Real-time recording created in Pure Data.

More on this 493rd weekly Disquiet Junto project – AudioCorrect (The Assignment: Think about the utility and the useful failures inherent in autocorrect and apply this to your music) – at: https://disquiet.com/0493/ 1

Thanks to Alan Bland for proposing this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0493-audiocorrect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Autocomplete (disquiet0493)

A sequence of electronic & recorded sounds.

Reed River Noon (naviarhaiku437)

An electronic composition, sounds created in Pure Data.

Dawn Paths (naviarhaiku474)

Electronic composition, an evolving drone/dark ambient sequence, original sounds created in Pure Data.
For related video see: https://youtu.be/354SzHftdOc

Dense

Pierced Veil (naviarhaiku542)

Cherry Blossom and Bamboo (naviarhaiku543)

A mix of original recorded & electronic sounds.

Dream Croaking (naviarhaiku544)

An electronic composition created in Pure Data using processes which include elements of indeterminacy and improvisation.

More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at Disquiet Junto Project 0651: Why Compute? – Disquiet

The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.

https://commons.wikimedia.org/wiki/File:Intel_8742_153056995.jpg

https://creativecommons.org/licenses/by-sa/2.0/

Chance and Choice (disquiet0651)

A response to the story by Algernon Blackwood. A mix of original recordings & electronic sounds.

More on the 652nd weekly Disquiet Junto project, By the Tale — The Assignment: Set a favorite story to music — at https://disquiet.com/0652/

The Willows (disquiet0652)

Night Deepens (naviarhaiku547)

I do not follow any specific rules; anything goes. However, the description of this week's challenge gave me the idea of remixing an earlier track. Although not exactly a rule, this is something I am not in the habit of doing. I chose a track of mine virtually at random (https://archive.org/details/SEQUENCE4_201811) & reworked a part of it. 

More on the 653rd weekly Disquiet Junto project, Break a Rule — The Assignment: Stop doing something you always do — at https://disquiet.com/0653/

Altered Sequence (disquiet0653)

Electronic piano tracks with a little reverb.

The Silence of Sound (naviarhaiku548)

An intuitive response to the graphic score derived from visual glimpses, as the title suggests. It comprises a series of atonal or microtonal sound clusters structured horizontally and vertically. The track was created in Pure Data with some additional reverb, etc.

More on the 654th weekly Disquiet Junto project, Just Notation — The Assignment: Interpret a graphic score by Franziska Baumann — at https://disquiet.com/0654/

The cover image for this project is a detail of a graphic score, titled True Glimpses 1, by Franziska Baumann, used with her permission and the support of Musikfestival Bern. More on Baumann at franziskabaumann.ch 2.

Just Glimpses (disquiet0654)

The Mountain Vanishes (naviarhaiku549)

An electronic composition, sounds created in Pure Data.

More on the 655th weekly Disquiet Junto project, Soothing Sounds II — The Assignment: Make music for babies — at https://disquiet.com/0655/ 1

The image associated with this project is from an early patent for a pacifier.

Slumberscape (disquiet0655)

Sunset Elegy (naviarhaiku550)

This is a reworking of: dream, kiddo by Terry Mullett, acknowledgements to whom for a well-crafted track.

More on the 656th weekly Disquiet Junto project, Soothing Sounds II RMX — The Assignment: Make music for babies’ parents — at https://disquiet.com/0656/

The image associated with this project is from an early patent for a pacifier.

Dreaming Perhaps - with Terry Mullet  (disquiet0656)

An electronic composition, sounds created in Pure Data & Audacity.

Imaginary Temple (naviarhaiku551)

The Road to Loneliness (naviarhaiku552)

An electronic composition, sounds created in Pure Data.

More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

To Any Lengths (disquiet0657)

“Kokytos” by Daniel Glaus, multiplied, re-amplified, remixed & re-panned, a touch of delay & reverb added. I kept to roughly the same length as the original composition in order not to lose any of the various sound combinations.

More on the 658th weekly Disquiet Junto project, Re-Amplify — The Assignment: Re-record and re-compose an organ improvisation by Daniel Glaus — at https://disquiet.com/0658/ 1

Allos Kokytos (disquiet0658)

Electronic composition, a textured drone sequence, sounds created in Pure Data.

Nobody (naviarhaiku553)

I extracted a part of the image and adjusted the colour and contrast. 
I then proceeded to create a sonic impression using a couple of sequences created in Pure Data, with contrasting, lightly pulsating blocks of sound and random, mainly percussive interjections.

More on the 659th weekly Disquiet Junto project, Reading the Body — The Assignment: Interpret the markings on the back of a cello as a graphic score — at Disquiet Junto Project 0659: Reading the Body – Disquiet

Back Track (disquiet0659)

See the Wind (naviarhaiku554)

I split the original track by Ted Lewis into numerous clips, then rearranged them with the longer ones at the beginning & the shorter ones towards the end. The resulting track was gradually slowed down, something like an old gramophone winding down, then subjected to some detuning, delay & reverb.

More on the 660th weekly Disquiet Junto project, Louis Blues St. — The Assignment: Break a public domain song into parts and reorganize them — at https://disquiet.com/0660/

Background: More on the source track here:
https://archive.org/details/78_st-louis-blues_ted-lewis-and-his-band-handy_gbia0268157b 2

Unsaintly Blues (disquiet0660)

An electronic composition, original sounds created in Pure Data.

Wordless Dialogue (naviarhaiku555)

Asunder (naviarhaiku556)

A drone sequence derived from original recordings of a washing machine and a kettle.

More on the 661st weekly Disquiet Junto project, Consumer Drone Product — The Assignment: Record a piece of drone music using sounds from your home — at https://disquiet.com/0661/

Domestic Duo (disquiet0661)

An electronic composition, sounds created in Pure Data.

More on the 662nd weekly Disquiet Junto project, Spin Cycle — The Assignment: Record a piece of music that pits one bicyclist against another — at https://disquiet.com/0662/ 1

Wheel to Wheel (disquiet0662)

Opiate (naviarhaiku557)

I mixed a number of hard drive recordings and combined the result with a drone sequence created in Pure Data.

More on the 663rd weekly Disquiet Junto project, Drive Way — The Assignment: Record a piece of music that complements the hum and whir of a hard drive — at https://disquiet.com/0663/

The image associated with this project is licensed thanks to a Creative Commons Attribution-Share Alike 3.0 Unported. It was taken by Evan Amos — whom Popular Science has reportedly referred to as “gaming’s most famous photographer” — as a part of Vanamo Media.

https://creativecommons.org/licenses/by-sa/3.0/deed.en/
https://en.wikipedia.org/wiki/File:Laptop-hard-drive-exposed.jpg

Drive Drone (disquiet0663)

Mountain Heat (naviarhaiku558)

Original field recordings mixed with electronic sounds created in Pure Data.

The Ferry Sails By (naviarhaiku559)

An electronic sequence created with Audacity and Pure Data.

More on the 664th weekly Disquiet Junto project, Mother Beat — The Assignment: Record a piece of music in 29/16 time — at https://disquiet.com/0664/

Odd and Even (disquiet0664)

Moon Bumps (naviarhaiku354)

Electronic composition, sounds created in Pure Data.

Drifting In The Void (naviarhaiku358)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

ray_cobley

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