We believe that « everything is a remix »

Remixes are a major part of the electronic music history. The club culture take off on remixes, some of the greatest dance hits where made from remixing original tracks.
Our primary purpose is to highlight this exercise by offering the opportunity to artists to either work on a remix of their choice or offer a track to be remixed by an artist they admire. It is overseen and curated by independent music lovers and supported by The Absolut Company, a brand that is permanently involved in the field of contemporary arts and creation with a tradition of supporting artists such as Keith Haring and Andy Warhol. The Absolut Remix project is dedicated to the art of combining or editing existing materials, to produce something new.

As a start, every last Friday of the month, we will unveil a new remix, from a newcomer or a legend, from disco to techno or IDM and house music. And more to come...
'Miami Vice' was originally released on Akira S' EP Honda San in January 2016
https://soundcloud.com/40fodamaneirissimo/sets/akira-s-honda-san-clips

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BNJMN
@bnjmnnn | facebook.com/bnjmnmsc | twitter.com/_BJNMN

40 % F/M
@40fodamaneirissimo | facebook.com/40porcentofodabarramaneirissimo | twitter.com/40FodaManeiro

Absolut Remix
@absolutremix | www.facebook.com/AbsolutRemix | twitter.com/AbsolutRemix

Akira S - Miami Vice (BNJMN Absolut Remix)

12" out now!!
http://www.juno.co.uk/products/quavius/614609-01/

A1. Love The Way

Beesmunt Soundsystem & San Proper "Simcha Riddim" - Boiler Room Debuts

A debut EP for Florida rapper and producer @quavius on Lustwerk Music, with all the hallmarks of a Galcher release: hazy, restrained productions, with sotto voce, sullen vocals. 

Read more & buy: http://www.stampthewax.com/2016/09/04/premiere-quavius-can-i-be/
Listen on Youtube: bit.ly/quavius-can-i-be

Quavius

Quavius - Can I Be (STW Premiere)

Taken from the debut album by PYUR, "Epoch Sinus".

Hotflush are proud to introduce an exciting young artist, PYUR, along with her singular debut LP "Epoch Sinus". Despite her relative newness, PYUR meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium.

Growing up in Munich, in and amongst the same fecund scene that spawned artists like the Zenker Brothers and Skee Mask, PYUR cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic world’s endless scope for sound design. Endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music “played the biggest role in my growth. It alone had the purpose to help me dissolve boundaries, discover the beauty of life’s mechanisms, create freely. It talked. Soon I felt like the music was making me, not the other way round.”

"Epoch Sinus" is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. Here PYUR offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. She states: “I'm mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people”. The record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

The album is accompanied by a video piece for each track, translating the sonic messages into a visual body. Her goal was to show as accurately as possible what she felt during the making process of Epoch Sinus, to put the music into context and make it more accessible for the public. Light, water, reflections and colors of nature all feature strongly in these distinctive visions.

“Music showed me that, in the sweet spot between nothingness and existence, one is empowered to fully understand energetic connections and able to initiate extraordinary transformations through all grids and layers of self. Especially now at this time music has the enormous potential and responsibility to become a transformative entity, providing truthfulness and support.”

01. Epoch Sinus I
02. A Tree
03. Agape I
04. The Field
05. Allness
06. 5th Dimension
07. Epoch Sinus II

Pre-order: https://boomkat.com/products/epoch-sinus
PYUR - Epoch Sinus
Release date: October 28th, 2016

© & ℗ 2016 Hotflush Recordings

PYUR - A Tree [Debut album "Epoch Sinus" out October 28th]

Banana Hill resident Al Zanders (aka Alex Buchan) has been turning heads for a while. Having already teared it up with releases on Karakul, Stamp Records and his eponymous A-Z Records, the Sheffield-based artist now presents Ripley's Voyage/Dexter's Morning.

Keeping the momentum, Al Zanders seals the deal with certified slam dunk of a B-side, "Dexter's Morning". This is the musical embodiment of a disco ball. A track purely orientated for the dance floor with an enslaving hook on guitar and keys, adorned by golden-age synth and a shedload of feel good disco-style instrumentals.

Catch the fire as it drops on 26th September via A-Z Records.

Pre-Order

Al Zanders "Dexter's Morning" - Boiler Room Debuts

Download: https://www.xlr8r.com/mp3/2016/09/red-axes-moscoman-krikor-subaru-pesha-roman-flugel-dub/

@discohalal
@roman-fluegel



Subaru Pesha [via XLR8R]

Download

Download: Red Axes, Moscoman & Krikor - Subaru Pesha (Roman Flügel Dub)

Beesmunt Soundsystem & San Proper - Simcha Riddim (Percussive Dub)

Order 'Iris' on (Ltd. Clear) Vinyl, CD and digitally here: http://phonofile.link/iris-bonus

A Winged Victory For The Sullen, the otherworldly collaboration between Adam Bryanbaum Wiltzie and Dustin O’Halloran, commence the New Year with their third full-length titled Iris – available worldwide via Erased Tapes on January 13th 2017.

Adam Bryanbaum Wiltzie and Dustin O'Halloran first met the director Jalil Lespert after he had discovered A Winged Victory For The Sullen on a music search online. After listening to their music, he immediately knew: "it was the sound of my new film". With an excellent cast of France’s finest actors Romain Duris, Charlotte Le Bon, and the director himself, plus a script filled with tension, sexuality and darkness, they knew there was a lot of musical territory to mine. It was agreed that they wanted to explore more analogue electronique experiments as well as working with a large string ensemble, to create something that felt very modern and still cinematic.

“Despite A Winged Victory For The Sullen being associated with film score type music, trying to survive the process of creating the modern film score is not for people with fragile egos. It requires those who are the most responsive to change. The director and the film presented a new set of challenges, so we decided to stop thinking about cinema as an object, and moved closer to using the film’s images as triggers for experiences. The more we were able to let go, and see the music as something that happens, like a process – not a quality, the more we were able to reach a place that sounded like us. It was as if we were making our first record all over again, except being filtered through another language littered with dead metaphors”, the duo elaborate.

The recording sessions began with their long time sound collaborator Francesco Donadello in the form of some modular synth sessions in Berlin. Dustin and Adam began working from the script in their own studios, and after filming commenced they continued to create music that could be used for first edits of the film – each day getting new scenes that triggered ideas that would become the base of the film score. Over the course of the next few months the two slowly crafted the music with weekly discussion from their studio to the editing room. The final sessions to what is now the score of Iris were recorded with a 40-piece string orchestra at Magyar Radio in Budapest.

Upon label founder Robert Raths' request the over sixty minutes of material were then edited down to a concise album listen at forty-one minutes with a physical release set for January 13, 2017. The digital bonus track edition includes two solo pieces by Adam Bryanbaum Wiltzie entitled The Endless Battle Of The Maudlin Ballade Part 2 and The Endless Battle Of The Maudlin Ballade Part 3, as well as tracks by Petite Noir, dOP, DJ Pone and The Shoes which feature in the film. The artwork was created by Berlin based illustrator Stephanie F. Scholz who also created the iconic cover for Nils Frahm's Music for The Motion Picture Victoria.

TRACK LISTING

1. Prologue Iris  
2. Retour Au Champs De Mars 
3. Fantasme  
4. Gare Du Nord Part One  
5. L’embauche  
6. Le Retour En Foret  
7. Metro Part Three  
8. Flashback Antoine  
9. Galerie  
10. Le Renversement  
11. Normandie  
12. Comme On A Dit

A Winged Victory For The Sullen - Galerie

Every last Thursday of the month, come and discover the new Absolut Remix

Akira S - Miami Vice (BNJMN Absolut Remix)

Absolut Remix

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