(Sorry for re-uploading, I wanted to work some EQ and touch up on some spots.)

Okay, so part 1 is finished. I think. Clocking in at 5 minutes, this piece introduces the strings which will play a major part in part 2. Constructive criticism is welcome. Suggestions for future parts are welcome, as well! Other ideas I've had for future parts include a "jazz" orchestra, violin/piano duet, full orchestra, and a mallet/percussion ensemble (my specialty). Also, if anybody's specialty is Japanese/Asian music, let me know! 

This is a multi-part composition about culture shock. The first part is in 3 movements.

Movement I ~Dream~ 
As third-generation Japanese-American, David Furukawa has always been interested in his heritage, but knows only of the Japan that he hears of in history books and in stories passed down from when his family lived in Japan--pre WWII. David decides to study Japanese in University with the ultimate goal of living and working in Japan. This is his dream.

Movement II ~Xenophobia~
"Baijo." "Gaijin." "Gaiko." -- All derogatory words for a foreigner or person of mixed Japanese/American blood. In his life in Japan, he hears these everyday. Not only are the people incredibly xenophobic, they have weird customs and traditions. This wasn't the Japan he heard of in stories. 

Movement III ~Home~
David was alienated by the people at first, but after working hard and proving himself, his situation begins to resolve. He realizes that all countries have their ups and downs and have their good and bad people. But, now that he is somewhat settled-in to his crazy new life, he is getting a bit homesick. 

This is what I'm going to base my next part on--namely David's balancing act between Japan and America. I will incorporate music from both countries, which is why I thought a jazz orchestra would be a good instrumentation. In any case, what happens next? Does he move back to the USA? Does he find love and stay in Japan? Who knows!

A.McCann