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https://open.spotify.com/album/7vNUp2Tn7peH5vxXQpuPEu

Yawwu

Méryll Ampe "W7E" CD
MAR060
Release Date: November 4th, 2022

A multitude of processes, techniques, and forms unfold and unfurl within the work of Méryll Ampe,
an intermedia artist from Paris working through sound, sculpture, and installation using a wide assortment
of materials. What is immediately striking about Ampe’s work is the vibrant, non-linear approach to
electro-acoustic composition.
Here on the debut for Misanthropic Agenda, Ampe liberally reconfigures / deconstructs / genetically mutates
all sources: hydrophone recordings of vibrations through skin, analog synths, tape machinations,
sequencing programmed through algorithmic variability, and plenty of digital processing.
As Ampe describes it, the music on W7E is "a research with an experimental dimension, guided by notions that
systematically translate a form of ambivalence, between inside/outside, micro/macro. These intentions are
vectors of the dynamics, reliefs, depths and rhythm. My training as a visual artist also leads me to go through
mental images (such as a steep landscape, a boiling organism, an organic matter) which will then find a
sound form, states that I would describe as syncope, sound effluvia, abrasive arrhythmias. I look for a form of
plasticity in the sound medium, and that this energy become a living matter."
This multi-dimensional overlay through composition telescopes in and out of the body (not necessarily always
a human body, it should be noted), through a connectivity with technology that can influence psychological states
of being. The work addresses liminality, transitory slippages, and quantum theories of a particle being the two
separate places at the same time. If that can occur at the atomic level, why not through sound?
W7E stands as a dynamic, polydactyl album reflective of the aesthetics (if not concepts) of Keith Fullerton Whitman,
Francisco Meirino, and Bernard Parmegiani.
- Jim Haynes

links:
https://misanthropicagenda.bigcartel.com
https://misanthropicagenda.bandcamp.com
https://meryllampe.com/

Méryll Ampe "Close To"

https://fxbip.bandcamp.com/album/liquid-entity

Liquid Entity

Fauna Modulara - Blackhole

release on 19 May 2023 : www.wabi-sabi-tapes.bandcamp.com/
@user-264705302

"I started recording "Surface" after finding an old picture of me.I had forgotten that particular period of my life.
When I looked at that picture, time stopped, I was catapulted backwards in slow-motion flashback, as if I was lost between two parallel times.
Then I tried to rebuild this specific moment with the tracks of this album."

Daniele Veronese - Surface 01

plюms

Colonia Dignidad was the settlement of a German evangelical sect.

After being prosecuted for child abuse in Germany, the group fled to Chile in 1961. Like similar religious sects, it was characterized by the outward appearance of a unified, godly community with well-tempered cultural activities and social welfare, but inwardly and in its environment by oppression, sexual abuse, and exploitation. In the 1970s, it unquestioningly inserted itself into Pinochet's regime of terror, aiding in the imprisonment and torture of political prisoners, weapons production, etc. Since the end of the 1980s, there has been a legal reappraisal of the C.D.'s crimes in Chile.

Its successor organization makes a living from tourism.

The C.D. project uses, on the one hand, a series of documentary recordings of contemporary witnesses, and on the other, a set of melodic improvisations (MIDI files), improvised in the spirit of the impressions of terror, tension, claustrophobia and fear associated with the Colonia. CD 2 (Knochenstückchen) directly reflects this atmosphere. CD 1 (Reue?) on the other hand, is characterized by the contradictory breadth of the statements found after the dissolution of the sect: Denial of atrocities to glorification of the C.D. by leaders who returned to Germany against the professed traumas of formerly abused inmates and exploited community workers.

For this purpose, the eyewitness recordings were sound-modified to a considerable extent. The MIDI files were played back with a variety of virtual instruments (piano, guitar, sax, turntable, lung machine, barrel organ, synths, etc.) in a multitude of modifications (speed, pitches, loops, harmonic and tonal variations), so that the 11 pieces from CD 1 and the 16 pieces from CD 2 each represent a closely interwoven overall composition.

Ralf Wehowsky is one of the most respected practitioners of radical music of our day. He was the founding member of the seminal German group P16.D4 and ran the legendary experimental label Selektion whose ground-breaking releases influenced many working in today's experimental music scene. Previous releases have seen him collaborate with such well known and diverse artists such as Merzbow, Andrew Chalk, Jim O'Rourke, Achim Wollscheid, Lionel Marchetti, Kevin Drumm, Kouhei Matsunaga and Bruce Russell.

RLW - (Reue?) excerpt

✼ summoned spirit
✼ concrete warlock‌

https://linktr.ee/woegarden

don't tell me how 2 dress :]

Shapednoise is Italian producer Nino Pedone, and over the last few years he’s built a name for himself issuing music that bridges the gap between the basement and the club. Noise and techno are proven bedfellows at this point (for better or for worse), but Pedone pushes harder and further, and ‘Different Selves’, as the title suggests, is his most diverse and challenging work to date.
Fusing the industrial grind of early Godflesh (Justin K. Broadrick even makes an appearance on opening track ‘Enlightenment’) with the raw power of mid 90s D&B, the visceral pleasure of early grime and the ominous scrape of dark ambient, Shapednoise navigates unfamiliar territory expertly.

Whether traversing beatless outworld landscapes with ’Travels in the Universe of the Soul’ or assaulting the senses with the acidic, rhythmic blast of ‘Heart Energy Shape’ there’s a sense that Shapednoise is exploring his own boundaries.

‘Different Selves’ is a challenging, unruly selection of tracks; not a deconstruction of club music, but an amplification, blowing every sound out to near cacophony. the result is truly explosive.

Escalation

Taken from the upcoming album 'DAZE'.
Released February 19th via Tri Angle Records.
LP & Digital.

Brood Ma - Nrg Jynx (Daze End Version)

REGNAT

I WOULD TEAR OUT MY EYES

Here I Find My Self

Iron Sight - The Light

NAKED - UNLEASH ME

NAKED - SPIT

Massimo Carozzi is a sound recordist, sound designer and musician based in Bologna, Italy. Since 1994 he has looked into relations between sound and image, sound and script, sound and literature, sound and space. Massimo Carozzi has created sound design for theatre, documentaries, short films, installations. As a musician he collaborated both in studio and on stage with various musicians and sound artists such as Andrea Belfi, Stefano Pilia, Margareth Kammerer, Valerio Tricoli, Claudio Rocchetti, Starfuckers and many others. In September 2000 he founded the group ZimmerFrei whose artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, performances, workshops and public art projects. 
Mastered by Giuseppe Ielasi.

Escalation

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