One Last Ride tells a story. However, I leave it to the listener to experience a personal journey through the function of sound over time. It's a deep track with a highly emotional component. And deep bass of course. Enjoy!

One Last Ride - Dub Sack Maestro Mix

Mama Mia is a beautiful, evocative collaboration between myself and the producer Craven Moorhaus from New York that was produced in early 2009 for a collection of minimalistic EDM. The title is somewhat arbitrary having its origin in a context that is personal, and will have little meaning to anyone other than myself. It's almost like a trick question without actually being a question. Like much of the work I do personally, or with Craven Moorhaus, this track is a narrative without thesis; a journey, the essence of which is subjective to individual interpretation. Please enjoy...or don't!

Mama Mia Craven Moorhaus remix

This is a mashup of FKA Twigs Two Weeks and Jailbreak by L Plus. An adaptation of the sultry R&B of Two Weeks with pounding, pulsating bass at a quick tempo. Tender, sexual, and pensive with desperate longing for something, and someone.

FKA Twigs Two Weeks Vs L Plus Jailbreak

Auricular breviloquence performed by a virtuoso percussionist named Kevin Bobo. This piece was composed with excitement induced by respecting and admiring the skills and talents of Kevin, and an enthusiasm for chromaticism.

Abstraction 0 - For Marimba Solo

Saying Goodbye is an emotional journey written for the express purpose of processing personal loss. It is also representative of a style I like to call Trip Step; a psychedelic and emotional dubstep-ish vibe.

Saying Goodbye

Rock Step is a psychedelic dubstep-ish track that also abstracts elements of rock music just for fun. It is representative of a style I like to call Trip Step.

Rock Step

Trip Step is a psychedelic journey through sound, representative of a vibe I like to call Trip Step which is a tripped out twist on Dubstep.

Trip Step

The first movement of Symphony Number 1 is structured as a theme and variations that is both homophonic and contrapuntal. The harmonic language is a modal abstraction of that which is found in modern popular music. Aside from that I will leave it to the listeners to derive their own meaning.

Symphony 1 Movement 1

This is the second movement of my first symphony. It is absolute music; so make of it what you will. Enjoy!

Symphony 1 - Movement 2

What can I say? This is absolute music therefore it has no deep meaning. Just listen and get lost in the colors.

Symphony 1 Movement 3

"Stories Of Bass And String" is a draft of a collaboration between myself, and a producer, and composer from my old stomping grounds, New York City, named Craven Moorhaus. The first of an upcoming EP collection that we aspire to make a unique expression within the context of an accessible electronic dance music realm. The Dubstep influence is undeniable, with distorted basses, a tempo common to the genre, and a beat that may or may be somewhat representative. However I dare not classify it as Dubstep truly. It's our unique abstraction, or generalization of such elements, amalgamated with Post Modernism. This track has a story to be experienced individually, free of any predetermined or intentional semantics.

Aaron Stephanus

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