known as the Diabla), who go out to look for the bull. When he is finally found, he appears dressed in leaves and branches, and furiously tries to kill the little devils again. They defeat the bull and sacrifice it in a bonfire. The death of the bull is repeated several times throughout the day. The "corpse" of the burning bull is paraded by the community, and its pieces are sold or given symbolically to the attendees, representing their flesh, while the chicha represents their blood. Finally, his remains are burned in a bonfire, and a great party is celebrated celebrating the victory of the little devils over the bull.

Nacimiento de los Diablitos

https://soundcloud.com/nillocr
https://soundcloud.com/peter-power

⬇ Download

Nillo feat. Peter Power - Sibötkä

Music by: @omemusic
Remixes by: @nillocr
Master by: Nathan Hall
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Photography: Adriana Sofía Hamui
Model: Natasha Peñuelas

© Akasha ᴍx - All rights reserved

Mujeres de Ojos Tristes

Brujita

Ōme - Brujita (Nillo's Perspective)

Flute & Seashell samples are property of the Boruca Tribe 
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❉ Master: Nathan Hall @nathanhallmusic
❉ Artwork: Möstros www.instagram.com/mostrosinside
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Support

Procesión (Single)

Remix by URUCUM

@urucum_project
www.facebook.com/urucumexperience
www.instagram.com/urucum.musica

NILLO - Procesión (URUCUM Remix)

humo niebla, humo santo
de plantas siniestras que bailan en la ausencia de la noche
humo volcán, humo estrellas
de animas sagradas que no entiendo
humo animal, humo selva
del que escondo apresurado mi alma dispersa...

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Artwork: MÖSTROS (www.instagram.com/mostrosinside)

Sahumerio (versión bolero)- Nillo

"Callando nos moríamos, sin palabra no existíamos. Luchamos para hablar contra el olvido, contra la muerte, por la memoria y por la vida. Luchamos por el miedo a morir la muerte del olvido… es necesario hacer un mundo nuevo. Un mundo donde quepan muchos mundos, donde quepan todos los mundos…" 
Sub-Comandante Marcos // EZLN // Enero 1996
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Master: Nathan Hall @nathanhallmusic
Artwork: MÖSTROS www.instagram.com/mostrosinside

Hasta Morir - NILLO Feat Sub-Comandante Marcos (versión tambito)

@nillocr
Artwork: MÖSTROS // instagram.com/mostrosinside
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Aé Cumayé, Aé Cumayé, Aé Cumayé
Nunca te fije en los santos del otro láo
Y quédate con los tuyos ño Babalao

Aé Cumayé, Aé Cumayé, Aé Cumayé
Yo nunca tiro al camino hueso quemao
Y no le pido a los muertos oro enterrao

Aé Cumayé, Aé Cumayé, Aé Cumayé
Con los santos no se juega Aé Cumayé
Yo soy garguero Aé Cumayé
La buena noche ¿Cómo está usted? Alafia Cumayé

Aé,  Aé , Alafia Cumayé
Ten cuidado en cementerios… no los pises que hay misterio
Aé,  Aé , Alafia Cumayé
Yo tengo mis protecciones y tienen ashé
Conmigo no van a poder
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Tite Curet | Ray Barretto

Undersound Mixtapes Vol 053_ Bailando en lo Oscuro by NILLO

Artwork: André Hora
www.andrehora.com
instagram.com/andrehoraart

Master: Nathan Hall
@nathanhallmusic

Omi o! - Nillo

Podcast by @nillocr
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Artwork by Dima Rabik  & Möstros
“Music is a spiritual thing… you don’t play with music” Fela Anikulapo Kuti

Follow Nillo:
@nillocr
www.facebook.com/nillocr
www.instagram.com/nillocr
nillo.bandcamp.com

Follow us on:
@mousikerecords
https://mousikerecords.bandcamp.com/
www.facebook.com/mousike.collective
www.facebook.com/mousikerecordsuk
instagram.com/mousikekolektif

Mousikē 73 | "Levitar" by Nillo

Master: Nathan Hall
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Released as part of Sounds and Colours' 10th Anniversary Fundraising Campaign this compilation features new, rare and unreleased music from across Latin America, including exclusive tracks by Orkesta Mendoza with Mexican Institute of Sound and Calexico, a first listen to Monte, the new project from Bomba Estereo's Simón Mejía, brand new music from Chile's hugely influential ESDLCP, two acoustic recordings from Brazil's Kassin (including a beautiful Kraftwerk cover) and many original songs created exclusively for this compilation, as well as other new tracks and rarities.

All profits from this album will go towards Sounds and Colours. After 10 years of existence we are currently raising funds to make Sounds and Colours an even better resource for discovering Latin music and culture, and to ensure our survival for another 10 years (especially in light of the lost income happening as a result of the current lockdown). In that way, we intend to retain our status as a vital platform for Latin American musicians, film-makers, artists, writers and other creative souls to find an appreciative audience.

Find out about the rest of our fundraising campaign, which includes the pre-order of a 10th Anniversary book, and the sale of lots of vinyl, CDs, books, DVDs and t-shirts, at igg.me/at/sounds-and-colours-10-years-fundraiser/x/627815#/

Sounds and Colours: 10 Years Anniversary Compilation

Selva Bifurcada - Nillo Feat. Luis Quetzal & Unchi

On their latest EP; Mousikē Records hosts Spanish artist Soble, where he brings us to a journey throughout the downtempo music focused on an ethnic style with three tracks full of sounds, melodies and deep basslines recorded by him.

Making his own music since 2009, Soble founded Elbosquë Records to focus on his tracks in a spiritual way with ethnic sounds and take people on an emotional journey. Recorded during the pandemic “0820” is here to reset the world.

Mix: @soblemusic
Mastering: Anders Peterson

Follow Mousikē Records:
@mousikerecords
https://mousikerecords.bandcamp.com/
https://www.instagram.com/mousikekolektif/
https://www.beatport.com/label/mousike-records/83512
https://www.facebook.com/mousike.collective

Follow Soble:
@soblemusic
https://www.beatport.com/artist/soble/605720
https://www.instagram.com/soblemusic/
https://www.facebook.com/soblemusic
https://www.residentadvisor.net/dj/soble

0820

Some Days Later

Download/Stream

Soble - Some Days Later (Nillo Remix)| MOU005 [Mousikē Records]

𝐓𝐄𝐌𝐏𝐋𝐎 𝐃𝐄 𝐀𝐆𝐔𝐀

Los tambores se confunden con las sombras de los árboles
Mientras me acerco a la selva de lo interno
Réplicas de jaguares inmensos se retuercen en las hojas del camino
Dejando escuchar sus ritmos primitivos
En el cielo se dibujan miles de planetas que colapsan y revientan
Mientras estas voces me susurran en el viento
Estamos todos suspendidos al fin, observando la eternidad
Dejando que se manifiesten por debajo de nosotros los miedos
Dejando que baile la vulnerabilidad
Soy hijo de estas ancestrales brujas que dibujan el futuro
De las guardianas eternas de los templos que espero resucitar
Templos de agua, caminos empolvados con forma de espiral

- 𝑬𝒍 𝑵𝒊𝒆𝒃𝒍𝒂𝒔

Podcast by: @nillocr
Art by: Dima Rabik -  Instagram.com/dimarabik
                      Möstros - Instagram.com/mostrosinside

Templo de Agua

RUIDO INEDITO #001 - NILLO

Una obra llena de misterio y sonidos tropicales en base de downtempo, como @maracuyacita y @nillocr nos tienen acostumbrados. Dos de los creadores de Random Collective nos acompañan en este edición de World Riddims con un profundo track que combina sintetizadores, flautas, y melodías del más allá. 

Mastering: Santiago Sánchez

Nillo & Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊ - Danzon Negro

@nillocr
“Exu mató un pájaro del pasado con la piedra que arrojó hoy”
Proverbio Yoruba
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La Rara
Instagram - www.instagram.com/lararaperu
Facebook - www.facebook.com/lararaperu
Mixcloud - www.mixcloud.com/lararaperu
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DESDOBLARSE es el nombre de esta mixtape para "La Rara" de Lima, Perú, que encontró refugio sonoro en muchos dioses, el video lo hizo el artista visual tico Cristian Vindas (Tilak Visual) que tomó parte de la estética de Möstros (la otra personalidad de Nillo), y la puso a flotar en un universo abstracto que respondiera a los ritmos agrestes que se juntaron en el mix.
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Video Por :
www.instagram.com/mostrosinside
www.instagram.com/tilak_visual
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https://www.youtube.com/watch?v=FLFVsFlX370&feature=youtu.be
https://www.mixcloud.com/lararaperu/nillo-la-rara-28122020/

Desdoblarse - NILLO Para La Rara Perú

Arpa y Voz : Alondra Máynez
@alondra-maynez
www.instagram.com/ladelarpa

Master: Nathan Hall
@nathanhallmusic

Art: Möstros
www.instagram.com/mostrosinside

Regina Melancolía - NILLO con Alondra Máynez

Fundador Random Collective Records

Releases en Akumandra . Voodoohop . Nômade . Frente Bolivarista . Shika Shika . Mousike Records . NOAF . Random Collective Records . Amateur Exotic . Radio Gladys Palmera . Tropical Twista Records . Casa Caos . Fertil Discos . Cosmic Awakenings . Canal Dub . Sounds & Colours. Tepeme Music . Wabi Sabi . Curuba Records . Ethno Kult . Dos Tierras . Basy Tropikalne . Quiero Recordings . Shango Records . Encuentros . Supololo Records . Earth City Sounds Records . Akasha Records . Kybele . Dos Tierras . Inédito . Moonatic .

NILLO

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