A special mixtape courtesy of Listen To This!:
http://www.listentothis.info

Tracklisting / Liner Notes:
http://www.self-titledmag.com/2015/10/09/listen-to-this-present-omg-japan-a-mixtape-of-experimental-japanese-music/

OMG JAPAN: Rare & Experimental Japanese Pop (1980 - 1989)

The fourteenth mixtape is done by maestro Matthias Andersson, one of the most important corner stones of the Gothenburg experimental music scene. The man runs the amazing 7" label Il Dischi del Barone, plays in Heinz Hopf and makes truly killer solo stuff as Arv & Miljö.  His mix is brutally confusing and great. Check it out.

1. Sara Goes Pop - Sexy Terrorist (2x7", It's War Boys)
2. Harry Pussy - Vigilance (One Plus One 2xLP, Palilalia)
3. Invivo - Dead World (LC M) (B.B.B CS, Vanity)
4. Kostis Kilymis - Your Little Something For The Weekend (Bethnal Greener LP, Rekem Records)
5. Urinals - Surfin' With The Shah (Negative Capability 2xLP, In The Red)
6. Charcoal Owls - Open Wide (Coventry Campbell CS, Blank Editions, 2015)
7. Nocturnal Projections - My Neighbours 
8. Sarah Mary Chadwick - Same Old Fires (9 Classic Tracks LP, Siltbreeze)
9. Capers - Untitled (Fissures CS, Teeth Tapes)
10. The Fall - Bingo Masters Break Out 
11. Girls Pissing On Girls Pissing - Darwinning (Scrying In Infirmary Architecture LP, Muzai)
12. Händer Som Vårdar - For You (I Never CS, Posh Isolation)
13. The Pin Group - Jim (Ambivlance LP, Flying Nun)

iDEAL MiXTAPE FOURTEEN by MATTHIAS ANDERSSON

Besökaren

1. Bortförd 
2. Jag står på din tomt
3. Privata Bilder 

Besökaren är J.Ö.S 

Inspelat av Robin Smeds Mattila 25/3 2016

Besökaren

"The Stimulated Australia"

Spencer Clark - Study For The World Of Shells

Recorded in order to imbibe a Female Mammalian Presence in Nero's Grottesquieries.  Final track from new disc "The World Of Shells" on Kraak Records. Human Voice from Nour Pamela Moubarak.

Typhonian Highlife -  Oracle Of Egret , Siracusa Sicily

The work runs over a duration of 3 days, with one audio file being played on the radio broadcast each day according to their numbers 1/3, 2/3 and 3/3.
The files can be played back at any time of day the curator sees to fit with the broadcasting schedule.
The work may interrupt other broadcast content, only if everyone implicated, consents to this.
The work should not be addressed as an artwork until it has been presented in its entirety and all files have been played. 
The files can by curators choice be introduced as a incoming call to the radio, or by not saying anything.

https://frederikheidemann.com

AM

ABJEKT

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