Track i made after getting my first MIDI keyboard/pad controller. This uses elements from old skool dubstep when it arrived on the Drum N Bass scene more then 10 years ago. Combo'd with other types of electronic music 

CENTRA - TrubbiN BLooP

Love the show and wanted to do a remix of it in my own fashion. Not a true remix but close enough. Drum & Bass that gets dark and muddy (if you understand music production, youll know what i mean) this is one of my best D&B tracks. Heavily influenced by dark drum and bass. Come show your "darkside" 

Methyl D - Ruby Gloom (Gloomy Drum & Bass Remix)

This track was an early attempt making breaks. Edit turned out better then the original version. Not true breakbeat, but mash-mix of dance and breaks.

DJ Sentra - Loooped Around (breakbeat Edit)- (Prod by Centra\Methyl)

A track that my buddy Errorwolf and I (Dick Canc3r)recorded some time ago. this was all recorded to tape which I then digitally tried to master. Different and some parts have highs and lows that are quiet and loud.

Dick Cancer Error Wolf Tape 1 (2) MAST2

Recently recorded using my 3 Korg Volca units. synth rok sounds with a bit of spice. This was recorded with levels being changed. Maybe loud in parts. HEAVY REVERB USED. Beware

Methyl_D - 10 Minutes Of Volca (demo Starrt) prod. by That Methyl Kid

centra - moonbeam city cover

Made with Korg Volca beats and multi FX pedal. 

Drums n thumbs [compressed] <recorded and produced by That Methyl Kid>

As the name implies this is all about experimentation done live meaning implementation events as well as notes and any any other sounds recorded we're done in one take. Improvisation allows for a more creative flow. while not necessarily garnished it may sound 
Unpolished or clean and that is the point. In that the sound itself is raw SO2 is the tools used to make it or at least the tools appear to be crude simple, melodies sequences drumlines and bass, Pads Leads all come together indifferent parts. When improvising live one must take great care and not that of what THEY are hearing but to what the listener will hear. While I make no attempt to hide the fact that I produce audio almost solely for my own enjoyment any others are free to sample or even if so wish to take part in remaking remixing remuxing or just destroy, I welcome all. Comments would be considered appreciative even if negative

Bass Squash - Gash The Grash 3 (full Compress)

Hamper Le Samper

The Rins(e)

New Track Swing 4

This is one of the last tracks that I've made using strictly digital audio production. while I will eventually come back to using some digital audio I feel that setting up recording giving it your all that one time just feels more right. no constant looping no trying to get it perfect no trying to record something with a midi controller only to not sound as it did when you first recorded it. This track shows s definite improvement in my audio production [ mixing and mastering ] skills.

club 2 dub (Revised Mastering)

Uploading this from phone. much different then from PC. i wish i could list this as experimental as much of my tracks are. Made using Korg volca FM and Keys, Roland TR-8, Arturia Micro Freak, Berhinger xenyx X1204 mixer , MDX2200 compressor and an old Zoom G1 multi FX pedal which i recently replaced with the newer G3Xn but you can still get a lot of sound out of that G1! Edgly, mechanical and almost sporadic.i feel that it needs to be mixed in to something, maybe a soundtrack compilation for movies. Recorded using Goldwave. 

kushidos

Started teaching myself digital music production in 1999. have now expanded to recording as well as using software. My artistic influences are too numerous to detail but draw heavily on 16-bit VG, electronic, rock, and experimental. I never stick to one genre and have many alias I use for different styles. Comments, messages welcome (even haterz, unless your spamming) Founder of SUB-Standard Ind.

That Methyl Kid

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