Kern Haug (A White Hunter) calls it an ambient field recording.  Boris Freyman (A White Hunter) calls it deeply unsettling.

Can You Hear What the BART is Thinking? is a field recording looped to 62 minutes. 

The looped sound is densely layered and non-mechanically structured.  This problematizes any tendency to track the loop and find a perceivable unit.  

This unit repeated creates an infinitely combinable structure.

Notation splits the unit's sound into basser (black ink) and thinner (blue ink) and puller sounds (longer, straighter lines), then tracks the perceived developments upon repeated listening to the unit.  

Notation is written linearly for time across four lines.

Because the recorded piece isn't played by anyone, the score functions as an access point for extended listening--a score for the listener, who shapes the piece more than the piece shapes itself.  The puller sounds pull less upon repetition, sounds become naturalized/familiar and less tightly articulated, space opens up.  This is tracked in the notation. 

The primary unit of the piece is included as supplement to the score in order to enable the possibility of reproducing the piece with instrumentation.  The score can be seen as a stretching out of and variously manifested treatment of the unit over time, with its structural elements in mind.

Performance requires a minimum of three players.  One to act as the Basal body / Primary actor-reciever, one to play the Flagellum sounds / Outside Interactions, and a third to perform the Accounted for / Known-in-system sounds.
The unit will be as complex as the players involved can manage.  The more players the more complex, the fewer players involved, the more creative each player must be to sustain an infinitely combinable and perceptually-developing structure.

Beyond the notation, the packaging itself is important to the piece:

62 minute clear tape with plastic lock on tape cogs (must be removed to play).  Spray painted friendly-yellow card stock case with name A White Hunter on front in white rectangle.

It's the entry point for the piece.  Very special, bright, and tape fetishist.

Can You Hear What the BART Is Thinking?

Friday

Do dah do do dah dah

Poor Tree Pizza Face

a song for a friend going away for the summer.

Have Fun Over There!

Told You I Was a Good Dancer

from Singles Tape #1
http://awhitehunter.bandcamp.com/album/singles-tape-1

Stretched Plastic

Never Before Seen A Muscle Like That

kernhaug.bandcamp.com
awhitehunter.bandcamp.com