I love the production & vox so much. It's such a unique sound.

Ambient

music for the last duet from the choreography Baby Don't Hurt Me by Imre and Marne van Opstal for NDT1
written and performed by Amos Ben-Tal
contains a quote from 'What Is Love' by Haddaway

Baby Don't Hurt Me - Last Duet

Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

Album: Nº1 DVD and Remixes
Label: Self - Release

and instantly take effect (loscil remix)

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

Weval - Gimme Some 'Easier' EP

Release: 24.11.14

Artist Page & Booking Requests:
http://www.kompakt.fm/artists/weval

WEVAL
https://www.facebook.com/wevalmusic
https://soundcloud.com/weval
https://twitter.com/Wevalmusic

BEATPORT
http://www.beatport.com/my-beatport/a...
http://www.beatport.com/label/kompakt...

KOMPAKT.FM:
http://www.kompakt.fm/
https://www.facebook.com/KompaktRecords
https://twitter.com/kompaktrec
http://tiny.cc/kompaktgoogleplus
https://soundcloud.com/kompakt

Weval - Gimme Some

Download

aurum

When Shall This Bright Day Begin

Ruins

Written, Performed and Produced by Luis Valentín
Mixed by Benjamin Juliá (IGBO)
Additional mixing by Luis Valentín
Mastered by Robert L. Smith

Taken form the upcoming Bairoa EP - Barlovento

Barlovento

Sometimes , When words cannot describe our feelings , Music can.


Photo by Annie Spratt

<a href='https://theartistunion.com/tracks/fa8709'>Download for free on The Artist Union</a>

Free Download

Memories

It has been my honor and privilege.
Thank you for 3,000 follows.

Buy / Listen at:

Spotify>http://spoti.fi/2BUVyxd
Bandcamp>http://bit.ly/2EVbvX0
Google Play>http://bit.ly/2oudp6n


-----------------------------------------------------------------------

Follow Phelian:

Facebook>http://bit.ly/2CKs1mH
Twitter> http://bit.ly/2CqDXOT
Instagram> http://bit.ly/2CNk1kI
Soundcloud> http://bit.ly/2CLkOmh

Tempest [Free Download]

based on "Drag" from my recent album "Peace In Drifts" https://soundcloud.com/ventil-records
with https://soundcloud.com/soapandskinofficial and https://soundcloud.com/evely-plaschg

lyric video by Soap&Skin:
https://www.youtube.com/watch?v=BLblVqcETM0

Spoken Words by Evelyn Plaschg
Chant by Soap&Skin
Produced by Asfast and Soap&Skin
Arranged by Asfast
Additional Mix and Mastering by Lukas Weidmann
(thank you lukas <3)

have fun
- - - - - - - - - 
I’m a suspect treat
I’m a rendered splendor
with a nervous strain pain

gold shifts to blue
so the peach is split
and the vein got hit

slow down, strip the grip
change the angle
how are you?

feel
fiction
feel
overload
feel
tongue
wounded by the tongue
feel
fiction

move like your eye
lexize this lie
my drag has a golden gaze
to allude i deny

when i flood this flesh
i will freeze and crash
i will click and clash
till the glaze is cracked
in a rush you shed your scales
pattering an endless you
slow down, strip the grip
change the angle
shift to blue

Drag Shift

Drag Shift w/ Soap&Skin x Evelyn Plaschg

opaltapes.com/album/sacred-horror-in-design

Developed from a commission by CTM Festival as an audio/visual project in collaboration with Tarik Barri, and inspired by their 2017 theme of ‘Fear Anger Love’ and its relationship to his childhood following the 1979 Iranian revolution, the record reveals a dramatic blend of acoustic Persian instrumentation and contemporary electronics. Sote aims to devise an idealised fusion of the musical heritage and tradition of Iran with the forward-thinking vision which has propelled his storied career producing techno, hardcore and computer music for labels like Warp, Ge-stell, Morphine and Repitch.

Now living in Tehran, his music has frequently grappled with the strict cultural restrictions imposed in his country over the past few decades, finding a space and setting to nurture new developments in experimental sound and performance; first documented on last year’s ‘Hardcore Sounds From Tehran’ on Opal Tapes.

Working with Arash Bolouri who plays the santour (Persian hammered dulcimer), and Behrouz Pashaei on the long-necked, four-string setar, Sote frames and responds to their traditional artistry. On occasions he directly manipulates the music emanating from their ancient instruments, cultivating and thickening up a surreal and beautiful tonality plucked from their strings with a series of processing techniques, but mostly each track is a peaceful arrangement and partnership, Sote electro-acoustically augmenting their movements within his own cybernetic framework. The resulting form gives the impression of semi-improvised gesture between three skilled partners, a deft call and response that uses digital techniques to extend the intentions of the performers into a modern, shady, but ultimately optimistic narrative; creating an paradoxical amalgam of the mythic and the profane as strong as any folk music.

Across the six tracks the strange strings tend to conduct the overall experience, tuned to the unusual colour and complex microtonality found in the classical music of Iran. Blurts of noise, sour tones, and a vaguely technoid or dubwise impression expose the inner rhythm and counterpoint embedded in this strummed music, building a new understanding and doorway into unfamiliar timbres and environmental patterns which govern us. At times it finds the artist at his most compositionally delicate and measured—listen to the sense of space afforded to a beautiful solo that drifts throughout “Boghze Esfahen” and then into “Plural”—and redoubles his focus on what new insight might be gained from the emotional, mathematical and polyrhythmic principles underpinning Persian music.

The electronic parts on final track “Holy Error” are sourced from Sote’s residency at EMS Stockholm in late 2016, utilising their remarkable in-house modular Serge system and divesting from conventional Iranian tonal motifs for a spikier duel with the instruments.

Synthesis: FM 
Dastgah: Nava & Chahargah 
Instruments: Santour, Setar & Kamancheh (by Kian Farahani)

Plebeian

TOMAGA "Memory In Vivo Exposure" (12"/DL).
HITD 037
Release date: 8th December 2017

All tracks composed, perfomed & recorded by TOMAGA
Mastering by Mike Grinser @ D&M, Berlin
Original cover photograph by David Child

Label, orders: www.handsinthedarkrecords.com

TOMAGA - Memory In Vivo Exposure (Parts 1 & 2)

Turmoil

Katharina Ernst - X 01 [V_011]

Freedom

[ʌsfʌst]

"Earth Walk With Me":
https://asfast.bandcamp.com/album/earth-walk-with-me

Booking: booking@denovali.com
Contact: mail@aaasfast.com

"The Prime Same" LP:
https://asfast.bandcamp.com/album/the-prime-same

Altar EP:
https://1000amen.bandcamp.com/album/altar

Drag Shift w/ Soap&Skin x Evelyn Plaschg

Asfast

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