Name: God Speed by Linked To The Flame
Duration: 6 min 50 s
Description: This is the newest track I've made, I hope you guys enjoy it!

Love how this turned into rock. It has an organic feel!

Entrails In Water

This is the newest track I've made, I hope you guys enjoy it!

God Speed

these things r everywhere man 

everywhere

7/7 of ¿!ŠKŸ F¡ŠH¡?

written and produced by ?¡ŠKŸ F¡ŠH!¿ with the production help from THË ĮŁŁK™, YAJABOFI™ & ST☆R H★IR

swim farmer tower quiksand but its all grain

(also want to clarify that this song has nothing to do with the anime character sky fish or whatever idk who that is or what thats even from i dont watch anime nor do i care lmao)

?¡ŠKŸ F¡ŠH!¿

NIBURU

https://www.youtube.com/watch?v=UoBKFAT_OWk

lights at dusk

Featuring @diogo-terror

Used samples:

Title: Firework Cluster
Author: j1987
Link: freesound.org/people/j1987/sounds/140717/

Used presets:

Title: Dronka
Author: Polarity
Link: bitwiggers.com/presets/860f6569-8002-4ec2-ad2b-e7ba0aa6f00c/

First Light (featuring Diogo)

bloodthirst

Original Track by :
https://soundcloud.com/deep_magic/forever-on-my-own

Deepmagic - Forever On My Own, A Lament (Senglar Rmx)

Track from Humanfobia EP: "Acudrux" (2019)
listen/free download it from 3 alternative links:
- https://archive.org/details/humanfobia-acudrux-ep
- https://humanfobia-official.bandcamp.com/album/acudrux-ep-2019
- https://hearthis.at/humanfobia/set/2019-acudrux-ep/
*music by Sábila Orbe. vocals by Mist Spectra.

Acudrux

Trespassing The 4th Dimension

/ 𝗣𝗟𝗘𝗔𝗦𝗘 𝗣𝗟𝗔𝗬 𝗧𝗛𝗜𝗦 𝗥𝗘𝗖𝗢𝗥𝗗 𝗥𝗘𝗔𝗟𝗟𝗬 𝗟𝗢𝗨𝗗, EVEN TO THE POINT OF INCONVENIENCE – EXTREMELY SOFT SOUNDS & ABRUPT VOLUME CHANGES ARE ESSENTIAL FOR THE DYNAMISM OF THE FORM AS A WHOLE | 𝗛𝗘𝗔𝗗𝗣𝗛𝗢𝗡𝗘𝗦 𝗦𝗧𝗥𝗢𝗡𝗚𝗟𝗬 𝗥𝗘𝗖𝗢𝗠𝗠𝗘𝗡𝗗𝗘𝗗 | 𝗕𝗜𝗡𝗔𝗨𝗥𝗔𝗟 𝗔𝗨𝗗𝗜𝗢 /

« minor differences » for virtual, physically-modelled, 10 metres long, microtonal piano(s) & electroacoustic sound layer (2019)

/dedicated to Olga Miriam Michałowska/


***
This piece is a study of displacement. It is an examination and investigation into degrees of "MINORITY" of a chord. It is a form of simultaneously permutated, entangled note chains (organised using a specified quantisation also undergoing its own alterations in time), an excerpt from an “endless” modulation occurring within a MINOR “hemisphere” of a soundspace determined by transition between 24-, 15-, 19- & 21-EDOs as well as my own, non-octave scale.

In « minor differences », almost everything was derived from the ratio of 13/11 – an interval of tridecimal minor third, measuring 289 ¢. The scale incorporated in the majority of the piece had been developed on the basis of the mentioned ratio of 13/11 as well. It has “too small” or "too wide" thirds, no pure fifths at all and octaves being almost pure, yet not exactly so (deviations vary between -21 ¢ and +10 ¢). This carefully calculated exertion provides slight beatings, mildly rough interference patterns and therefore gives an overall impression of an expanded space – as seen in dual intra-cavity of a two layer mirror. At the same time, those “compressed” thirds in the scale are responsible for an “endless collapse” impression of presented chord progression. The listener can realise that the harmonic charges are being resolved and transferred in several directions simultaneously, thus giving those once castellated, quantised patterns a touch of organically geometric refinement. In due course, mentioned quantisations also become intervalised; by this I mean different scale variants being entangled, superimposed and shifted, all in a specific order. As they start to modulate into one another, they contribute to building a meta-scale of presented musical material. Almost like an error that somehow happens to designate an additional dimension. Not far from a flaw; a small, unjustifiable irrationality that surprisingly reveals its carefully calculated and attentively designed essence. A factor that shifts piece's global “displacement paradigm” to another level. 

Thanks to the virtual modelling software capabilities it was possible to design and administer several “impossible” multiphonics (for ex. those with the structure of 13 and 11 partials mainly, without the even ones present at all), as well as map them further on the steps of my minor-third-oriented, non-octave scale. 10-metre-long strings applied in the virtual piano(s) used in the piece reduce the inharmonicity significantly, thus rendering the micro-intervals much clearer to one’s ear and their minor differences much more important.

minor differences

minor differences (2019)

Life is a process of deconstructing and reconstituting the pieces back together into something more meaningful. Thanks for listening!

You can also listen at Spotify at:

https://sptfy.com/rekonstruktor

Rekonstruktor

I'll be uploading new stuff on to here https://soundcloud.com/linked-to-the-flame

Hey I'm just a guy who likes making and listening to music, my main goal with music is to get better at making it. So far I've like most of the tracks I've made so far which I'm very happy about (Although I don't think much of my music is good), but I do have my favorites with my 3 favorite being.

1.  Nonexistent Mind (My [formerly] most viewed track! Thanks) 
 
2. Significant Link(The first track of mine that has been downloaded by somebody.)

3. Infinite Application (I really liked how the middle part turned out!)

Whilst I'm very proud of most of the songs I've made I'm still very open to constrictive criticism so if you think I can do anything better or there is something I'm doing poorly, feel free to comment on my songs or message me directly, it will be much appreciated! :). Also if you want to download any of my tracks you can!

One thing of note I must say to any one reading this whilst I make electronic music and I do really enjoy listening to the artists that work with the Korg Gadget 2  (The program that I use to make my music.) I'm mainly a fan of extreme metal, being mainly into Melo Death (ie, Old School In Flames and At the Gates) Black Metal (ie, Mgla and Uada) and Metalcore (ie, As I Lay Dying and August Burns Red.), so a few of my songs are influenced by these artists mainly when it comes to the drumming and melodies; so if this turns you off that's fine. I must say also for a lot of my songs I made them with out headphones so that's why the production in a lot of them is wonky.

One final thing here is the link(heh heh) to my Youtube: https://www.youtube.com/channel/UCMz2Fo-0N8IFgnaDgqrHLCA

Thanks for visiting and listening!

God Speed

Linked To The Flame

Recent comments

Naughty Temple

Feelings 🌻

Feelings 🌻

Related tracks