I’m taking a hell of a risk releasing this, since this song’s mere existence is a MASSIVE spoiler.

Destruction’s Disciple

File 6: “Red”

Red is a Neosapien- a humanoid alien being from the planet B-59 in the Great British Intergalactic Empire. Jokingly called “Tech Support” by other members of her team, she provides technological advantages like new weaponry, UI design for everyone’s HUD and hacking.

Tech Support

File 37: Hannah Blackwood

Blackwood is an alchemist, able to create potions with magical enhancements using magically-charged artefacts. One such potion is the “Beast” potion, which harnesses Chaos Magic into repressing the soul’s influence over the mind while also channeling the insanity of He Who Embodies Disorder to let loose one’s primal instincts. The potion also mutates the body, making claws and fangs grow for optimal primal rage.

Due to this, we at the WNAA have declared her to be a threat to all life and are working to apprehend her. We have also decided, however, that she is not entirely responsible for The Beast’s actions, and therefore cannot fall into the hands of the MDI, as they’re not all that ethical in their treatment of their, as they call them, “subjects”.

The Beast Within

File 16: Agent Carbon, WNAA.

A former MDI agent until they took his soul, modified it and transferred it into a dead girl,  Carbon leads the WNAA in their operations to do what the MDI does without crossing the line and killing innocent people who just so happened to have powers. He has no soul at the moment, so pardon his complete apathy for anything but his own survival.

Agent C-12, WNAA

INSERT [CringeNaeNaeBaby] SPAMTON G SPAMTON [Specil] [Squarebracket.jpg] DESCRIPTION HERE FOR [$4.99] [Free Delivery]

BIG SHOT [Absolute Fool] REMAKE (From Deltarune Chapter 2)

Michael Afton, also known by his nickname Eggs Benedict and fake name Mike Schmidt, is one of the main protagonists of the Five Nights at Freddy's franchise.

He is the son of the notorious serial killer William Afton and the older brother of Elizabeth Afton who worked as a technician of Circus Baby's Entertainment and Rental, and later as the manager and owner of Freddy Fazbear's Pizza Place. After discovering the horrible truth about his father and being reduced to a living corpse by his sister, he goes on a quest to "find" his father, eventually culminating in him working under Henry Emily, Afton's former business partner, while remaining unaware of his true plans.

He is also is believed to be either the Brother or the Crying Child from the fourth game, which would make him the Crying Child's older brother if the former is true. On top of this, it's also theorized that he took the identity of Fritz Smith and the Fazbear's Fright nightguard during the search for his father, and that his soul found its way into the Glamrock Freddy animatronic after his second death; None of these, however, have been confirmed thus far.

He is voiced by PJ Heywood, who also voiced his father William Afton.

Roles

In the video games, Michael is the main protagonist of the ScottGames era and a posthumous character in the Steel Wool era. He serves as the main protagonist of Five Nights at Freddy's, Five Nights at Freddy's: Sister Location and Freddy Fazbear's Pizzeria Simulator, a major protagonist in Five Nights at Freddy's 4, and a posthumous character in Five Nights at Freddy's: Security Breach. In the aforementioned FNaF 4, he is the main protagonist of the nights and, depending on the interpretation, the main antagonist or protagonist of the minigames.

He may also be the main protagonist of Five Nights at Freddy's 3, the final protagonist of Five Nights at Freddy's 2, and the titular deuteragonist of Five Nights at Freddy's: Security Breach.

A version of him appears as the tritagonist of the story "You're the Band" from Five Nights at Freddy's: Fazbear Frights. He, or a version of him, might also appear in the upcoming movie adaptation.

Biography

Five Nights at Freddy's: Sister Location

Michael appears in this game as the main protagonist. He works as a technician and was sent there by his father to free his sister's soul from Circus Baby. However, it's equally possible that Afton tried to get Mike killed.

On night 1, Michael arrives at Circus Baby's, and HandUnit welcomes him, showing him how to check the animatronics' stages, and if they are not in their proper places, he must shock them to put them back on their stage. Michael successfully shocks Ballora and Funtime Foxy but even though he shocks Baby, she does not appear.

On night 2, Michael checked Ballora and Foxy, but when he checked Baby, the controlled shocks did not work, requiring HandUnit to shut down the system in a bid to restart the power supply. Baby began speaking to him, telling him to hide under the desk. After surviving the Bidybabs, Michael crawled through Ballora Gallery, avoiding her by listening out for her music. He then reaches the Breaker Room, where he restarted all the systems while playing audio to keep Funtime Freddy from attacking him. Michael then crawls back through Ballora Gallery, and leaves the facility.

On night 3, Michael returned, checking Ballora and Funtime Foxy. He then ran through Funtime Auditorium while avoiding Funtime Foxy. Michael reached Parts and Service, where he performed a repair on Freddy, and caught Bon Bon in order to get Freddy's second power module. When he returned through Funtime Auditorium, Foxy attacked him, knocking him out.

On night 4, Michael woke up in a springlock suit. Baby began talking to him, explaining she kidnapped him. Then, two technicians entered the building and sent Ballora to the Scooping Room, where Michael was. He then witnessed Ballora get scooped, and survive an attack of Minireenas.

On night 5, …

Dialtone (Absolute Fool Remake) (Deltarune Chapter 2)

“Welcome to Skull City, the setting for battles against the forces of evil known as the Legion of Evil Guys, as well as some other people like the Stone Acolytes or whatever. Yeah, we have superheroes here. Their team doesn’t have a name.”

Skull City

“Flipside. Just like the one who created it, it’s a reflection, but not an opposite. It’s different, but the same.”

———

You might notice something funny about this song, it’s uh, i-it’s Skull City backwards. The music guy f**king gave up, so so do I. Contestant 359 plays the real game until she finds the cast of iCarly. Our whole universe was in a hot, dense state when nearly fourteen billion years ago-

FLIPSIDE

What’s going on? Who are these people? WHAT are these people?

———

Abnormality is the name of the game in ERAMTHGIN, and everything points to an atmosphere of “I have no idea what is happening but it scares me.” Also the double theremin goes hard. Inspired by old alien movies a la It Came From Outer Space, which you see a lot in my work. That or Toby Fox.

ERAMTHGIN

“What’s the problem, kid? Never signed a blood contract before?”

———

Ok, so, story time. I sometimes play my songs to my family, who don’t really understand the value of ✨creating an atmosphere✨ unless it’s my mum (sometimes I do need to add a bit of backstory but she eventually understands why I did what I did.) My sister complained the song was “too slow” and uh well YOU try creating a tense moment while California Gurls by Katy Perry plays in the background and not this. THIS is CHILL DESTRUCTIONWAVE BEATS to SIGN CONTRACTS IN BLOOD TO.

(No shade to California Gurls btw… well, not RELEVANT shade. It does its job, I Sold My Soul does its.)

I Sold My Soul

A shameless attempt to capitalise on the fact all my most viewed songs are Spamton-related in an attempt to further promote myself in the SoundCloud algorithm!

have fun listening i guess :)

Edit: I really thought that would work.

I GUESS YOU COULD SAY…
*There is no audience.


now laugh.

Absolute Fool’s “A Real Boy!” (from Deltarune Chapter 2)

😳shining reference???😳

———

Making a battle theme for two crazy gremlin children is very fun, you should try it if you get a chance. You gotta balance the childlike fun with actually being menacing. It helps that UnMachina’s motif slaps, but it ain’t like the twins don’t lend anything either, with their glockenspiels and their bass line and all the other toys they snuck in there.

PLAYTIME

DON’T YOU WANNA BE A [Remix by Absolute Fool]?

NO VOCALS BECAUSE I COULDN’T FIND ANY DECENT ONES THAT WEREN’T [.flac] FILES. [GarbageBand] HATES THOSE FOR SOME [$!$$] REASON.

REMEMBER TO [Like and subscribe] FOR MORE [Overused jokes]

NOW’S YOUR CHANCE TO BE A [REMIX BY ABSOLUTE FOOL]

DISCLAIMER: Absolute Fool Incorporated does not condone the punching of real babies. Only fictional ones, made of rock and light magic.

———

It’s the generic enemy music. Trust me, the generic enemy music gets better. Just wait for Chapter 4. That track goes hard.

Punching Babies

“In the Great Summoning, there are many contestants, all of whom have transformed into monsters of myth and legend. One such monster is the vampire, able to drain the life force from their victims to replenish theirs. Now you must face arguably the strongest vampire present in this place- your former ally. Prepare yourself for a heated battle against a hero turned puppet!”

———

I REALLY WANT TO ANALYSE THIS EVEN THOUGH IT’S MY OWN MUSIC. YOU HAVE NO IDEA, THIS IS PROBABLY THE SONG I PUT THE MOST THOUGHT INTO, AND I PUT THOUGHT INTO ABOUT 99% OF THEM.

That bit at the end represents Eclipse’s encounter with The Puppeteer, when she loses herself. You can figure out how.

Strings of Fate

NEVER ask me how many variations of a title I’ll do if a song isn’t mine, for there is no answer within this world.

also this song has decent vocals that were in an mp3 format, don’t say I never did anything for you.

Spamton (a remake by world-renowned music guy Absolute Fool)

———

This funny little nightmare scenario was ironically inspired by Everywhere at the End of Time which I’m sure you’ve heard of but completely forgotten about because you need to let go, it wasn’t your fault, please remember us, you’ve been comatose for years now. Why is it ironic? You’ll find out. Good things come to those who wait.

Error 404- File Not Found

do you wish to have an unfortunate experience?

Q&A:
Q: Will you make a full version?
A: If I can be bothered. Don’t bet on it.
Q&A over.

The first bar of Megalovania but it’s the Windows XP error sound

it’s my spamton remake but slowed down. enjoy. that’s an order.

ok so regarding the title I gave up

Deal Gone Wrong Remake

The first track I made for my new game I’m never gonna make, Aegis. It’s the theme for the game’s main antagonist, Contritus, who… I won’t spoil it for you.

Check out V2: https://on.soundcloud.com/PhXMZkjRDNh3oQMX7

———

I really like symphonic rock, can you tell? My brief for this was “cartoonishly evil pure malice supervillain who has a big tower with lightning and cackles maniacally and practices his one-liners in the mirror before every battle” and this is what I spat out.

Contritus’ Approach (WIP I think)

“Excuse me! Do I barge into YOUR house, break YOUR stuff, kill YOUR evil minions? You need to learn some respect!”

———

It’s Contritus’ Approach but the choir’s different. There’s a reason this is called Area 1.

Castle of Calamity: Area 1

“Did I hear you say you wanted out of here? Because that sounds like something I can help with. I go by Eclipse, because I have no idea what my name is.”

———

This. This is cool as f**k. Sorry I can’t be more formal, or provide inspirations, or elaborate at all. It’s cool. It’s Eclipse. This is her in a track. Have fun with it.

Eclipse

Legends tell of a powerful ice mage, able to create ice constructs from seemingly nothing. They are said to protect the town of Stardon from the forces of Contritus, and their winters ensure a bountiful harvest of locally-grown berries, which we usually trade with Marshall for food for our livestock. Without them, we’d be a lot worse off… if you believe that sort of thing.

———

Sometimes there’s not a lot I can say about my songs that’s really worth saying. This is one of those times imo, there’s nothing AMAZING here. I mean, the instruments are pretty light, I guess, conveying the “good guy” archetype, but that isn’t much.

Mountain Echoes

“One of He Who Embodies Disorder’s most powerful underlings, Puppeteer can take over the will and body of others through magical strings. She oversees The Great Summoning, and ensures things stay… interesting.”

———

Can you tell I tried to make traditional Japanese-style music with some elements of more Western culture without listening to a single bit of traditional Japanese music? That’s a grave error on my part that I will make again probably, but apparently the koto melody at the start sounds like something out of Tekken so… good enough. (the notes themselves, not the complete melody with the instrument and all that)

Puppet Show

Argent the Cunning is a part-fox man in charge of Contritus’ beasts. He has taken a great interest in the new technology made as a result of… something very important.

———

I’m very exposed to dance anthems, what with them being a favourite genre of someone I share a house with, so I made something inspired by those. Why’d I give the furry a dance anthem? Sometimes things just feel right, and this is one of those times. It’s fun, the bass hits HARD and I really leaned into the fact that the choirs I use in my music are samples (intentionally).

Silver Bullet

———

Ok, see the thumbnail? That thing’s called The Spirit of Nature. This is their boss theme. The best way to describe it is by saying I wanted to make something that sounded like what The Spirit looks like. I think it’s mysterious, powerful and foreboding, as well as just sounding nice.

The Spirit’s Symphony

———

Take a wild guess as to what type of public domain monster Lady Reaper is. For the most part, the inspirations come from various religious-type music I can’t name because I’m not religious. Classical music can be cool when it wants to be, I swear. Toccata and Fugue by J.S. Bach comes to mind.

In Her Presence/Lady Reaper

“…And so, the heroes fell, and their stories were cut short by the cruel hand of evil.”

“Will you stand against the will of fate, and try once more?”

———

I wanted to make a track that sounded calming, but also solemn, with a sense that there’s unfinished business. I originally made this theme for breaking free from a dream, but I’ve decided to just use it as game over music. Is it good? Does it work? I don’t know, but I hope so.

Butterfly Effect

Welcome to the Show

The Usurped

Monologue

Wrote this song for something unrelated and disconnected to everything else, might reuse it for something later but I felt it went too hard to be forgotten.

Death Sentence

Hi. I’m Absolute Fool, of Absolute Fool Incorporated: Making music for several video games that will never be released since 2021.

I have 0 qualifications in music.

Proud GarageBand user.

ASK FOR PERMISSION BEFORE USING MY MUSIC.

Don’t expect an upload schedule unless you actively enjoy being disappointed.

My thumbnails are AI-generated or hand-drawn, you decide which ones are which. (with the exception of my “funny” “joke” “songs”, which are not)

please for the love of the ancient ones listen to my not-spamtong music, it’s better.

Absolute Fool Inc.

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