Streaming at tratore.com.br/um_cd.php?id=28859

50% of the profits are going to the Yawalapti association ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.

Memórias de Oneyda was produced during the RMX residency held by São Paulo's public cultural center CCSP in celebration of the 85 years of the sound library Oneyda Alvarenga. All percussion, beats, harmonic layers used in the EP were extracted from the vast collection of the Discotheque - Most of the vocals were taken from the mission of folkloric research, idealized by Mario de Andrade in the ’30s. The track's sonorities were adapted to the texture and quality from the oldest recording - seeking for an intersection between contemporary sound and a 30’s acetate disc. As if it was an old recording from a parallel reality.

Mestre Jandaraí

Download/Stream/Watch: https://lnk.to/ujitimebeing 

ZZK Records presents Uji’s “Kinto”, the second single from his upcoming album and film TIMEBEING.

Adding a bit of nylon-string guitar to the mix, “Kinto” transports the proceedings straight to the Andes, where Uji’s deep vocal timbre channels spirits of old as it moves through a bewitching fog of whirling woodwinds, chunky basslines and percolating drum beats.

Kinto will be released on May 25th with accompanying music video

TIMEBEING will be released on vinyl and all digital platforms on October 21st 2022

TIMEBEING

Kinto

Uji - Kinto

The very first remix in the upcoming remix series of Lagartijeando's last album "La Tercera Visión" comes from rising star (and Wonderwheel alumnus) Gitkin, who takes "Onda" featuring Tagua Tagua into live territory with his signature psychedelic guitar riffs, a driving drum break and dubbed out vocal snippits from Tagua for a Khruangbin meets Brazil type of vibe.

Buy EP Here

Lagartijeando - Onda (feat. Tagua Tagua) [Gitkin Remix]

Free Download

Pacman Santorini Rmx

edit with samples of Respira(@mateokingman - 2016)

art: Cigarra
master: @luisa-puterman

Download

Alcândora (Mateo Kingman revisited)

Actresses on the stage, atrocious ones on the streets, voices in choir, protagonists in repossession of their bodies and the face of the stage ready to scream! “Ato” (Act) second EP by Cigarra, registers part of her experiences with soundtracks and recent partnerships with Brasilian actresses. They are three tracks composed after studio and stage registers, besides her research of sound collage and samples from the most diverse references. 

Music by https://soundcloud.com/a_cigarra

contains samples of:
Anais Maviel
H@x@n C1o@k
D@nte 022etti
J1m1 Hendr1x
Kyok@
Palavr@ €antad@

Cigarra + Janaína - Quiçá

Diguital Trip - Fluxo Brasileiro EP
[OR02]

Fluxo Brazileiro OME REMIX

An interest in ancestral Latin American cosmology has always run right through the music of Ecuadorian music producer Nicola Cruz. His creative process involves an attentive, careful search for the living roots and rituals that are part of South American identity—its Andean and African origins in particular—valuing its rhythms, its oral traditions, its instruments and the energy they transmit. His first record, Prender el Alma (2015) explored the development of the consciousness and spirituality, and how they connect with music. In Siku, his most recent production, Cruz continues this exploration, expanding his vision towards new stories and other cultures as sources of inspiration. A crucial aspect on this journey is his collaboration with other artists from around the world.

The siku is a wind instrument of Andean origin, highly symbolic in ancestral rituals, made up of two separate, complementary parts, the arca and the ira. It is a representation of duality, an essential element of the indigenous world view, associated with involvement and complementarity, far from the binary thinking typical of western societies. That duality is reflected on this record in the coming together of sounds, whether electronic or organic, past or present, local or global. On Siku, Nicola Cruz combines instruments with symbolic, spiritual connotations, such as the sitar, the siku, and the balafon with hints of electronica. Studies of the samba, cumbia and rhythms of African, Andean and Hindu origin are combined with Cruz’s characteristically unpredictable, mystical style.

Composición, Mezcla y Producción por Nicolá Cruz. 
Mastering: Mathieu Savenay

Balafón y Percusión: Marcio Pinto

Dirección de Arte: Orly Anan 
Fotografia: Jesus Zabala 
Diseño: Ventral is Golden

Nicola Cruz - Esu Enia (con Marcio Pinto)

Purchase: 
http://wonderwheelrecordings.bandcamp.com/album/one-ep

Japanese born Yukicito found his love for Brazilian music after moving to LA as a teenager & emerging himself in the samba schools of one of the biggest Brazilian communities in the country. Soon after learning all the instruments & songs, he became a teacher & started making recordings with vocalists & musicians.

After several hit remixes on both Wonderwheel & Bastard Jazz, Yukicito drops his 1st original 5 track EP. A dance-floor fusion the African rooted music of both Brazil's Atlantic coast & The Pacifico music of Colombia's Pacific coast, we feel the roots & the thump of long running Los Angeles party called 'La Junta'.

One EP

Yukicito - Iansa (feat. Dana Maman)

Biomigrant is the musical project of producer and multi-instrumentalist Michael Alfred Wagner. In 2014, as part of a journey of musical exploration, he crossed Central America en bicycle, arriving to Colombia where he currently lives. As part of the Llorona Records tribute to the gaita flute master Manuel Antonio “Toño” García, Biomigrant put together a compilation of remixes of a piece made with the field recordings of Toño singing. El Buho, Quixosis, Lascivio Bohemia, Joaquín Cornejo, RLHBSLCN, Marcelo Bergés and Steffen Ki present beautiful and different takes of “La Muerte” giving us a broad picture of latin american electronic and world downtempo landscape.

I arrived to the house of the maestro Toño García in San Jacinto in May of 2014. I had just arrived to Colombia, finishing a bicycle journey that began in Guatemala. In Panama a traveling couple told me of Mr. García, and in Bogotá a friend put me in touch so I could visit him. I made it to San Jacinto, an iconic village of the Colombian Caribbean, and I spent various nights camping along the edge of the lake, in the mornings taking classes with Toño. I received my first Gaitas from him, while he showed me songs and told mi stories of his wanderings, struggles, successes, and loves.

Manuel Antonio ‘Toño’ García joined the Gaiteros de San Jacinto after the death of Mañe Mendoza, returning to a legacy that he had left behind for years to dedicate himself to agricultural work. Winner of a Latin Grammy for the album ‘Un Fuego de Sangre Pura’, along with a generation of the group that included his student Fredys Arrieta, el maestro sill lives in his house in San Jacinto where to this day he receives visits from a endless stream of students and lovers of Gaita music, sharing with them his music and wisdom.

There here taught me the song ‘Conmigo Nadie Se Meta’, written by Nando Coba. ‘La Muerte’ is a re-interpretation of that melody, with the voice of Toño and the gaita of Fredys. It was originally published en 2016 as part of ‘Aldea Mundial’, an audiovisual project (album and documentary) released with the chilean label Regional.

I am very grateful for the 7 tremendous artists and friends from Latin America and Europe for their remixes which offer a tribute to a great musician, person, and teacher. We are part of an emerging scene that looks to create a meeting grounds between electronica and traditional folk music, and the least we can do is try to give something back to those who have maintained the essence of rural musics.

All funds generated by this work will be given to Toño Garcia (who recently celebrated his 90th birthday) and his family as assistance that we hope will help to care for his health and upkeep in San Jacinto. Thank you to all who have contributed to this project and especially to Thomas Bosq for setting it all in motion. Michael - Biomigrant

Produced by Michael Alfred Wagner - Biomigrant
Gaitas- Fredys Arrieta
Voice- Toño Garcia
Alegre drum- Loui Peña
Maraca- Owen Chamorro
Mastering - Rob Small
Artwork - Patricia AlSur 
credits
released January 24, 2020

Producido por Michael Alfred Wagner - Biomigrant
Gaitas: Fredys Arrieta
Voz: Toño Garcia
Tambor Alegre: Loui Peña
Maracon: Owen Chamorro
Masterizado por: Rob Small
Arte por: Patricia AlSur

Biomigrant - La Muerte (Lascivio Bohemia Remix)

Canción para un amigo EP marca la primera entrega del encuentro de Cerrero con El León Pardo, gaitero y trompetista figura de culto en la escena musical colombiana conocido por su trabajo con proyectos como Velandia y la Tigra y Ondatropica. 

 El dub criollo de Cerrero, minimalismo etéreo y crudo logrado a partir del uso de una consola análoga como instrumento, es un viaje por un universo de samples, reverberaciones y eco que exploran la raíz del sonido latinoamericano desde la electrónica. Sonido tosco y meditabundo, percusión ritual y lamento se mezclan en una suerte de hechizo en donde la repetición es a la vez baile y nostalgia. 

Las tres canciones presentadas en Canción para un amigo EP cuentan la historia del encuentro de estos dos músicos, sus sesiones de creación en el estudio de Llorona Records y un acercamiento a la producción electrónica a partir de la grabación y mezcla espontánea en vivo.  

ENG

Llorona Records´ founder Diego Gómez, producer behind the Dub de Gaita series and De mar y río by Canalón de Timbiquí, continues exploring the possibilities of Colombian roots music trough the lens of dub and electronic music in Cerrero his personal project. The result is what he calls “Dub criollo”, hypnotic sorcery, raw and ethereal minimalism, a journey to timeless ancient sounds through echoes, reverbs, sampling and dub mixing techniques.

Canción para un amigo EP is the first release of original material written by Cerrero alongside El “León” Pardo, a cult gaita flute and trumpet player known for his work with Velandia y la Tiara and Ondatrópica. The four tracks included tell the story of the two musicians creating and recording live in the Llorona Records studio as an spontaneus approach to electronic music. 
credits
released August 21, 2020

Produced by Cerrero
Written by Cerrero and Jorge "El León" Pardo
Samplers, synts and programming by Cerrero
Gaita flute and trumpet by Jorge "El León" Pardo
Keyboards in Todo te lo llevaste by Andrea Hoyos

Recorded and mixed by Cerrero @ Llorona Records
Mastered by Mike Grinser @ Manmade Mastering, Berlin
Illustration by Yoda

Canción para un amigo EP

Canción para mi amigo - Cerrero con El León Pardo

SETS // LIVES // OST



< @trypas-corassao >
*******************
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Alcândora (Mateo Kingman revisited)

Cigarra

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