Seabear - Arms - 2007 - The Ghost That Carried Us Away

The New Album | Beautiful Desolation | Out 31st March
Pre-order and download this track instantly: http://smarturl.it/BeautifulDesolation

CD: http://smarturl.it/Beautiful.CD
Vinyl: http://smarturl.it/Beautiful.Vinyl

*Lyrics*
With the last breath of our angels
We take final steps.
And I lay him down
On those killing fields
Where nameless kneel.

If I could. 
If I could
I'd fuck it up.
If I could.
If I could
I'd be enough.
If I could.

Did her last kiss cut you deep enough,
With so little lust.
Did your tears fall like
Your unborn child's.
With her perfect eyes.

If I could.
If I could 
I'd break your heart.
If I could.
If I could.

Good women lie down with losers everyday.
I'll take him to the killing fields lay him down nameless. Deserving.
I swear I saw my child in her eyes.
I swear I've seen his tears in boys eyes.
In boys eyes.

Available on iTunes

Kawai Celeste

Hear the chime, it calls your soul

Range of Light

Glass/Film

Titled in reference to a Kurt Vonnegut poem, Nice, Nice, Very Nice was recorded in Toronto in fall 2008 under the creative eye of producer John Critchley (Elliott Brood, 13 Engines). Dropping in to add their talents were such folks Justin Rutledge, Veda Hille, Mark Berube and members of Elliott Brood, Said The Whale, Hidden Cameras, Major Maker and Small Sins.

12 Set The Sails

From the album 'Neon', released March 2, 2018
Buy here: https://goo.gl/HNZhiQ

⇩⇩⇩ Lyrics ⇩⇩⇩

Listen on Spotify: https://goo.gl/SBCVGx

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~ Lyrics:

I was walking after midnight 
Three AM to be exact 
Crossing city limits 
A heavy coat upon my back 

Counting strangers as I passed them 
All were hurried, eyes ahead 
There is no trusting after midnight 
When we're just looking for our bed 

But I stared out from the overpass 
On the downtown haze 
Hailed a cab and headed toward it 
In a bleary daze 

The driver was slipping out 
Could hardly keep awake 
I prodded him with bony finger 
And we rode swerving to someplace 

Riding 

I pointed to the densest neon 
Made a motion to depart 
When I stepped out the streets were empty 
I let the color filled my heart 

And with it full I asked forgiveness 
With it full I asked for strength 
I asked it of the swirling neon 
And let my wish list turn to blank 

It was enough to pose the question 
I expected no reply 
But spun around found my way home 
And hit the sheets by morning time

Neon

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Sam Moss - Neon

Head in the Clouds

Arrivals & Departures

God Has Taken A Vacation

Avalanches (Culla's Song)

Where I'll Be

The new album from Water Liars is in stores March 05 on Big Legal Mess.

Pre-Order "Wyoming" now on CD/LP http://fatpossum.com/products/wyoming/

Wyoming

Water Liars "Linens"

PINES, Alison Sudol's third full-length as A Fine Frenzy is a fable about a pining tree who is given the unheard-of chance (for a conifer) to make a life of her own choosing. Drawing inspiration from the redwood forests and dramatic landscapes of Northern California and Washington's Cascade Mountains, the thirteen new original songs survey a sonic landscape as vast and deep as the woods, their namesake.   

Sudol crafted PINES in response to our accelerating pace of life in the 21st century. "Sometimes I feel like the world has been strapped onto the back of a giant rocket and it's hurtling us into the unknown at a pace we're not entirely equipped to deal with. All kinds of things are falling off, good and bad. It's a crazy, exciting, terrifying time- so much is changing, and fast. Yet some of the most wonderful things in the world are slow- rivers and seasons and turning leaves and growing older with the ones you love. I wanted to create an environment where a person could retreat to, somewhere vivid and real where their minds and hearts could wander freely. I wanted it to be a place you could go to feel, like a quiet spot in a forest or the sea on a cloudy day."

The adventure of PINES is further realized in a companion book and short film. The animated film PINES, (produced by TakePart, the digital division and Social Action network of Participant Media, whose mission is to create entertainment that inspires and compels social change) integrates hand-cut sets, puppets, stop motion, physical effects, and layered glass to augment the depth and texture of the film.  The book is a collaboration with illustrator Jen Lobo, whose aesthetic Sudol chose for her blend of “scientific precision and whimsical beauty.”

The ecological consciousness evident throughout PINES has been an integral part of Alison Sudol's life since she was a little girl in Seattle, Washington. She serves as a Goodwill Ambassador for the International Union for Conservation of Nature (IUCN), and performed at the 2011 Environmental Media Awards, subsequently joining their Young Hollywood Board, which supports school gardens in urban areas through funding and celebrity mentoring. 

As one of the first artists on Twitter, Sudol takes her responsibilities seriously, encouraging her 1.7 million followers to be more socially active within their own communities on and off line. A recent collaboration with Nokia at this year’s SXSW resulted in Sudol and her followers contributing to the planting of over 5,000 trees after an extreme drought in the area decimated their forests and urban tree population.

Since A Fine Frenzy's 2007 debut One Cell In The Sea, which spawned the hit "Almost Lover," Sudol has proven herself a consummate, imaginative storyteller. Produced by Keefus Green (Everlast, Cassandra Wilson, Joe Henry, Benji Hughes), and recorded at the legendary Capitol Studios, PINES rekindles Sudol's childlike sense of wonder after her 2009 electro-pop outing Bomb In A Birdcage.  

"I had been running to keep up with a world which I could not catch for so long, trying to find somewhere to belong, …somewhere along the way, I got lost. And then one day, I just couldn't run anymore. I didn't know where to go. It was only when I stopped that I found what I was looking for- or at least, I found how to find it. During that time, I was writing the story of PINES… I had to write it as a story- stories allow you to take a step back and actually look at what you're seeing, not just how you feel about it. They give you perspective. That perspective allowed me to see life in a different way, as an adventure; the record, the book and the film are my maps.”


Avalanches (Culla's Song)

A Fine Frenzy

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