Just in case people really need a fix, like me! Only a dub but still a killer http://www.juno.co.uk/products/expansions/472820-01/

In case you missed it James Murphy opened his Boiler Room set with this one.

@user7038681: Nice one.what bugout trax.sounds interesting?

DUNGEON ACID "LIVE AT FYLKINGEN" Cassette released on iDEAL Recordings in 100 copies. Recorded at Fylkingen, Stockholm on March 20th 2010.

DUNGEON ACID - LIVE AT FYLKINGEN

Feed Your Head Guest Mix: Logan Fisher

Feed your Head Guest Mix: Sean Johnston

Recent mix for my friends over at Tomorrow Store in Leeds

Link to their website here > 

https://tomorrowstore.co.uk/

For Tomorrow.

R R - Outro
Steven Halpern - The Light In Your Eyes
Toshifumi Hinata - Hikari To Mizu
Hiroshi Sato - Jo-Do
Vangelis - Wait for me (Blade Runner OST) (Haners Overdubbed Edit)
David Axelrod - Ken Russell
Mendes & Alçada - Coaster (Idjut Boys Version 1)
Reggae Disco Rockers - The Whistle Song (Silent Dream Version)
Josete Ordoñez - Objetos Perdidos (Dagobert Böhm's Las Estrellas Y El Interminable Sonido Del Mar Remix)
Brad Smith - New Lifestyle
J Walk - Underwater Galaxy
Coyote - The Cats Asleep
J Walk - Europa Noir
Iasos - Formentera Sunset Clouds
Quintus Project - Night Flight OG Version (Haners Overdubbed Edit)

For Tomorrow

Incredibly happy to present Joe Morris for the next Between Cities mix series!

Joe has been involved in the underground music scene for over twenty years. and while not pinned to one particular sound, Joe’s inimitable style has taken him to perform in New York, Moscow, Brazil, Paris, Milan, Ibiza, Geneva, Barcelona, Berlin, Hanoi and all over the UK using his experience to expertly craft emotive atmospheres from chill out scenarios to dance-floor energy. 

Crystalizing this ethos into his productions, Joe has enjoyed a string of well received releases on a myriad of diverse record labels. It's an intoxicating cocktail that has seen him play around the world and back again, from smoke filled basements to festival stages and all points between. 

Joe strives to leave no stone unturned in his search for the perfect beat through his Shades Of Sound record label and radio shows.

Welcome to Between Cities!
Press play and enjoy this beautiful journey he specially prepared for us!

Follow his music here: 
soundcloud.com/joemorris

Mixtape 008 Joe Morris - UK

Tonic - Joe Who?
Simon Peter - Every Cloud ( Coastlines Remix) 
Max Essa - Gold Hush/Dance Indigo (part one)/Gold Rush (part two)
Quiet Village - Pillow Talk 
Ottmar Liebert - After the rain 
Snob - Message from the stars 
Linda Di Franco - Look of love
Masaaki Ohmura - A touch of temptation
The Breeze - Mischievous Whispers
Loredana Berte - Number one
The Human League  - The Sign (BBB edit)

Music For Dreams Radio Show 14.6.25

Pfingstiphos 9.6. - 10 AM - 2 PM

Visions Of Light - Sands 
D- Echo Project - Sensu 
Copenema - Um Alento (ft. The Swan And The Lake)
Modern English - Voices (Sundowners dB Remix)
Pepe Link - Belfast
Dimitri From Paris Vs. Chatobaron - Chez Madame La Baronne (Sac vide version)
Ojard - Carnaval (Al Baabi Dub Mix)
Dai Nakamura - Colourfield
KlangKollektor - Starlings
Balaphonic - Udders
Suzanne Ciani & Jonathan Fitoussi - Oceanium
Smith & Mudd - Journey Seven
Charlotte & Reinhard - Unguided Sand Meditation

Music For Dreams Radio Show - 28.6.25

Our set from last Thursday's boat party on the Adriatic at Love International festival in Tisno, Croatia. 

BILL BREWSTER, FRANK BROUGHTON & SARAHTONIN | Live at Love International Festival, July 10th, 2025

one hour in the secret garden

Pfundheller - Balee The Angel 
Jon Hopkins - Modern Driveway
Puerto Montt City Orchestra - And We’d Be So Happy (Balearic Ultras Feelings Mix)
George Koutalieris - Seasons
Tambores En Benirras - Extensor Entregado (Steve Cobby Remix)
Mike Welch - Colorado Country Girl
Pixie Lauer - Sunday Morning
Suzanne Ciani & Jonathan Fitoussi - Golden Apples of the Sun
Jose Finagandara & Juan Diego lllescas & Ground - Something Sign
ColourFool - Hey You
Manrico & Nicola - Con Un Cuore Nel Corpo (Balearic Version)

Music For Dreams Radio Show 9.8.25

Neurotic Drum Band remix of Chris Carter's 1985 track 'Moonlight', taken from the forthcoming release on Optimo Music. Other tracks include a remastered original version and a brooding Oneohtrix Point Never remix.

Please note that the tracks aren't remixes but rather reinterpretations as there were no parts to work with and they had to start from scratch.

Available soon on Optimo Music, please visit http://www.facebook.com/pages/Optimo-Music/195709266632 for details.

Chris Carter -  Moonlight (NDB Remix)

Last piece on the upcoming POGROM - Electronic Music by Jan Svensson LP on iDEAL/UFO MONGO. Limited edition of 300 copies. White vinyl and b/w inlay. POGROM was recorded in 1990 in the excellent Studio Styrka in Johannishus, Sweden but abandoned for some reason. I think we planned to release it as a cassette. Jan Svensson is the man behind Börft Records, and is a member of the synth trio FRAK and psychedelic analogue drone duo Alvars Orkester. POGROM is released in December 2011. 

JAN SVENSSON/POGROM - HAPPENING

"Rough" - taken from the DIMITRIOS K untitled debut album on iDEAL (iDEAL094)!!! Dimitrios K is a legendary techno dj based in Gothenburg, Sweden and the man behind a line of classic dance clubs from the mid '90s till now. He is a man breathing deep electronic rhythm rituals. The LP is pressed in 500 copies only, on pitch black vinyl of course.

DIMITRIOS K - Rough

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Disquiet Junto Project 0036: Still Life 

<i>The painter Clyfford Still (1904-1980) was one of the great practitioners of abstract expressionism. The Clyfford Still Museum in Denver, Colorado, not only houses a wealth of his works, it also has on display artifacts from Still's daily life and practice, such as his smock, his old paint cans — and his record collection. These records, displayed behind glass, include pieces by Wagner, Mozart, Beethoven, and Bach, among others, and they're accompanied by a small note: "Clyfford Still was passionate about music, particularly classical music. Shown here are several samples from his record collection." In this week's project we're going to take that word "sample" literally. 

There's an interesting question inherent here about matters of aesthetic influence: how it is that the man who painted such massive and graphically evocative works was, in fact, listening to music far more figurative than the art he himself produced? The goal of this week's Disquiet Junto project is to take a shared sample of the sort of music that Still loved — a 78rpm recording of J.S. Bach's Brandenburg Concerto No. 2, II. Andante — and turn it into something that might be deserving of the term "abstract expressionism." 

So, the instructions for this week are as follows: 

Step 1. Please select part of the designated MP3 of J.S. Bach's Brandenburg Concerto No. 2, II. Andante.

 Step 2. Then transform that sample, through any methods you desire, into something that you feel meets the definition of "abstract expressionism" provided by the Clyfford Still Museum: "marked by abstract forms, expressive brushwork, and monumental scale." 

You cannot add any sounds to the sample, but you can manipulate the sample in any way you see fit.</i>
--------------------------------\

I looked at Still’s abstract work, alongside his earlier work, and I decided (conveniently for me) that he was doing with paint what I sometimes try to do with sound – going deep inside former works, digging out the hidden elements inside their representational exteriors… reaching into the fractal interior, if you like, trying to pull out and display on canvas the strange misery that is part of the human condition. One of his earlier works,  PH-79, struck me particularly. It is a grotesque Pieta, possibly inspired by the events of the Dustbowl, but presciently painted only four years before the outbreak of a war that would end with the revelations of the Death Camps and the generation of images that would change Art and Society forever.

Adolf Busch, whose Chamber Players recorded the piece we are using, was so revolted by the rise of Nazism that he left Germany in 1927 for Switzerland, migrating to the USA when WW2 erupted.

I chose the last twenty seconds of Bach’s moving piece to work with. More ambitious than usual, I wanted to recreate the almost unbearably sad mood of Samuel Barber’s haunting Adagio For Strings, so I stretched the sample using four different methods and tonalities and mixed them together. I then fed the sample into ambient v.3, rode the delay controls as carefully as I could and cut up the resulting track, rearranging it to suit the dynamics of the 8+ minute ambient version that the stretching and mixing had produced. I then interpolated the original sample, with its wonderful aged and shellac-surfaced ambience, near each end of the piece.

This track is a transformation, in honor of painter Clyfford Still, of a sample of J.S. Bach's Brandenburg Concerto No. 2, II. Andante, culled from this recording:

http://archive.org/details/J.S.BachBrandenburgConcertoNo2 ;

More on the Clyfford Still Museum at clyffordstillmuseum.org.

More on this 36th Disquiet Junto project at:

http://disquiet.com/2012/09/06/disquiet0036-cstillconcerto/ ;

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info


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begin/james holroyd

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