Romance Relic - Breath Of Their Character

from Anxiety Euphoria available on Bandcamp and Spotify
lxvlxv.bandcamp.com

fever dreaming

taken from Objects album, due out July 01, 2022
pre-order: igordyachenko.bandcamp.com/album/objects

End Of Score

https://radiosygma.bandcamp.com/album/3

being inherently independent, experimental music is bound to deny typical vertical principles of power and censorship that we face today even more than ever, yet it can contain a statement of the opposite nature. as we prepared this compilation the russian invasion of ukraine escalated further, leaving us with less words than ever, but a stronger urge to retain a voice. we believe that music communities are able to offer their own responses to societal changes, no matter how quiet or deafening they may sound. 

Σ3 compilation features 16 tracks by our contributors, friends, and members of the team and we really hope you enjoy them for what they are. but the important thing is that beyond a sensitivity to unconventional sound and commitment to international music communities, all featured artists are defined by a belief in human dignity and solidarity with the victims of war. 

all the proceeds from sales will be split between the evacuation initiative helpingtoleave.org and help-freefilmers.network providing humanitarian aid and power generators for at-risk ukrainians
credits
released November 4, 2022 

mastered by sergei shplv 
artwork by Svyatykh (linktr.ee/svyatykh)

NOT399093 – Mostly Survival

The information might be presented in a hipper than ideal manner. due to 2016, alone. like a Stone ally, vowing against discrimination. released a lot of affairs, seeing as how you're complaining. ecstatic cops that In is you. It works by preventing the impacts of future BABY, as seen by its idols' and performers' costs. focused ego maintains a masterpiece. Nothing changes in 2010. short depressing song from the album. Only this fluttering flesh attempt gets launched in the end. Father, wait—a star. and American politics. We raised the gun. Justice is massive.

pure

Funeral

Musica Virtuale ™
compiled & manipulated by Francesco Cavaliere

- Gancio Cielo 2 meet Hugh Le Caine
- Kromics vs Gokujyo Parodiu ( e.g.i. initial )
- Green, Robotix meet Zuma in play HD 
- Feherlofia meet Bio Hunter (end credits song)
- Hiroshi Yoshimura vs F.Knight - Kid Sword
- Dark Cat meet The Legend Of Spyro
- Luxor thema for android
- O. Sala meet Robotix /Joe & Mac Caveman Ninja
- Internet´s Pop up in HD vs VIKRAM
- Trevor Wishart VOX -5 vs Ghouls ´n Ghosts vs Otto Luening    
  ΔΑΙΔΑΛΟΣ ΙΚΑΡΟΣ Splatter House Phoenix and Zal ( tools )
- SKY MUSIC vs Magyar Népmesék
- Oskar Sala - Klangfarben Caprice
- Utaclion worlds into Olivier Messiaen´s  Orasion
- Francesco Cavaliere - Lij on God´s Shoulders (zuma´s  imitation thema)


Musica Virtuale ™

glass in plastic (with arad acid)

from "wub life / circle" w boo: 
https://bblisss.bandcamp.com/album/wub-life-circle

part 1 of ?

wub life / circle

circle

mu tate ~ 5 layers, all blankets

Food, sex, glory to God; in which order? Do you first eat, and then pray to thank Them? Or perhaps coupling takes the top spot for you. 

Each of these three fundamentals is about service. What is your way of serving others while you’re in this world? And will we keep doing it ever after? In heaven—if we’ll make it there—will W serve us their mass of resonating frequencies and clipping digital ornaments? 

A new release by W is here to go alongside our feasts, orgies, and other acts of devotion. Yes, it’s suited for all kinds of services. You must try it on fried fish, living bodies, or celestial ones. 

From right to left and back again from left to right; W spins the middle frequencies into a ritual that helps us to forget ourselves. For a while, heaven and earth exist on the horizon, instead of the vertical. 

The sonic horizon reminds us of the beauty of the plain from which nothing arises to compete with God. What's more, the panning offers an exercise in humility: everything is around you, but you’re not the center. 

The distorting of those sweet basslines tells you that what you’re hearing is growth and rot, crop and compost, both at the same instance. The distortion invites you to go medieval—think Ars moriendi, the art of dying. Learn from these sounds by reflecting on how they’re ready—but not willing—to leave this plane at any moment. 

The sounds that make up Maanpinna follow neither a linear understanding of time, nor a hierarchical understanding of bodies, but an instantaneous one of both. You could call it quantum music, but then why would you do so when you can call it a service? 

Of the three acts of services mentioned, sex and God demand the most trust. Can you trust these sounds? You could learn to do so by listening to them on repeat. No: forget the idea of being able to know music, forget beginnings and ends; try living with these sounds forever, always unearthing new aspects. 

Commit to the sounds, because why else would they trust you? Touch the wobbly melodies and feel them touching you like nothing has ever done before. 

Apart from the sea of sine waves, Maanpinna sometimes gives you bursts, pops, and washes of filtered white noise. They are gestures of good faith made by the music itself towards you. If you didn't trust the sounds before, perhaps now you will. 

Those bursts are not pure noise, but cut down to a serving size by W. The modified noise tells you what the dead always tell the living: ‘What I am, you will become.’ The art, in life and audio, is in learning to lose. It’s a lesson that reverberates deep in the bare soundscape of Maanpinna. 

It is music made from very few elements. And while reduction has always formed the basis for aural worship, on the hands of W, sounds are never reduced to the level of blasphemy: there's always the noise and the distortion. 

- Kaino Wennerstrand 

Produced by Eero Pulkkinen (@susiovet). 
Vocals in 'Half-Mast' by Elatu Nessa.
Mastering by Jaakko Viitalähde. 
Artwork by Carmine Laurenza. 
AFN005 - A Flooded Need, 2021.

W - Half-Mast

A Flooded Need

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