loved her in FANTASTIC BEASTS AND WHERE TO FIND THEM          wonderful singer!!!!!!

heart beats s close to me

Vance Joy performs an acoustic version of his track 'Mess is Mine' for The Sunday Sessions recorded in The Academy, Dublin.

The Sunday Sessions: Vance Joy - 'Mess is Mine'

Wild Child's new album FOOLS is available October 2, 2015.

iTunes: smarturl.it/wildchildfools
CD/Vinyl: www.dualtonestore.com/collections/wild-child

10.07.15 / SAN DIEGO, CA / IRENIC

10.08.15 / LOS ANGELES, CA / EL REY

10.09.15 / SANTA BARBARA, CA / SOHO

10.10.15 / SAN FRANCISCO, CA / INDEPENDENT

10.13.15 / SANTA CRUZ, CA / CATALYST

10.15.15 / EUGENE, OR / WOW HALL

10.16.15 / PORTLAND, OR / REVOLUTION HALL

10.17.15 / SEATTLE, WA / THE CROCODILE

10.18.15 / VANCOUVER, BC / MEDIA CLUB

10.20.15 / MISSSOULA, MT / TOP HAT

10.21.15 / BOISE, ID / NEUROLUX

10.24.15 / DENVER, CO / GOTHIC THEATER

10.26.15 / KANSAS CITY, MO / RECORD BAR

10.27.15 / ST. LOUIS, MO / FIREBIRD

10.28.15 / MADISON, WI / MAJESTIC

10.29.15 / MINNEAPOLIS, MN / TRIPLE ROCK

10.30.15 / CHICAGO, IL / THALIA HALL

11.01.15 / COLUMBUS, OH / A&R

11.03.15 / TORONTO, ON / LEE’S PALACE

11.04.15 / MONTREAL, QC / SALA ROSSA

11.05.15 / BURLINGTON, VT / HIGHER GROUND

11.06.15 / PORTLAND, ME / PORT CITY MUSIC HALL

11.07.15 / BOSTON, MA / ROYALE

11.11.15 / NEW YORK, NY / BOWERY BALLROOM

11.12.15 / BROOKLYN, NY / MUSIC HALL OF WILLIAMSBURG

11.13.15 / WASHINGTON, DC / 9:30 CLUB

11.14.15 / PHILADELPHIA, PA / UNION TRANSFER

11.18.15 / CHARLOTTESVILLE, VA / JEFFERSON THEATER*

11.20.15 / KNOXVILLE, TN / BIJOU THEATER*

11.21.15 / ASHEVILLE, NC / ORANGE PEEL*

11.22.15 / ATLANTA, GA / VARIETY PLAYHOUSE*

11.23.15 / BIRMINGHAM, AL / WORKPLAY THEATER*

11.24.15 / NEW ORLEANS, LA / CIVIC THEATER*

11.28.15 / AUSTIN, TX / STUBBS

*Supporting Shakey Graves

Pre-Order

Wild Child - Bullets

Remixed by one of the early synth pop pioneers, Ed Buller - touring member of The Psychadelic Furs, composer and producer of bands such as Suede, Pulp, The Boo Radleys and Stabbing Westward, and synth programmer collaborator of Hans Zimmer. A mix so blisteringly 80's, it will melt off your Aquanet bangs and and knock you right into Saturday detention. 

Bandcamp

Discothèque-The Way Things Have To Be(80's Remix)

Looking For Knives

Blind Pilot - One Red Thread

Of Monsters And Men - Lakehouse

Taken from the record "Bummer Pop" 

https://velvetbluemusic.com 


JAMES & EVANDER - How It Feels

Now Is The Start

Avalanches (Culla's Song)

Taken from Phosphorescent's 'Muchacho' out now on Dead Oceans

Your local record store: http://bit.ly/1mYQtHB
iTunes: http://glnk.it/1xu 
Amazon: http://glnk.it/1xt 
SCD Deluxe Bundle http://www.scdistribution.com/phosphorescent/

Phosphorescent
http://www.deadoceans.com/artist.php?name=phosphorescent
https://www.facebook.com/Phosphorescentmusic
https://twitter.com/Phosphorescent

Song for Zula
Some say love is a burning thing 
That it makes a fiery ring
Oh but I know love as a fading thing
Just as fickle as a feather in a stream
See, honey, I saw love. You see, it came to me
It put its face up to my face so I could see
Yeah then I saw love disfigure me
Into something I am not recognizing

See, the cage, it called. I said, "Come on in"
I will not open myself up this way again
Nor lay my face to the soil, nor my teeth to the sand
I will not lay like this for days now upon end
You will not see me fall, nor see me struggle to stand
To be acknowledge by some touch from his gnarled hands
You see, the cage, it called. I said, "Come on in"
I will not open myself up this way again

You see, the moon is bright in that treetop night
I see the shadows that we cast in the cold, clean light
My feet are gold. My heart is white
And we race out on the desert plains all night
See, honey, I am not some broken thing
I do not lay here in the dark waiting for thee
No my heart is gold. My feet are light
And I am racing out on the desert plains all night

So some say love is a burning thing
That it makes a fiery ring
Oh but I know love as a caging thing
Just a killer come to call from some awful dream
O and all you folks, you come to see
You just stand there in the glass looking at me
But my heart is wild. And my bones are steam
And I could kill you with my bare hands if I was free

Muchacho

Song for Zula

Buy via SCDistribution

Phosphorescent - Song For Zula (Official Audio)

NO ANGELS [ft. Ella] - Bastille

I Want You Back (feat. Sara Bareilles)

From Volcano Choir's 'REPAVE' - out officially on Sept. 3, 2013 via Jagjaguwar 

Amazon: http://smarturl.it/volcanochoir
iTunes: http://smarturl.it/volcanochoir_itunes
Indies: http://smarturl.it/volcanochoir_indies
SCD: http://smarturl.it/volcanochoir_scd


Repave

Byegone

Volcano Choir - "Byegone" (Official Audio)

PINES, Alison Sudol's third full-length as A Fine Frenzy is a fable about a pining tree who is given the unheard-of chance (for a conifer) to make a life of her own choosing. Drawing inspiration from the redwood forests and dramatic landscapes of Northern California and Washington's Cascade Mountains, the thirteen new original songs survey a sonic landscape as vast and deep as the woods, their namesake.   

Sudol crafted PINES in response to our accelerating pace of life in the 21st century. "Sometimes I feel like the world has been strapped onto the back of a giant rocket and it's hurtling us into the unknown at a pace we're not entirely equipped to deal with. All kinds of things are falling off, good and bad. It's a crazy, exciting, terrifying time- so much is changing, and fast. Yet some of the most wonderful things in the world are slow- rivers and seasons and turning leaves and growing older with the ones you love. I wanted to create an environment where a person could retreat to, somewhere vivid and real where their minds and hearts could wander freely. I wanted it to be a place you could go to feel, like a quiet spot in a forest or the sea on a cloudy day."

The adventure of PINES is further realized in a companion book and short film. The animated film PINES, (produced by TakePart, the digital division and Social Action network of Participant Media, whose mission is to create entertainment that inspires and compels social change) integrates hand-cut sets, puppets, stop motion, physical effects, and layered glass to augment the depth and texture of the film.  The book is a collaboration with illustrator Jen Lobo, whose aesthetic Sudol chose for her blend of “scientific precision and whimsical beauty.”

The ecological consciousness evident throughout PINES has been an integral part of Alison Sudol's life since she was a little girl in Seattle, Washington. She serves as a Goodwill Ambassador for the International Union for Conservation of Nature (IUCN), and performed at the 2011 Environmental Media Awards, subsequently joining their Young Hollywood Board, which supports school gardens in urban areas through funding and celebrity mentoring. 

As one of the first artists on Twitter, Sudol takes her responsibilities seriously, encouraging her 1.7 million followers to be more socially active within their own communities on and off line. A recent collaboration with Nokia at this year’s SXSW resulted in Sudol and her followers contributing to the planting of over 5,000 trees after an extreme drought in the area decimated their forests and urban tree population.

Since A Fine Frenzy's 2007 debut One Cell In The Sea, which spawned the hit "Almost Lover," Sudol has proven herself a consummate, imaginative storyteller. Produced by Keefus Green (Everlast, Cassandra Wilson, Joe Henry, Benji Hughes), and recorded at the legendary Capitol Studios, PINES rekindles Sudol's childlike sense of wonder after her 2009 electro-pop outing Bomb In A Birdcage.  

"I had been running to keep up with a world which I could not catch for so long, trying to find somewhere to belong, …somewhere along the way, I got lost. And then one day, I just couldn't run anymore. I didn't know where to go. It was only when I stopped that I found what I was looking for- or at least, I found how to find it. During that time, I was writing the story of PINES… I had to write it as a story- stories allow you to take a step back and actually look at what you're seeing, not just how you feel about it. They give you perspective. That perspective allowed me to see life in a different way, as an adventure; the record, the book and the film are my maps.”


Now Is The Start

A Fine Frenzy

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