Bullet Train by Steven Schwartz/Don't Trust Me by 3OH!3

Bullettrain 3OH!3

work in progress started Friday 11th November 2022
 Third revision/rework uploaded Saturday Nov 19th 2022 (much better for my ears now)

for this challenge:

Record a piece of music that moves between — and perhaps even overlays — 5/8, 6/8, and 7/8 time signatures.


great idea, always loved measures like 5x8 and 7x8…
I just created a click track on 3 consecutive measures of 5/8+6/8-7/8 and repeated for 3 minutes.
Spent most of the morning working on the drum part, recording editing and quantizing, then the bass part was quite easy.
Then I had other works to do today and got trapped on the repetitive guitars parts (3 telecaster, 3 les paul)
Late in the evening I tried to get some order on the mess but it’s late and have to abandon as it is.
I share this as a demo/work in progress, I will finish it during next week.
It is a mess but the groove is fine.

Five Six Seven Groove - demo (disquiet0567)

I'm in NO way an aspiring musician...only posted this in an attempt to let my favorite musician LP know that her song Switchblade inspired a counterpoint melody to pop out of my brain, which has never happened to me before!

LP Cover Switchblade

Buy it on iTunes - https://itunes.apple.com/us/album/mary-kills-single/id1186362488

Written by Kathryn BERRY, Sari Dajani and Gin Veli
Produced by Sari Dajani at PSDMusique
 
Inspired by the made for TV series Mary Kills People and the works of Emily Dickinson

Mary Kills

Here's another song I wrote for piano, percussion, and all the voices in my head...

What Lies

Icicle

Summer School of Rock

Nobody Knows

Where The Moving Walkway Ends

Thoughts of cold days with snow and ice; familiar and innocent sounds of winter music.

written+recorded+produced by Tara Forth

All Of The Winters

Otherside

Let Them Live

I am a composer of original music for stage and screen. I love to collaborate on forward-thinking projects, particularly with themes of inclusivity and non-selective compassion (vegan). I am powerfully moved by the music of the Romani people, Romantic-era composers, choral music, Middle Eastern, Northern African, and classical Indian. I love the works of Chopin, especially his nocturnes for their delightful ornamentation and range of colours. I love Tchaikovsky for the same reasons and also for his incredible orchestrations. I love Thomas Newman for his dynamic textures and the humility in his piano lines. I love Nick Drake for his invitational delivery and the brilliance of his lyrics, melodies, and rhythms.

Where The Moving Walkway Ends

Aaron Cadam Samuels

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