عشبة الملائكة 
من احداث رواية عشبة الملائكة ل حسن الفرطوسي 
#بزق_بغلمة 
#جيتار
#دف

Angels Herp - عشبة الملائكة

Chant; Nessrine jabeur
Guitare; Hamza zeramdini
Arrangement: Hamza zeramdini


Bellathi Askara

Mohamed Bou Ali : Oud Tounsi
Yacine Azaiez : Piano

Mohamed BouAli & Yacine Azaiez Lamounelli Gharou Menni

needed to make some more from this piece from the jewish liturgical music

Avinu Malkeinu variations

.. أُريد أنّ أكتب لكِ شيئًا يُشبّه فتاة صغيرة ،
سريعًا مثلها مثلها عندما تركضُ وسطّ الانفجارات ،
ومكسورًا مثلها عندما تسقطُّ ،
وقويًا مثلها عندما تنهض ،
شىٌ يغطيه الغبـّار ، لكنّه جميل جدًا 
جميل للحدّ الذى يجعلكِ لا تخافينْ خيطُّ الدمِ النازل من أنفِ معناه ..
..................
( النص / ميثـــم راضــى )
العــراق ..

Le Trio Joubran / شغف

This is an experimental piece that I wrote for an imaginary science fiction film.

La Planète

وحيد في المدينة

Reverse Thread

أشياء تتداعى

Malek Jandali (http://MalekJandali.com) The Jasmine Tree. The old neighborhoods of the ancient cities of Damascus, Homs and Aleppo echo with memories of authentic Syrian music and Arabic maqamat, as well as with the perfume not only of orange and lemon trees but of the distinctive fragrance of the beautiful white jasmine flower. “Yasmine” in Arabic, the jasmine flower is soft, feminine, romantic, and so luminous that it seems to glow in the moonlight. Damascus, known as the “city of jasmine,” is the oldest continuously inhabited capital in the world, known for centuries as a cultural hub of the region.
Says Jandali, “As a child I would string together necklaces of jasmine flowers for my mother and grandmother, and even now the scent brings back these special memories of my youth in Syria. In Farsi ‘yâsamin’ means ‘gift from God,’ and one of God’s gifts to me has been my beautiful wife Yasmine and our daughter Maya who inspired this album and to whom it is dedicated.”

Beginning with alternately dramatic and introspective phrases in the piano, Jandali builds to the entrance of the rhythmically distinct main melody in 5/4 meter. The oud takes over, soon joined by the cello, and the three instruments engage in imaginative contrasts of homophony and interplay, with the main melody returning periodically.

The Jasmine Tree incorporates the authentic Saba maqam on F in the oud taqasim. Ethereal passages and a grand pause bring on the first oud improvisation, which skillfully integrate a number of maqamat on variations of the work’s basic motives.

The Jasmine Tree

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The Sea Was Never Blue

البحر لم يكن أزرق | larkhall

Soriana composed by Basel Rajoub ASIA Album 2013 

Khaled Yassine Percussion 
Feras Charestan Qanon 
Basel Rajoub saxophone .
Basel Rajoub Plays Rampone & Cazzani . hand made Italian Saxophone 

أشياء تتداعى

Ahmed Raoof 2

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