Cera y Memoria (2024)

For trombone, guitar, percussion, violoncello and electronics (loudspeakers and surface transducer loudspeakers interacting with guitar and percussion). Composed for the space of the San Telmo chapel in San Sebastian (Spain).

Performance by ENSEMBLE ASCOLTA on 28/04/2024, conducted by Asier Puga (live recording with some background noise).

-Andrew Digby, trombone
-Hubert Steiner, guitar
-Boris Müller, percussion
-Erik Borgir, violoncello

-Asier Puga, conductor

(Live recording with some background noise)

Cera Y Memoria - Abel Paul

Huella y Horizonte (2015). For tenor saxophone, 6 metal plates of variable sizes (5 percussionists) and transducer speakers (fixed to the plates).
Performed by Pedro pablo Cámara (saxophone) and Ensemble This Ensemble That (Percussion). Live recording at Festival Bernaola, November 2015, Vitoria (Spain)

Huella Y Horizonte

Title 29 (Abel Paúl 2014/2015)
For alto saxophone, percussion, unplayed piano, transducers and midi controller.
Performed by Tamgram Project (Festival Bernaola, Vitoria (Spain) 12/11/2015)

Title 29

Room & Elbow. 
For violin, unplayed violin, viola, cello, unplayed piano, percussion, midi controller and transducer speakers.
Performed by Vertixe Sonora (Spain).

Room & Elbow

Nombre y Vacío.
for double bass, piano, percussion (timpani, unplayed tam-tam, small objects, reel-to-reel tape player, surface transducer speakers and midi controller.
Premiered by Vertixe Sonora in December 2016.

Nombre y Vacío

Mano y Mente (2017)
for reel-to-reel player, bowls, steel drum, unplayed tam-tam and transducer loudspeakers
Performed by Miquel Bernal at Mixtur Festival (Barcelona, March 2017)

Mano Y Mente

Geografía del pliegue
For tenor saxophone, piano, percussion (metal sheet, small objects) and surface transducers.
Performed by Nikel, Tel Aviv, july 2014

Geografía Del Pliegue

A life at the radio's threshold (Abel Paúl, 2014)
For violin, viola, violoncello, percussion, piano, midi controller (keyboard) and small vibrational loudspeakers.
Performed by Insomnio at the Gaudeamus Muziekweek

A Life At The Radio's Threshold

Tierra y Centro de la Tierra (2018)
for Bb clarinet, violin, viola, violoncello, surface transducers & resonant space (in this case a Roman water deposit located under the cloister of the Academy of Spain in Rome), midi controller (keyboard).
-Performed by Distractfold (Rocío Bolaños, Linda Jankowska, Emma Richards, Alice Purton) & Haize Lizarazu.
-Live recording at the Royal Academy of Spain in Rome. 26-06-2018.
-Unwanted birds from 14' on.

Tierra Y Centro De La Tierra (2018)

Quimera y Fantasma (2017)
for alto sax, internal loudspeaker, transducer loudspeakers and resonant windows.
Performed by Pedro Pablo Cámara Toldos
-Academy of Spain in Rome, 16-06-2018

Quimera Y Fantasma (version with resonant windows)

Línea de Vacío. Abel Paúl 2010
Premiered by Sond'Arte electric ensemble at the "Festival de música religiosa de Cuenca"
Performance by Zahir Ensemble (Juan García Rodriguez, conductor) Círculo de Bellas Artes, Madrid 2010.
More about the piece:
http://www.abelpaul.net/z09.htm
http://www.abelpaul.net/z09.htm
www.abelpaul.net

Abel Paúl

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