This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Official Website: http://www.archiechen.com
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Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Home recording of the third and final Intermezzo (Op.117) by Johannes Brahms.

Johannes Brahms Intermezzo No 3 Op 117

Johann Sebastian Bach - Aria Da Capo,  Goldberg Variations, BWV 988 (Fine Classical Music)

Adam Hurst - Desolation

transforming thwarted hope into incremental change soundscape in a mix of urgency acceptance resignation and resolve to keep hoping, imagining and looking for possibilities ;)) and beauty in swirling layers of sadness decay and longing

Way Too incremental change_1

Ludwig van Beethoven - Sonata No.14 in c sharp minor Op27 No.2 Moonlight
I. Adagio Sostenuto
Performed by HuiChun Lin 林 慧君

"Elegant Immortal Classics - HuiChun Lin Piano Recital 2009"
"德奧、雅緻、雋永集 — 林 慧君鋼琴獨奏會"
06/Jun/2009 臺中中興堂 TaiChung Taiwan


Curator
Vincent Music & Art 文生音樂藝術

Sponsors
The National Culture and Arts Foundation 財團法人國家文化藝術基金會
Department of Cultural Affairs Taipei City Government 臺北市文化局

Credit
Live Recording/Konzertmitschnitt 18/May/2008 臺中市中興堂
ArchiMusic Production 雅砌音樂錄音製作工程

All rights of the producer and of the owner of the recorded work reserved. Unauthorized copying, public performance, broadcasting, hiring or rental of this recording strictly prohibited.

Ludwig van Beethoven - Sonata No.14 in c sharp minor Op27 No.2 Moonlight I. Adagio Sostenuto

Shades & Shadows

Original Music by Sean William
Recorded by Liam Moes at Monarch Studios, Vancouver BC
Mixed by Sean William

1st Violin - Boris Ulanowicz
2nd Violin - Sarah Ho
Viola - Steven Lin
Cello - Judy Lou
Piano - Steven Kammerer

Piano Sonata No 20 In A Major, D 959 II Andantino Written by Franz Schubert

Adam Hurst- Exit

This track is from the album Ruin and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/adamhurst4

Ascent

A preview of my latest piano piece. Official release is on October 30th.

Adam Hurst- Exit

Wahab-yat I

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