10-12 июля в городе Гюмри команда Move2Armenia (https://www.instagram.com/move2armenia/) организовала фестиваль "Вся Армения в Гюмри", чтобы все гости страны познакомились со вторым по величине городом Армении.

На дневной программе фестиваля на центральной площади были ребята из команды TUF records (https://www.instagram.com/tuf.records/) – ереванской студии звукозаписи, которая основалась в мае русскими музыкантами. Парни записывали голоса всех желающих гостей, накладывали на них эффекты и так создали целый трек, описание которого вы сейчас читаете. В создании принимали участие десятки людей с фестиваля. Получилось круто!

TUF records – voices 2 (festival "All Armenia in Gyumri" 2022)

Live recording taken from the inaugural All Kinds of Joy party @ NAM basement, Manchester 04/02/23. 

2 x 1210s and an Isonoe ISO420 Desktop Mixer.

Joyful sounds you can expect to hear at AKOJ parties taking in Boogie / Disco / Jazz-Funk / Gospel / House.

Admin b2b Yadava Live @ All Kinds of Joy Feb 23

Download/Stream - https://fanlink.tv/FusionMovesKT
Subscribe - @reelpeoplemusic

Reel People Music breathes new life into its gleaming vault of back catalogue classics with brand new series Fusion Moves. The series will offer talented music-makers the opportunity to remix and reinterpret label releases of their choosing, kicking off with soulful progressive Kaidi Tatham in the hot seat.

Tatham’s modus operandi is clear from the get-go. Opening selection Sebb Junior feat. Paula’s All Of My Life flows dreamily upon that trademark Tatham mix of organic beats, polished horns and immersive keys. As Paula rightly sings, “the beautiful can happen.” And keep happening…. Reel People feat. Mica Paris’ reworked I Want To Thank You gains elegant funk and boogie bounce, a bubblin b-line and those upweighted backing vocals adding new urgency and depth, whilst some extended bass-end manoeuvrings on the collective’s 2020 hit Save a Lil Love provide a hugely effective counterpoint to Eric Roberson’s super-smooth vocals.

Tatham switches things up for his re-take of The Realm x Atjazz x Kelli Sae’s deep afro-house burner On The Road, adding wonderfully carefree jazz-funk flow ‘n’ feeling replete with sweet synth solos and guitar licks. The snappy syncopated rhythms propelling Daz-I-Kue feat. Hadiya George’s Pedigree and Monkey Brothers feat. Sean Escoffery’s stunning Losin’ My Head align to the rich broken beat heritage for which most admirers associate him but, true to form, he continues to glide compellingly between mood and moves…. 

From the loose bass-guitar groove of Eric Ericksson & Reel People feat. Debra Debs’ Don’t Hold Back On Love and sultry strut and swagger of AAries’ Don’t Give It Up to Sebb Junior feat. Muhsinah’s infectiously jammin’ Special – lovingly framed by nimble jazz-piano play – and the liberatingly upbeat dressing applied to Tony Momrelle’s seminal Fly, Tatham’s sonic upholstery right across Fusion Moves is as skilful as it is impactful. One expert body of work built upon another.

“I know Reel People Music’s discography so well that I had a pretty immediate sense of the tracks I wanted to work with once they gave me the keys to their kingdom,” Tatham explains. “For each song I closed my eyes, imagined playing them live on stage and let the chords and musicality fire from there. My sound incorporates so many different styles, from hip-hop and broken beat to soul and disco. It’s a perfect fit for Fusion Moves. The Reel People team share my mission statement to make people dance, smile and think.”

Based in Belfast, Kaidi Tatham is the multi-instrumentalist, producer and DJ who helped to define West London’s iconic broken beat sound during the late Nineties but who has continued to operate beyond genres and pigeonholes – be that via albums including In Search Of Hope, Bandana and Don’t Rush The Process, his dance music-focused pseudonym Agent K and a raft of collaborations including those with Bugz In The Attic, 4Hero, Amp Fiddler, Amy Winehouse and Slum Village.

Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and soulful groove. Label alumni include Tony Momrelle, Portia Monique, The Layabouts, Kelli Sae, Sebb Junior, Opolopo, Angela Johnson, Emmaculate and Mothers Favorite Child.

Expect to hear further Fusion Moves in the coming months. Fresh twists on quality songs and sounds. Always with soulful authenticity at the heart.

RPMCD009

Don’t Hold Back On Love (Kaidi Tatham Remix)

Stream/Download

Eric Ericksson & Reel People feat. Debra Debs – Don’t Hold Back On Love (Kaidi Tatham Remix)

“Muri”, the first single from Dandara’s debut album on Wonderwheel, celebrates the producer's roots and inspiration. The track starts off with a very basic rhythm part by Dandara. Chakib then recorded Balafon, Goumbri and several other traditional West African instruments before adding his catchy vocal parts to the song.

Dandara - Muri (feat. Chakib Bouzidi)

Stars In The Ghetto (Disco Tech Rework) 2024

Art Of Tones & Chatobaron - Ban The Disco (Patchworks Remix)

Auntie Flo - Mother Theresa (Original Mix)

Originally released in 1980, the scant 500 copies of the Supreme Jubilees' wonderful lone LP It'll All Be Over seemed destined for the bargain bins. A gospel-soul group with deep R&B grooves, the band came together in the 1970s, bridging two musical families from California's Central Valley. On one side were the Sanders, led by keyboardist and self-proclaimed "Donny Hathaway freak" Leonard, who was joined by his brothers Tim, Philip, and Melvin. On the other side were Joe and David Kingsby, who enlisted David's son David, Jr. to play guitar. An unaffiliated family friend named Larry Price rounded out the group. Although they had operated as a live band on the regional church circuit for several years, they had yet to release an album. The Fresno studio the band chose for their initial sessions turned out to be ill-suited to their needs. Largely a country & western studio, the engineer balked at their requests for more bass in the mix and eventually kicked them out mid-session. Undeterred, the Jubilees took their half-finished album over to Sierra Recording Studio in Visalia where they polished off the remaining five songs. The resulting nine-song debut was a comforting mix of smooth soul, warm R&B, and a dash of disco that showcased the band's enchanting vocal mix. The sublime title cut is worth the price of admission alone for its gently despairing Old Testament darkness. As the opening cut, it sets an odd, almost meditative tone as the group foretells the end times with a sort of comforting sensuality. There are certainly some uptempo gospel rave-ups like "I'm on the Lord's Side" and the ebullient album-closer "Stop Today," but the Jubilees are at their most effective with the more somber, thoughtful cuts like "Do You Believe" and "We'll Understand." It's understandable that music with so sensitive a touch didn't catch on at the dawn of the '80s. After embarking on a couple of difficult and hapless tours, the Jubilees essentially called it quits and this lovely album faded into obscurity for over three decades before being reissued by Seattle specialty label Light in the Attic Records. While it may remain a diamond in the rough, it's a comfort to know that such an honest and heartfelt piece of art is now widely available to all.

The Supreme Jubilees - Do You Believe.

Mike Fabulous - Crown Ruler Sound Compiled By Jeremy Spellacey - 04 Wang East (Instrumental)

Buy / stream the album: https://bbemusic.lnk.to/LifeIsBeautiful
Heralding a new phase in his artistic life, Glaswegian producer Vince Watson introduces his new alias ‘Quart’ with the cinematic masterpiece ’Life Is Beautiful’.
Vince has laid a trail of musical breadcrumbs leading to the ‘Quart’ sound throughout his 20 year musical career; sublime, peaceful and melodic moments which shone out, even amongst his impressive dance music productions. Tracks like ‘Solitude’, ‘Never Too Late’, ’Every Soul Needs A Guide’ and his ‘Serene LP’ all hinted at an ethereal alter-ego behind Watson, but ‘Life Is Beautiful’ sees Quart emerge from the shadows to stand alone for the first time.
Quart takes its name from ‘The Watson Quartet’, which as Vince explains “was me playing everything anyway, so it’s now simply been reduced to Quart”. This explanation perfectly reflects the project’s musical aesthetic; Vince has clearly been through a creative process of reduction and distillation to reach the uncluttered calm of ‘Life Is Beautiful’.
“The influences for Quart are coming from classical, jazz and broken beat; I’ve naturally just evolved some of the music I was making as Vince Watson into something a little bit purer. This is something i’ve been wanting to do for a long time.”
At times displaying shades of Ludovico Einaudi, at others showing flashes of 4Hero, Vince’s free-flowing piano playing and natural ear for melody stand out throughout ‘Life Is Beautiful’, while fans of his house and techno output will be pleased to find Vince Watson’s unique sonic fingerprints all over the album.

Inspired by the birth of his daughter Winni in 2016, Vince describes the album as “a celebration of life, my most accomplished album technically to date and a beautiful way for Winni to reflect on her Dad’s achievements one day.”

TUF records – voices 2 (festival "All Armenia in Gyumri" 2022)

aakshova

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