shit I wish I could rap cuz all your beats are orgasmic

On The System: October 2018

Three/Three

First Law of Nature Rock Day (feat. Denmark Vessey)

Buhloone Mindstate

Breakadawn

Taken from 'Sour Soul', the new album by BADBADNOTGOOD & Ghostface Killah.

Released February 24th US & CA / February 23rd UK on Lex Records & Eone Music (Canada)
http://smarturl.it/GhostfaceKillah2015
https://badbadnotgood.com
https://www.facebook.com/GhostfaceKillahOfficial
http://lexrecords.com
https://www.eonemusic.ca

Sour Soul

Ray Gun (feat. MF DOOM)

Pre-Order 'Sour Soul'

Aquelarre de Hombres Desnudos

Artista: Martin Alejandro Oviedo
Sello: República Argentina Records
Catálogo: RR04
Estilo: Velvet Breaks (fusión propia: breakbeat, acid jazz, drum & bass, electronica lo-fi)

🎨 Concepto

El título sugiere un ritual nocturno, íntimo y subversivo, donde la vulnerabilidad y la energía masculina se transforman en un acto colectivo y poético. El “aquelarre” no se entiende como algo oscuro, sino como una celebración mística de lo humano, lo erótico y lo espiritual en simultáneo.

Musicalmente, el disco explora:

Breakbeat orgánico con grooves fragmentados.

Riffs de bajo acid jazz y líneas cálidas.

Texturas lo-fi (cintas, vinilo, reverbs soñadas).

Voces andróginas y cálidas con letras poéticas en español.

Atmósferas ambientales (viento, agua, ecos naturales) que envuelven al oyente.

🎶 Narrativa sonora

Cada track se plantea como un pasaje ritual, con estructura más cercana al pop/lo-fi que al club mix.

Intro: atmósferas ambientales + pads.

Versos y coros: voces poéticas y cercanas.

Breakdowns: silencios llenos de texturas naturales.

Outros: cierres elegantes, como desvanecimientos en la madrugada.

🖼️ Arte visual

Vinilo: rosa pálido iridiscente, con manchas blancas suaves.

Etiqueta: textura de piel humana con un patrón casi invisible de símbolos masculinos, como glifos rituales.

Tipografía: negra, minimalista, moderna.

Estética: surrealista, delicada, entre lo sensual y lo hipnótico.

💡 Posicionamiento

Un álbum que mezcla la cultura underground electrónica con un discurso poético y corporal, casi performático.

Encaja en espacios de arte sonoro, música experimental y escenas electrónicas alternativas.

Invita a la escucha íntima en vinilo, como objeto artístico. 
credits
released September 4, 2025
license
all rights reserved

breakbeat, broken beat, acid jazz, nu jazz, drum & bass, dnb, lo-fi, lo-fi electronica, downtempo, trip hop, ambient, cinematic, hypnotic, nocturnal, experimental, spanish, vocals, Argentina, electronic


Metaformosis

Out now on all major digital stores and streaming platforms:
Bandcamp - bit.ly/ReiDasMarimbas-Bandcamp
Spotify - bit.ly/ReiDasMarimbas-Spotify
iTunes - bit.ly/ReiDasMarimbas-iTunes

After shaking the foundations of Lisbon’s influential global club music scene at the young age of 16 with the undeniable anthem ‘African Scream’, Enchufada’s own afro-house prodigy Dotorado Pro is back with ‘Rei das Marimbas’, the follow-up EP to the viral club hit that has racked millions of plays on Youtube and Soundcloud, inspired countless dance videos and made sweaty crowds demand pull-ups from DJs all over the world.

@dotorado-pro
www.enchufada.com

Dotorado Pro - Marimba Rija

and the Anonymous Nobody...

Memory of... (US) [feat. Estelle & Pete Rock]

New Day

Since Plastician's blistering Wavepool 2 compilation last year, many have been wondering how long the wait would be for some brand new music from the man himself.

Fast forward almost a year, and he's ready to drop 7 brand new tracks on Terrorhythm, in what is his biggest solo release of new music on the label since his critically acclaimed debut album "Beg To Differ" in 2007.

"I wanted to pick up where Beg To Differ left off", Chris Reed tells. Across 7 tracks, his Grime & Dubstep roots are still audible, with a healthy influx of Wave influenced numbers to boot, this really does feel like a view into the mind of Plastician some 11 years on from Beg To Differ, minus the now legendary shellings of Skepta & co.

Whilst the Grime vocals are noticeably missing from this outing, Reed explains this was out of choice this time: "I'm sat on 4 or 5 vocal tracks as well as a couple of straight up Grime instrumentals. I've toyed with the idea of adding them for months on end, but the energy was just not quite correct next to the bits I've stuck on".

Plastician tells us the Grime bits are to be held for their own release in the near future following "Overdue", an E.P. named due to the lateness of the release, as well as an ode to his two children who were born beyond full-term pregnacy.

"All good things are worth waiting for"
"An ode to my Wife & Kids for putting up with me and my love hate relationship with music"

Overdue drops on August 20th, the week of his son's 4th Birthday, and 11 years on from the release of "Beg To Differ"


Plastician - Photons

A2 Eris Drew - Trans Love Vibration (Eris Goes to Church)

Fancy Clown

That's O.K.

Clin d'oeil

Ease My Mind (feat. Tre Hardson, Fat Lip, Omni)

Fruit of the Past

Music in my mind part 2

Road Of The Lonely Ones

Founder & Creative director @ Keep Hush / Selector at Keep Hush Cartel 

Monthly Reprezent Radio show / Tunes to fred@keephush.london
 
www.keephush.net

Fancy Clown

Abstract Orchestra

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