Fornaught

"Over Resonance" plunges deep into a world of mechanical tension and distorted harmony. Driven by grinding textures, relentless rhythms, and a haunting sense of decay, this industrial track explores the threshold where sound becomes pressure — and pressure becomes chaos. It's a sonic overload built for abandoned factories, late-night drives through neon ruins, or simply escaping into raw, metallic intensity.

Heavy, hypnotic, and unrelenting — this is Over Resonance.

Over Resonance (Original Mix)

Clench

This was my first track that wasn't at 140bpm. I slowed things down to 120bpm, although the live drums make it feel faster. At the time, I was listening to a lot of Powell, Shit & Shine, Not Waving, and Broken English Club, and I was inspired by the idea of 'post-punk techno'. About 90% of this track is made from samples from old punk records. It's also the first track that I used hardware on. I had bought a Roland R8 mkII drum machine, and so beefed up the percussion using this.

The Post-Punk Tracks

They Don't Understand

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Kutkh Jackdaw - They Don't Understand

Premiere of 'Death & Rebirth' by Dionysian Rituals taken from Theatre Of Tragedy released on Clan Destine Records

Label: Clan Destine Records
Artist: Dionysian Rituals 
Title: Theatre Of Tragedy 
Track: Death & Rebirth
Cat: CDR-TP-089
Format: Cassette, Digital
Release Date: April 23, 2019 

Follow Clan Destine Records: 
SC - https://soundcloud.com/carl-clan-d 
FB - https://www.facebook.com/ClanDestineRecords 

Follow Dionysian Rituals: 
SC - https://soundcloud.com/dionysian_rituals 
FB - https://www.facebook.com/dionysianrituals/

Pre- Order

Dionysian Rituals - Death & Rebirth [CDR-TP-089 I Premiere]

.Music born from the intersection of two cultures. The cold world near the Barents Sea and the gloomy industrial outskirts of Russia.
Link to the artist @projectsozna

Sozna & Reka Toso - Z

The condition of the posthuman, the impotence of our life in the face of choices forced by "normal society" such as pumping petrol and polluting to go to work, polluting to make a living in a certain sense, polluting to survive... Capitalism has been converted into an algorithm and today these calculations are ungovernable and we become aware while dancing among the ruins distorted by plastic people.  Perhaps there is our first line of ideological war, philosophical resistance, sowing the idea of ​​knowledge starting from the Ruins and Macabre Dances....for Now...let's meditate....

Post Human

Release November 2020
Music: @nureonna
Remixes: @cybermission @noemibuchi @gaelabakarova @sch-tsch @marceldune
Mastering by @notjolly, except MarcelDune Remix by James Baumgartner
Artwork: Aude Barrio

support

NuR - Hong Kong Demon (sch_tsch Remix)

Toksynna presents itself as a record label releasing its first two references simultaneously, and although the two releases can be classified as experimental electronics, they are quite far apart, nothing to do with the radioactive and volatile environment of Kick & Cut, by Tester, with this first album by Wanderwerkstatt, new alias of the Italian producer AM.MA. 

Tester's creativity is based on true electronic sound, which has more to do with algorithms than with musicality itself, whereas Wanderwerkstatt is a sum of both concepts, that of elaborate, electronic sounds, and that of harmonic meaning, since the artist perfectly combines both terms.

Satanic Majesties Response is an album with a versatile sound, with a style difficult to define with just a few words. We could do it in many ways, emulating Gustav Holst's planets, with worlds totally different from each other, we could do it in reference to the wide sense that life has, with soundtracks created for each moment, or simply admit that this album is not conceptual and that its author is capable of taking very different influences in his creative process. The conclusion is that it is a 10-track album in which originality prevails above all.

Release date: December 28th, 2020.

Premiere: Wanderwerkstatt - The Sky Was Definetely Blue [Toksynna]

Artist: Gateway X
Song: Collision
Album: Collision EP
Label: Monolith Records
Format: Mini CD & digital
Catalogue number: MRDG027
Release date: 28th December 2020

Bandcamp preorder link:

https://monolithrecberlin.bandcamp.com/album/collision

FLUX notes:

Today we premiere Collision, the titletrack of the new release by Gateway X (https://soundcloud.com/gatewayx), which will be released by Monolith Records (https://soundcloud.com/monolith-records) on 28th December 2020 in mini CD and digital format. 

Collision is a gateway opening towards a different dimension evoking certain sci-fi movies and cyberpunk literature with its cold and distant sounds. It's a song dominated by a rhythm both recalling rhythmic noise music and the hardcore/punk and noise roots of these musicians, as the repetition of the rhythm and the rough sounds recall the DIY attitude and the sound of punk music, and as noise is an important element of their sound.

PREMIERE: Gateway X - Collision [MRDG027]

Premiere:

FR: Squaric (@squaric-1) sort un nouvel E.P, Noise Elemental, sur le label Industrial Complexx (@industrialcomplexx), label dédié à la musique électronique sombre, expérimentale et dissonante.
Interferences in Tokyo est une track enregistré entre Tokyo et Seoul en 2018. Dissonante et ronronnante, c'est encore une fois un chef d'oeuvre du genre Noise que Squaric nous propose. 

EN: Squaric (@squaric-1) releases a new E.P, Noise Elemental, on Industrial Complexx (@industrialcomplexx), record label dedicated to dark, experimental and dissonant electronic music. 
Interferences in Tokyo is a track that has been recorded between Tokyo and Seoul in 2018. Dissonant and purring, it is once again a masterpiece of the Noise genre that Squaric offers us.

Premiere : Squaric - Interferences In Kyoto - Noise Elemental Album - Industrial Complexx

a place of destruction

contact: abaddonisapassion@gmail.com

Dionysian Rituals - Death & Rebirth [CDR-TP-089 I Premiere]

Abaddon

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