Josepi

Randomer - Bring (Original Mix)

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Teach Me - Drumcode - DC132

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Dusty - Drumcode - DCCD10

Jel Ford kicks off his return EP with two tracks of clean big room techno. The title track ‘Backyard’ is a moody affair with a low drone throughout that is complimented with layered synth stabs. Using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. ‘Meeting of Minds’ is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. The slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

Jel Ford - Backyard - Drumcode - DC133

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Unconditional Beauty - Drumcode - DC135

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Dense & Pika - TEX - Drumcode - DC142

This typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘U Said U’. A massively hyped tracks that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. However, ’Love Siren’ will battle it out for the most attention from punters, packed with all the power and punch required to knock over festival crowds as it systematically builds and drops this is one for the big open air stages. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Love Siren

Love Siren [Drumcode]

Mark Reeve presents his second release on Drumcode, ‘Run Back’, a four track EP crammed with heavy hitting kick drums and his signature big basslines. The dark sounds and heavy textures are typical of Reeve and he’s showing no sign of slowing down yet. Four tracks of brooding techno, this EP is one not to be missed.

Mark Reeve - Run Back - Drumcode - DC151

The Drumcode A-Sides compilation is quickly becoming an important fixture within the techno world as a go to compilation for the hottest tracks. Mixing both highly experienced and new artists helps to bring a new dimension to the compilation that makes it such a special array of tracks. All tracks individual, their unique characters bring an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special.

Alan Fitzpatrick - Eternia - Drumcode - DC152

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Enrico Sangiuliano vs Hertz - Start Of Madness - Drumcode - DC159

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano remix) - Drumcode - DC164

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Drumcode continues its commitment to releasing the scene’s most cutting-edge techno. With releases this year already from Adam Beyer, Pig&Dan, Alan Fitzpatrick, Dense & Pika and Julian Jeweil, this July see’s the return of Enrico Sangiuliano with ‘Astral Projection’.

After his remix of Moby’s of ‘Why Does My Heart Feel So Bad’ back in November last year, Enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. The result brings a mind and body melting release from the Italian producer.

The title track ‘Astral Projection’ is a captivating, big room techno masterpiece. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level.

‘Blooming Era’ has destructive dancefloor intent. There is no holding back with the low end synth modulation which Enrico has mastered to perfection. A tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track.

If you have seen label head honcho Adam Beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. Road-tested to the max, and with much success.

Enrico Sangiuliano - Blooming Era - Drumcode - DC176

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Adam Beyer’s Drumcode is growing from strength to strength, year after year, with a non-stop release schedule showcasing both the labels new and most established artists with cutting edge techno beats. After 20 years since its inception, Drumcode continues to push the boundaries, firmly grounding their position as the world’s No.1 techno label.

Drumcode’s youngest rising star, Layton Giordani, exploded on to the scene after his debut album “Where It Begins” back in February, after scoring some of the biggest festivals in Europe this summer, he now returns with an exciting collab titled “Live Again”.

NY born and bred, Danny Tenaglia has always been a true inspiration for Layton since his teenage years, so when the opportunity to collaborate with the fellow NY legend was on the cards, it was a dream come true.

Danny and Layton join forces for the lead track ‘Live Again’. Its deep and dark with a slowly building pad wrapping around a modulating synthetic hook. The dark and effected vocal echo takes the track into a hypnotic vibe.

‘Take It Back’ delivers a pumping drive the moment it fires up. Snapping percussive force and an infectious rhythmic groove will unhinge dance floors nationwide, whilst ‘Secrets of Vibration’ has a rattling, yet blistering low end presence to it.

The New Yorkers unite on this energetic and exciting collab.

Layton Giordani feat. Danny Tenaglia - Live Again - Drumcode - DC180

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

Josepi

ronny