كداا .. .

فدا دين أم الأوطان

Some time ago I worked for a Berlin based NGO called MICT while running Jakarta Records. During this time I helped organize a recording session in Tunisia with 9 female singers and musicians from Tunisia, Libya & Egypt together with Oddisee and Olof Dreijer of The Knife. "Nouh Al Hamam" by egyptian singer Maryam Saleh is the first leak of the project. You can pre-order the vinyl here. Below you can find the infos for this project....

http://jakartarecords-label.bandcamp.com/album/sawtuha

A little less then three years ago the political situation in many countries of the Arab world changed dramatically. Uprisings started in rural areas of Tunisia and from there spread to various countries in the region. Millions gathered in the streets united by their demand for more democracy, rights and participation in the political process. In most cases the reaction of the governing dictators were relentless and severe towards every form of protests. Violence in the streets of Cairo, Tunis and Bengasi escalated and resulted in the overthrow of the governments in Tunisia, Egypt and Lybia.
A year later a group of female singers and musicians from Tunisia (Nawel Ben Kraiem, Badiaa Bouhrizi, Medusa, Houwaida), Libya (Nada) and Egypt (Donia Massoud, Maryam Saleh, Youssra El Hawary) met in Mohsen Matri Studio in Tunis to sing- against corruption, despotism, patronization and narrow-mindedness. The song with Syrian artist Rasha Rizk was recorded some months later in her political asylum in Cairo. Sudanese/American producer Oddisee and Olof Dreijer of the Swedish pop duo The Knife joined the session, participating in the creation of the musical backdrop as well as the often multi-instrumentalist female singers. For the vinyl edition producers such as Brenk, Blackjoy and Blundetto contributed remix versions of the project.

At the time and still today especially musicians and especially women were and are trapped in a spiral of repression, discrimination and violence. "Sawtuha" (Arabic for "her voice"), the album that is the product of the 2-week session, is a vital encouraging testament of rebellion against the repression of democratic rights, gender inequality, and lack of inclusion. The music is an organic mixture of traditional Arabic music, regional influences and various forms of contemporary Western musical genres. A mixture that may sound contradicting at first but makes total sense once you listen to the music.

The studio session was organized by the Berlin based NGO MICT (Media In Cooperation And Transition) and was funded by the German Federal Foreign Office.

www.facebook.com/MaryamSaleh.Official
www.jakartarecords.de
www.mict-international.org

Maryam Saleh - Nouh Al Hamam (Produced by Oddisee)

معزوفة للفنان الكبير محمد القصبجي 
رؤية توزيعية وعزف علي الترومبيت  محمد سواح 

https://www.facebook.com/pages/Mohamed-Sawwah/374622645925840?ref_type=bookmark

https://www.youtube.com/watch?v=LGZa4Q5jAaE&index=2&list=PLBPeanJRtV6H42pvTgpJT4065eDm4Kn5k

Zekriaty Mohamed El qasabgy "Trumpet" ذكرياتي "ترومبيت" للفنان الكبيرمحمد القصبجي

لما بدي يتثنى - تصور وسام جبران ، 


Taqaseem - wesam joubran - lama bda yatsna

Roman Bunka - For Louis (Orientaction)

A music side project by Ahmad Farah (Composing & Vocal) and Mahmoud Radaideh of JadaL (Music producing and arranging)
Watch video on https://www.youtube.com/watch?v=bH4xWzZ2opk

كل يوم الشمس بتغيب
 وبتطلع عمكان جديد 

والمكان بدو عنوان
 وطوابع بريد 

غلبونا وضيعونا
 بخريطة الطريق
 
يمين ولا شمال
 وين هوي هالطريق 

ماتسأل مسئوول عن
 سؤال سألوواحد مسئوول 

جاوب جواب السؤال
 وشوي يكون مفهوم 

ماتعطينا كلام عن السلام
 خلي مدفون مرتاح 

تحت هالارض ماراح
 الزمان وراح 

يبا يما شو نهايتنا بهالهلاك
 بعتولنا شي ملاك ليخلصنا من هالهلاك 

خريفك ربيع والربيع
 صار دمو كتير 
والبيت معبا بصور
 وزكرى شهدا التحرير 

بس في مكان بالسما
 بوسع كل الناس 

بس في مكان عالارض
 لسا البني آدم بينداس

Badal FaQed (Ahmad Farah & Mahmoud Radaideh) - Halak بدل فاقد - هلاك

من أول لمسة  - (Orintal Cover) - شرقيات

“The Last Waltz” is a hauntingly beautiful cinematic piece that captures the bittersweet final moments before history was changed forever. A waltz echoing through ruins, memory, and time, it reflects the sorrow, elegance, and fading humanity of war's darkest hours.
#TheLastWaltz #TimeWar #ViorelHartopanu #CinematicMusic #EpicSoundtrack #WWIIMusic #WartimeWaltz #EmotionalScore #FilmScore #OrchestralWaltz #CinematicSoundtrack #HistoricalMusic #LastDanceOfWar #SoundtrackComposer #OriginalScore

The Last Waltz

A genre-blending concept album exploring humanity’s pursuit of power, the manipulation of faith, and the cost of ambition on both the soul and the planet. From tango's militant strut to disco’s seductive protest and operatic synth-driven ballads, Symbols of Power, Echoes of Earth is a sonic journey through constructed ideologies and the spiritual whispers beneath. Sung in multiple languages (English, Spanish, German, Italian), this collection weaves cinematic storytelling with high-tempo orchestration, immersive Dolby-quality production, and addictive loops designed for repeat listening. Think Marlene Dietrich meets Quincy Jones, filtered through war, faith, nature, and myth.

Track 4 Empire's Last Grasp

حفلة الساقية 28 أغسطس 2021
https://www.facebook.com/events/4929997057017253

Facebook Page : www.facebook.com/Malaazband
كلمات,الحان و جيتار: محمد عبدالرازق ,, ليد جيتار: عمرو بشر ,, غناء: ماجد عامر
باص جيتار: معتز النشار ,, درامز: أحمد الجوهري

خديني في حضنك اللي مليان شوك ,ضميني و أكسري ضلوعي بحنانك
سميني بعطر شعرك المفكوك ,دوقيني المرار من فوق لسانك
و خلي الخصل تجلدني و تسيبي أثر طلعي كرهك للبشر
فيا و سيبيني
بين الحياة بين الممات أقتلي حلمي من سكات و قليلي فجأة الوقت فات
و أكرهيني
أكويني بنار عنيكي المكسورين,أصرخي همس الشيطان بصوت أنينك
أرويني بدمع عينك الحزين , أزرعي فعقلي سراب بيشوف حنينك
و أمسحي دمي أنا من علي كتفك هنا و أبعدي مليون سنة
و أهجريني
من غير ولا كلمة  وداع من غير ندم علي حلم ضاع أبقي اللي فجأة لوحده باع و أكسريني

ملاذ - ستوكهولم

Life And Memories - حياة وذكريات ( Joussour/ فرقة جسور)

حب في زمن الكراهيه - واحة الغروب - تامر كروان / Love In Hate - Wahet Elghroub - Tamer Karwan

هاجرِت
She Left
an Original Score
 
Composed By: Youssef Al-Adl
Violin: Youssef Al-Adl
 
Scales: G Minor & D Minor
Tempo: 72Bpm
Rhythms: Maqsoum, Slow Rock and Sonbaty
 
By: Amad
facebook.com/amadproductions/

Hope you Like it..

Youssef on Social Media:
facebook.com/youssefaladlofficial
twitter.com/youssefaladl
instagram.com/youssefaladloffecial/
youtube.com/c/YoussefAlAdl

ENDING MUSIC - موسيقى نهاية

Eleutheria ἐλευθερία

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