Name: 1993 - 94 Demo Box Preview by ABIGOR
Duration: 22 min 16 s
Description: 1993 - 94 Demo Box Preview

3 Anywhere Out Of The World

Reaper

Forest of the Impaled

The Gates of Oblivion (feat. Nero Bellum)

Kawir - Agamemnon

The time has come and therefore has the end to be.

Scheduled to be released on the 18th of May 2018, the final
Necros Christos album entitled Domedon Doxomedon will surely
cut a swath of destruction through the world of today’s Heavy
Metal scene.
Operating totally against the modern zeitgeist of music with
all its fake easy listening productions, this record will become
a fist in the face of those looking for light entertainment.
A triple CD and LP album with an overall playing time of 112
minutes, the record builds a monumental cathedral on its own.
While the groups’ second and monolithic output Doom of
the Occult appeared like a classical oratorio with its lengthy
proportions, this magnum opus will be of biblical dimensions,
a funeral mass of unseen yet unheard reverberations.
Alongside the numerous musical interludes named temples
and gates, for which the band is known for, the actual nine
Metal songs defy any exegesis.
Epic yet utmost angry, brutal yet extravagantly dark, if your
soul survives a complete listening of mindblowing tracks
such as Seven Altars Burn in Sin or The Heart of King Solomon in
Sorcery without being dragged into the abysmal regions of hell,
your senses will be left in disbelief.
From the unusually demanding opener I Am Christ until the
final musical ennead In Meditation on the Death of Christ, the
album serves as a gateway to truly divine spheres. Gaining
inspirations from such untouchable sources as Morbid Angel,
Candlemass or even Metallica (just hence the wonderful
middle part of Seven Altars Burn in Sin with its incredible harmonics)
intertwined with Necros Christos’ very own kind of
atmosphere and way of composing songs, Domedon Doxomedon
shall be their grandiose testament: the legacy of a band that
never bowed to any trends, never compromised in their music
nor did they ever walk the easy way.
Dom. Doxom. has to be heard to be believed, and the earth
will tremble.

Endtyme Death Metal shall unfold.
Forevermore.
Amen.

NECROS CHRISTOS - Tombstone Chapel

This is a re-issue of Hetroertzen's debut album “Flying Across the Misty Gardens”, which was initially released in the year 2002.
The guitars and basses are re-recorded and the music has been remixed and remastered by Deacon D. at Lamech Sound Design.

OUT SOON on LP and CD via Lamech Records.


Line up: 
Deacon D.: Drums, Bass & Vocals
Åskväder: Guitars

HETROERTZEN - Funeral (2002 - 2018 Anniversary edition)

В зимнюю стужу 
Под полной луной 
Путник забрел 
В лес вековой 
Слепой от гордыни 
Над всем воцарить 
Он силы стихии 
Решил покорить 

Во мраке раздались 
Хриплые голоса 
Зачем ты пришёл 
Путник в наши леса 
Немощный червь 
Запомни навек 
В сравнении с стихией 
Ты слаб человек 

Но то что с ним станет 
Представить не мог 
До мозга костей 
Промерз лжепророк 
Мороз лютый стал 
И вот он конец 
В бездонном сугробе 
Лежит наш мертвец 

Во мраке раздались 
Хриплые голоса 
Зачем ты пришёл 
Путник в наши леса 
Немощный червь 
Запомни навек 
В сравнении с стихией 
Ты слаб человек

Путник \ Wayfarer

After some silent months that have went over to silent years, German Metallers CHAPEL OF DISEASE now present their highly anticipated new album “...And As We Have Seen The Storm, We Have Embraced The Eye”!

Starting in 2008 as a band dwelling in the raw death metal sounds from the late 80s, CHAPEL OF DISEASE released their debut “Summoning Black Gods” in 2012. Three years later it would soon become obvious that strictly following a certain genre would eventually lose its attraction to the band. With their 2015 full-length “The Mysterious Ways Of Repetitive Art” the band would find their way of mixing up sounds to create something unique.

With “...And As We Have Seen The Storm, We Have Embraced The Eye” CHAPEL OF DISEASE follow that path, yet disregarding any genre specific expectations even more and putting all the effort in simply making diversified, enthralling heavy music. The outcome is a record somewhere between the atmosphere of black and death metal, including riffing from the golden days of the 70s and soundscapes of the synthie 80s.

Album 2018

Chapel Of Disease - 05 - 1.000 DIFFERENT PATHS

From Finland comes a brand new alliance who creates their musical Black Art under the name of BYTHOS! Bythos has made a pact with the infamous Terratur Possessions and will bring forth their debut album bearing the title "The Womb of Zero" to be released 24.04.2020.

Musically Bythos combines cold melodies and versatile riffs, creating rich and numinous landscapes which encounters powerful and vicious liturgies. The music supports the lyrical theme of the songs well, and the moods range from oppressive despair to ecstatic praise of the Dark Gods. The theme of the album is an interdimentional view of the underworld and its deities, emphasising strongly on the spiritual evolution to liberate the imprisoned powers, and make one with the outer Darkness. The resetting of the Divine plans through Destruction and rise above limitations of Life. Beauty in Destruction, Destruction in Beauty. A sonic interpretation of what once was and our constant path of Devolution towards the Luciferian dawn.

Bythos is:
M.S. Vocals (Behexen Official)
M.L. Guitars/Bass (Behexen Official)
L.R. Drums (Horna Official)

VIDEO: https://youtu.be/OUEyt3lwXuA
Cover & band photos: Kristiina Lehto
Video: David Thelen

Facebook Bythos: https://www.facebook.com/bythosofficial
Instagram Bythos: https://instagram.com/bythosofficial
Facebook Terratur: https://m.facebook.com/TerraturPossessions
Terratur homepage: www.terraturpossessions.com

To be released 24.04.2020

BYTHOS - Sorath the Opposer

INVICTUS PRODUCTIONS is proud to present OMEGAVORTEX's highly anticipated debut album, Black Abomination Spawn. The album shall be presented on digipack CD and vinyl LP formats.

An ever-ominous entity hailing from Germany, OMEGAVORTEX formed in 2007 under the moniker Ambevilence and retained that moniker for a decade. Come 2017, OMEGAVORTEX was born, both in name and deed, and Promo 2018 followed. This tape sold more than 400 units despite being on no label - a rarity nowadays - and for good reason: its maw of blackened DEATH functioned more as a literal vortex rather than mere "music" per se. And that ominousness only began to grow...

At long last, OMEGAVORTEX reveal their long-awaited first full-length, appropriately titled Black Abomination Spawn. Relentless, devastating, aggressive, lightning-fast, oppressive, earth-shattering: all these adjectives apply here, with perhaps the most apt phrase being "eviscerating the firmament." Verily, OMEGAVORTEX are rooted in the ancient alchemy of vintage black/death, drawing equally from the likes of Necrovore, Altars of Madness-era Morbid Angel, Florida's Incubus, Possessed, Repulsion, Sadistik Exekution, Profanatica, and classic Sarcofago, but sounding like none of them; indeed, their abominations of desolation are entirely their own. As such, their songwriting takes on a tendrilous aspect, enrapturing the listener in unshakeable, irrevocable oblivion - but clearly with a destination in sight. The blackest cosmic abyss...guided by eerily hummable, malevolent melody.

Much like their aforementioned ancient forebears, OMEGAVORTEX nonetheless utilize nuance to an expert degree, structuring Black Abomination Spawn by specific album sides. The first half of the album (track 1-5) brings a belligerence beyond compare, like a brutal MMA fight and live gig simultaneously - gibbering, irascible CHAOTIC FRENZY as portended by their moniker - with almost zero pause between songs and no time for salvation nor rest. However, on the flipside of that moniker is what lies on the second side of the album: a vast, yawning chasm of atmosphere and alienation, no less muscular in its molten, metallic might but displaying dynamics beneath that dense, dissonant exterior. That aforementioned melodic aspect is crucial when faced with so much steroid-ridden brutality, and OMEGAVORTEX duly bring it across the album's nine-song/46-minute runtime, rendering Black Abomination Spawn both compact and sprawling in equal measure.

Of especial note is the album's production. In coordination with mastering by Patrick Engel at Temple of Disharmony, the band mixed Black Abomination Spawn as a rough mix, to "fuck up" the recording professionally, in a good way - as OMEGAVORTEX wanted to achieve a very offensive and earbleeding-sounding record, required to be listened to at maximum volume. This would underscore the heaviness of the material, and hopefully generate a headache for the listener. If you are a false, do not entry!

And although this malign work is now seeing the light of day in 2020, OMEGAVORTEX have been writing material for Black Abomination Spawn for 13 years now, sonically/psychically ahead of the times. Now they've emerged from that cosmic abyss to scale the throne of the immortals, graced by cover artwork courtesy of Henry Mann - an utmost evil abomination suiting the material. Dive into the abyss and be devoured whole!

Black Abomination Spawn

Omegavortex - Cosmic Horror Maelstrom

1993 - 94 Demo Box Preview

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1993 - 94 Demo Box Preview

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