@balasdeagua
Love is an emotional capacity without boundaries. It is the inherent beauty of life and light, flowing from within our body and mind. The alchemy of intimacy and devotion helps us to ascend from darkness, filling our soul with a clear radiant energy. Like a beaming star, our compassion and affection heal us by releasing our trauma in katharsis.

The compilation “No Limits, All Love” is the 12th release of katharsis, celebrating our first anniversary with 10 poignant tracks from artists novel to the label. With the title as a thematic starting point and additional references of gratitude, healing and growth, the contributing artists were invited to interpret their experiences of kathartic purgation and salvation through music.

To commence the compilation, the Egyptian Ma3azef-affiliated artist ABADIR engages us with his spellbinding track “Clearance”, before the British sound-designer Phrixus gets our bodies moving to his wonky “Unintentional Alchemy”. Debuting local Danish artist Bloszum takes the pace down again with the hypnotizing piano-infused hymn, “Beauty Is Only Crystal Deep”, followed by the daybreaking floater “Flamma” by Uruguayan artist Balas De Agua.

Subsequently, French producer Zero Crossing Point delivers a stellar spectrum of emotion on “Our Ascension” ahead of the sentimental receptacle of heartbreak on the track “Vesper” by French artist Awbluu. The energy dives deep into the trancelike state of our subliminal mind on Nexcyia’s “wrapped(up)”, as danish duo J Sliwa, consisting of label founder jjjacob and his partner in crime Lighyer, shoots for the stars with celestial cannons on the track “Light Is Within”. The compilation culminates in climax on the motivational rave-anthem “Don’t Be Sad” by the Swedish YEAR0001-affiliated duo Quit Life, before Santebela closes the album with grandiose piano phrases bathed in reverb on “save me”.

artwork by jjjacob
mastering by jjjacob

No Limits  All Love

Balas De Agua - Flamma

ORDER PHYSICAL RELEASE ON MOUHOI:
https://bit.ly/3znTcAQ

KISEWA’s Scream Sonata explores monstrosity.

Scream Sonata seems like looking into the mind of a horror fiction writer.

The monstrosity is attached to the baseless hallucinations of different appearances depending on the individual rather than a authoritative grotesque appearance.

KISEWA seems to know how to instigate a vortex of negative hallucinations, but at the same time ritualistically induces another hallucination to drive it away.

Scream Sonata tells the story of a race between monsters carrying such double hallucinations.

About KISEWA:
Based in Seoul, KISEWA is an independent musician/artist who’s practice is based on observations of contemporary music culture and explores the various sounds that it is comprised of.

Committed to the practice of gathering pieces and particles of independent music that are scattered around, KISEWA’s pursuits have been heavily directed toward covering the wide array of so-called sub-genres, including industrial, noise and ambient.

As an extension of such research into the unique and multifaceted web of independent musical acts, KISEWA is also eager to present the artist’s own sound works that are equally unique and diverse in their own rights.

Format: EP
Digital Release by Absurd TRAX
Physical Release by Mouhoi
KISEWA's Digital Distribution by No Slack Reocrds
Cat. No.: AT-025/ MHR-011
Release date: 1 October 2021

Produced by KISEWA
Track 1-4 Mastered by Hakju Chun (Mushroom Recording Studios)
Track 5-7 Mastered by Nerve
Remix by Computer Music Club, Primitive Knot and T5UMUT5UMU
Layout and Cover Art by Mouhoi
Original Painting by John Martin

KISEWA - Scream Sonata (T5UMUT5UMU REMIX)

Limited edition of 50 copies / C-33 cassette
POINTLESS GEOMETRY 2021 / POINT#43

releases December 6, 2021
pre-order:
https://pointless-geometry.bandcamp.com/album/misty-picture-lens-blossom

Recorded, mixed and mastered by Misty Picture
Artwork by Julita Goździk / instagram.com/julitagozdzik

This album is an ode to point and click graphical computer adventures from the early 90s and their successors, and the utopian hypertext, scholastic attitude contained therein, a world of mechanical contraptions, teleportations to mysterious worlds, self contained ideal spaces...

Misty Picture is the collaborative project of Enchanted Lands and Wim Dehaen, exploring the alluring dimension of soundfonts, CG environments and digital ambience.

Enchanted Lands is a producer based in Prague, Czech Republic. Her work consists of digitally manipulated sound material, evoking ethereal landscapes, impossible beautiful harps and lush textures. Her debut EP was released on the Genot Centre label, netting her a newcomer of the year award at the Vinyla award. Her debut full length album, Cryptic Island Eco-Sanctuary was released as a digital file and game environment on the forward thinking Quantum Natives label.
Wim Dehaen is a chemistry researcher and trackmaker based in Prague, Czech Republic. He is the co-founder of the Genot Centre label and over the years has done various releases, also under alter egos such as BENELUX ENERGY and Mango Object. His interests include: dsp, systems and dance music subcultures.


soundcloud.com/wimdehaen
soundcloud.com/enchantedlands

Misty Picture - Rainwater Capture / POINT #43

xquisite releases is proud to present a selection of lullabies we love

all proceeds will go towards two charities supporting migrants in the UK and Poland: 

channel rescue

https://channelrescue.wordpress.com/

&

Chlebem i Solą

https://polskagoscinnosc.org/en/kontakt/

cover by Zoë Annesley @a.ploy.within

sweet dreams 

x

Susu Laroche - Aequinox

keisuke s_d_ latests works on the Japanese label otonezumi-kohboh, "Multiple Mysteries", a truly finesse experimental spooky footwork Ep, and "Machapuchare", a drone masterpiece inspired by the supposed thrills of climbing Machapuchare, prepare us on his next release: “Movement of Multiple points”.

In this new Pampsychia Keisuke is bringing from Japan a mind-blending rhythm synthetic excursion. All tracks are made and used in max/msp to create a broken system that allows control and uncontrol. The sounds out of control are like living creatures, going through harmonies and disharmonies, so this piece contains a kind of life-like unpredictability and spirituality.
He produces tunes in which clean drums patterns and intricate rhythmic melodies wave in and out of one another, creating his own synthetic living footwork system.

soundcloud.com/keisuke_sd

keisuke s_d_ -  Puzzling Point

DJ TJay - Depression

&#13;
An imaginary soundtrack to the <i>The Singing Statues</i> by J.G. Ballard...&#13;
&#13;
"Again last night, as the dusk air began to move across the desert from Lagoon West, I heard fragments of music coming in on the thermal rollers, remote and fleeting, echoes of the love-song of Lunora Goalen. Walking out over the copper sand to the reefs where the sonic sculptures grow, I wandered through the darkness among the metal gardens, searching for Lunora's voice. No one tends the sculptures now and most of them have gone to seed, but on an impulse I cut away a helix and carried it back to my villa, planting it in the quartz bed below the balcony. All night it sang to me, telling me of Lunora and the strange music she played to herself..."&#13;


Overture

Jenna Sutela - nimiia vibié
Format: LP / Digital
Cat.No: PAN 104
Release Date: 09 August 2019
Purchase: bit.ly/2MPpaSa / https://bit.ly/2KpeKHi

Aspiring to connect with a world beyond our consciousness and our planet, nimiia vibié sounds the interactions between a neural network, audio recordings of early Martian language, and microscopic footage of extremophilic space bacteria. Here, the computer is a medium, channeling messages from entities that usually cannot speak. However, it is also an alien of our creation.

Drawing on nimiia cétiï, Jenna Sutela's project on machine learning and interspecies communication, the record manifests a more-than-human language. This language is based on the computer's interpretation of a Martian tongue from the late 1800s, originally channeled by the French medium Hélène Smith and now voiced by Sutela, as well as the movement of Bacillus subtilis, an extreme loving bacterium that, according to recent spaceflight experimentation, can survive on Mars. The bacterium is also present in nattō, or fermented soybeans, a probiotic food considered as a secret to long life. Beyond Bacterial-Martian culture, or Martian gut bacteria, the project attempts to express the nonhuman condition of computers that work as our interlocutors and infrastructure. 

Jenna Sutela works with words, sounds, and other living materials. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. Sutela's work has been presented at museums and art contexts internationally, including Guggenheim Bilbao, Museum of Contemporary Art Tokyo, and Serpentine Galleries. She is a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-20. 

The project originates in n-dimensions, Google Arts & Culture's artist-in-residence program at Somerset House Studios. Machine learning in collaboration with Memo Akten and Damien Henry. Miako Klein in the contrabass recorder and Shin-Joo Morgantini in the flute, with sound production by Ville Haimala. The album is mastered by Rashad Becker at d+m, Berlin.

nimiia vibié 

Jenna Sutela - nimiia vibié I (PAN 104)

Workng With Artists :) from the album Summits
Avalible here on bandcamp - 
https://recsund.bandcamp.com/album/summits

Working With Artists

Written & Produced by 111X.
Mastered by Noah Kin.
Artwork by Helen Korpak.

@111x

Envy

111X - Inhale, Suffocate

Following guest shows on NTS and Radio Bonita, Philadelphia based artist and producer Kat Nzingha joins TT to present their debut EP, Angeltribe.

Angeltribe is available via TT from 8th October.

www.katnzingha.com
soundcloud.com/katnzingha
Mixing and mastering - Kat Nzingha
Artwork - Josh Crumpler

Pre-order

Kat Nzingha - Denial

KISEWA - Scream Sonata (T5UMUT5UMU REMIX)

Absurd TRAX

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