Cool modern rock feel, in ur face vocals, well delivered...🤘✌️

Oh baby, since you’ve been my lady, we’ve always stood up for what is right
Oh baby, can’t you see that maybe, this time we’ll have to stand and fight

Dark desire, homes on fire, some aspire to become war lords
Hearts divided, hate united, the world is quiet it’s the eve of war

Oh lady we must protect our babies and bring them to a better place
Oh lady these grown up games amaze me, this has become a war of race

Oh the world has let its children down
Oh the world has let its children down

Oh lady when will life show mercy and bring light to our darkest days
Oh lady nothing can console me I want you with me when I say

Oh the world has let its children down
Oh the world has let its children down

The World Has Let Its Children Down

This version is not final but mostly. Vocals and second guitar a yet to be added

By Myself But Not Alone

Tell Me Something

# 21 [Tell Me Something]

A re-recording of an old song I originally wrote & released in 1988

Don't cry now sunshine
You brighten up my day
Don't cry, it'll be alright now
Wipe your tears away

If you need a friend to rely on
Come to me for a shoulder to cry on
If it seems your life has gone all wrong
Let me be your hope to get by on

Love can move the mountains
That stand in your way
Love can swim the oceans
That swept you away
Swept you away

May your tears dry now sunshine
Time will heal all your wounds
They'll fly away
They'll fly away

© 1987 John Mendenhall

Sunshine

Free Download

Lost All Of You

Guitar, Bass, Piano and Mix/Mastering by Robert Grigg
Video Link:
https://youtu.be/vv4ajMFurzU?si=Q2VL9p65QCj8NrlX

Mocus Focus

1st studio album from Slovenian punk-rock band Banditi
www.banditiband.com

Secret Place

Banditi - Secret Place

No you can't take me, take me. Take me away.
Under space you hold me, embrace me, but don't take me away. 
Surrender myself, for you to take me. Take me, take me away.
Don't wanna stop, but you got me, so take me, take me away.

Come on and try, take me. Take me, take me away. 
All through my lungs, you embrace me. So carry me, take me away. 
It's cold in here, more than outside. Release me, take me away. 
I'm not your friend, but I won't fight you, so love me, cast me away. 

Sweet sweet, air where are you now? Refill my lungs, show that you care. 
I wanna go home, but don't know the way. Oh spring tide, push me home away.

This is so FUCKED UP, please leave me. Don't take me, take me away. 
See a submarine, I am waving. Please save me, don’t make me stay
I'm gonna fight for my life, please let me. Don't take me, take me away.
No you can’t take me, take me, take me away.

Sweet sweet, air where are you now? Refill my lungs, show that you care. 
I wanna go home, but don't know the way. Oh spring tide, push me home away.

Are you going to stop, ‘cause it numbs me. So tease me, sweep me away. 
I know there's light above me, won’t you push me, push me up. 
If I promise to change, will you release me. But keep me, keep me at bay. 
Not ready to go, so I don't think so. Don't take me, take me away.

Sweet, Sweet air. 
I wanna go home.
Don’t take me away.
I still see the light.

Why should i be so scared?

Don't take me away

Translation above

Sur un texte joliment brodé de Jacqueline Blériot http://www.bleriot.net/Jacqueline_Bleriot.html qui m'a fait l'honneur de faire partie de ses compositeurs.

Les innocentines

Elles ont l’air sage
Sous leur corsage
Elles ont des tresses
Vont à la messe
Et à confesse
Elles se dandinent
Elles minaudent
Elles se trémoussent
Font des frimousses
Vous encoquinent
Les innocentines

Elles vous frôlent
Elles vous engeôlent
Vous sautent au cou
Montent sur vos genoux
Vous accrochent-cœur
Puis vous crêvent-cœur
Elles vous friponnent
Vous enjuponnent
Vous attendrissent
Font des caprices
Vous rapetissent
Vous lilliputent
Vous belzébuthent
Se font mutines
Les innocentines

Elles vous engluent
Vous sécotinent
Elles vous sang-suent
Puis elles vous tuent
Vous ressuscitent
Et vous excitent
Font des colères
Vous exaspèrent
Vous mettent à terre
Puis vous piétinent
Les innocentines

Et puis un jour…

Elles se transforment
Et leur corsage
Change de forme
Finies les tresses
Adieu la messe
Plus de ballerines
Du haut de leur
Talons aiguille
Elles vous séduisent
Vous hypnotisent
Elles vous attisent
Elles vous hantent
Elles vous vampent
Vous vampirisent
Elles vous allument
Et vous enfument
Elles vous enflamment
Sûr, elles sont devenues
Des femmes

Paroles de Jacqueline Blériot
Musique de Myckaël Marcovic,
18 novembre 2023

Innocent girls

They look wise
Under their blouses
They have braids
Go to mass
And at confession
They waddle
They simper
They wiggle
They'll make you
They've got you in stitches
Innocent girls

They graze you
They enrage you
Jump on your neck
They climb on your lap
Cling to your heart
Then pancake your heart
They tease you
They flirt with you
Soften you
Do whims
Shrink you
They lilliputent you
Make you beelzebub
They're mutinous
Innocent girls

They engulf you
They secotinate you
They blood-suck you
Then they kill you
Resurrect you
And excite you
Make you angry
Exasperate you
Knock you down
Then trample you
Innocent girls

And then one day...

They transform
And their bodice
Change shape
No more braids
Farewell to mass
No more ballerinas
From the top of their
stiletto heels
They seduce you
They hypnotize you
They arouse you
They haunt you
They vamp you
Vampirize you
They light you up
And smoke you
They ignite you
Sure, they've become
women

Words by Jacqueline Blériot
Music by Myckaël Marcovic,
November 18, 2023

Les innocentines (Jacqueline Blériot / Myckaël Marcovic)

Roll Your Sleeves

Friend to None

A song about rain and memories. The remix version is also on this soundcloud page. 

Faster Than the Rain

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Spheres

Sun Trio - Mvt. II. Sunset

We are a small recording studio in the middle of the beautiful nature in Ljutomer, Slovenija. Besides recording sessions, we offer online mixing and mastering services. Please don't hesitate to contact us for more information and special prices.

Banditi - Secret Place

A7 Recording Studio

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