Name: Lost and Found - Valma by Ableton
Duration: 44 s
Description: Foley recordings, DIY instruments and unique percussive samples designed to infuse your productions with character and authenticity.

You can now purchase the mix on Ultimae Bandcamp (digital and CD) : https://ultimae.bandcamp.com/


Starting 2022 with a great artist, Aes Dana, one of the most aknowledged artist of the ambient scene and co-owner of @ultimae records

Vincent Villuis aka AES DANA is composer, sound designer, DJ and founder of @ultimae records label. An electronic activist for over 25 years, also a founding member of the Asura band.

Bass player and singer in several coldwave and industrial bands as a teenager, Vincent then moved on to composing with machines and specialised in audio sampling and layering of acoustic sounds digitally transmuted. Its music ensures a coherent fusion between Deep Ambient, Downtempo and IDM with a touch of Electronica Neo-Classical, Indus & Liquid Drum'n'Bass.

As AES Dana he has produced 7 albums, a collection of audio samples and about 50 tracks for various compilations, while collaborating with the Swedish artist Magnus Birgersson (aka Solar Fields) under the moniker H.U.V.A. NETWORK on 3 albums and with the Greek artist MIKTEK on 3 EP releases gathered later in the concept album « Far & Off ». They also worked together on the “Fragments 01 & 02” sample libraries. His solo-designed music library «Aethers» (co-published with Loopmasters) which was voted « best Cinematic Ambient sound bank » in 2015.

He composed scores and licensed existing works for short and feature films, documentaries and BBC tv programs such as « Atrophy Bank » by Sam Asaert, « The Passport » by Amund Lie, « Mandorla » by Roberto Miller or « Breath of Life » by Susan Kucera which opened new perspectives on composition and sound design and collaborations with various advertising agencies.

He is also the curator of the Fahrenheit Project compilations. As head of the Ultimae Studios, he earned a solid reputation for his Audio Mastering works & Sound Design.
He also is working on several projects in parallel: remixes, scorings & special projects.
His second collaborative album with Miktek is in progress and will be released in 2022.
A collaborative album with the Danish artist Lauge is also in progress.

Albums
Season 5
MemoryShell
Aftermath
Leylines
Perimeters
Pollen
Far & Off
Inks
(a) period.

https://linktr.ee/aesdana

Photo by Cyril : https://www.facebook.com/uninstantSVP

Interstice

TREVE Series 35 - AES Dana (Ultimae) - "Interstice" Live Set

Despite being essential to life on Earth, the magnetic field isn’t something we can actually see in itself, or ever hear. But, remarkably, scientists at the Technical University of Denmark have taken magnetic signals measured by ESA’s Swarm satellite mission and converted them into sound – and for something that protects us, the result is pretty scary.
Sound design & concept: Klaus Nielsen (https://soundcloud.com/maplepools) and Nikolai Linden-Vörnle (https://soundcloud.com/kamikaze_vildsvin)
Image by Crimson Sound (https://soundcloud.com/crimson-sound-483379629)
Read the full story: https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Swarm/The_scary_sound_of_Earth_s_magnetic_field

The scary sound of Earth’s magnetic field

Dave Bessell Chromatic Lightning Cage DiN84

Release date 15th March 2024
Limited to 250 copies Digipak CD

This new release from synthesist Dave Bessell sees him completing a quartet of albums loosely based on the Greek philosophy of the Four Elements, namely Fire, Water, Earth and Air. There’s certainly no doubting that “Chromatic Lightning Cage” with its vivid cover is referencing Fire but this personal odyssey started with the concept of Water on his inaugural solo album, “Analogue” released in 2010. This was followed by “Black Horses Of The Sun” (DiN47) - Air, and “Reality Engine” (DiN62) - Earth.

Bessell has also released three collaborations with Parallel Worlds on the DiN imprint as well as being part of the synth supergroup Node. It is interesting that whilst the Berlin School inspired sequencer riffs of the latter dominate the soundstage Bessell largely eschews this approach on his own albums. Rather on this and his other DiN solo releases he explores interesting harmonic progressions with a series of interlocking delicate arpeggios. This is most evident on the opening track “After Hours” as well as the beautiful closing piece “Elegy”. Elsewhere Bessell blurs the line between guitar and synth using his stringed instruments as controllers for his modular systems. His music has always had an element of the soundtrack to it and this is certainly highlighted in the track “Ariel” which has a mystical, unearthly quality to its soundscapes. Bessell has noted that the ghosts of Amon Tobin and Nils Frahm wander through this album at times which is certainly an intriguing thought.

Always one to push the boundaries Bessell has included a QR code in the Bandcamp download version of the album that opens up an augmented reality vista from the cover image. Lovers of Electronica, Downtempo, Ambient and Soundtracks will find much to admire in “Chromatic Lightning Cage” and this new album once again showcases the unique talent of this highly individual musician.

 
 01 After Hours   05:43
02 Forest Under The Sea   03:41
03 Darkening Air   07:17
04 Dream Of The Red Chamber   07:10
05 Ariel   05:01
06 Unheimlich   08:36
07 Nightshade   08:55
08 Moths   09:34
09 Elegy   06:31

Total Time :  62:46

Chromatic Lightning Cage

Buy CD / Download

Chromatic Lightning Cage by Dave Bessell (DiN84) Demo Mix

Foley recordings, DIY instruments and unique percussive samples designed to infuse your productions with character and authenticity.

Download here

Lost and Found - Valma

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

A track that evolved from building up layers of synth sequences. Wanted to create something floaty and meditative, but then I twisted it with an electro style beat. Has a vibe that recalls some of my tracks from around ten years ago, as well as the obvious nods to Tangerine Dream :) Though the beat is a bit more Kraftwerk.

Some Synth info:
Moog Mini V (2 instances)  - Doing lower end bass work
ARP2600V - 1 note sequence modulated
Korg Poly 6 - High end plinky sequence
Korg MS20 - Square modulated 1 note sequence
Oberheim Matrix 12 - Pads
Virtual String Synth - Phillacordia pads
Tal Bassline 101 - Lead's/ Synth perc
Virtual CZ - Lead compliment
Spark Vintage Drum Machine's - 606 Drums (edited)

Made in Ableton Live

Sequence_D

Bitte leise!.mp3

From textured loops and granular abstractions to mesmeric drones, melodic ambiences and warm surrounding basses, “Visionary Elements” is a must-have tool for IDM, ambient and electronic producers but also suitable for unconventional / experimental soundtrack making. Emotional and expressive melodies , downtempo beats that sound as if they come from the earth’s core, pads blended with grained textures creating misty atmospheres and womb-like, embracing low frequencies are just a few examples to begin with. 

> https://app.noiiz.com/creators/9/packs
> https://app.noiiz.com/sounds/packs/302

Visionary Elements | Samplepack

Vibrations by ModeAudio - Rain Or Shine

Drum Booth - EST

Chop And Swing - Clean Swing

We make software, hardware and other creative tools for a global community of music makers. 

Here you’ll find samples of Ableton, partner and Max for Live instruments.

Lost and Found - Valma

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