this just invokes something out of me, i love it 😳

I needed this mystical vibes! Out of this world ♥️

This reminds me of Glenn Branca...awesome

https://www.youtube.com/watch?v=PVHWf8gOdJ4&list=PLYq5L3Wfg3-OJF3jQRorOoTg1uAKn8Fqu&index=7

doon kanda - softies mix

[Aftermath] Absence - 002

vul「DAW Is My Sewer」nerable

buy this: https://y1640.bandcamp.com/track/weep

WEEP

Interview :
http://www.deathinparis.com/2017/07/mix-death-in-paris-x-oklou/

Creamy Deluxe ~~~

Tracklist:

When love takes over - Kelly Rowland ( accoustic version ) 
Lil Melody - ISLAND 
Pilot Jones - Frank Ocean 
Arrête - JORDEE 
Polygamie - MRSM
x Glass Harmonica interlude + hard bass edit x
Bon appétit - Katy Perry ft. Migos 
Cardi B - Lil Thot ( DEMBOW CLUB EDIT ) 
hi.tech - version.ii
Mama I'm sorry - Brenda Fassie

Death in Paris x Oklou ~~~ Creamy Deluxe

Gangsters Were Weeping

Minais B is the solo moniker of Villads Klint, who also produces deconstructed pop cuts as a part of the trio Khalil along with Nikolaj Vonsild (When Saints Go Machine, Cancer) and Simon Forman (Age Coin, Yen Towers), whose debut album was released August 25th on Posh Isolation. In his solo project, the young producer explores movement and contrasts in sound, and “As The River At Its Source” is no exception hereof. It stays in motion from the beginning to the end, constantly moving from one frame of mind to another, ultimately maintaining an atmospheric quality throughout the entire duration.

In “As The River At Its Source”, Minais B is uniting alluring and challenging sounds by merging sonic experiments with a profound, soothing melancholy, questioning when a sound is beautiful and when a stranger becomes an acquaintance. At times the piece lets its listener drown in dreamlike arpeggios and synth pads, while suddenly breaking down in order to proceed with a passage consisting entirely of restless bass-heavy beatings.

As his first vinyl release, Minais B delivers a very mature offering on “As The River At Its Source”, a highly emotional endeavor in contemporary ambient music, touching on the complex nature of human connection.

Artist: Minais B
Title: ”As The River At Its Source”

All music written and produced by Villads
Text by Adam & Villads
Speak by Nynne
Mastered by Aske
Lacquer cut & Vinyl Master by Hari
Pressed at R.A.N.D Muzik
Artwork by Laurits

Out on 12" Vinyl and digital download October 21st, 2017
Distributed worldwide by EM92 Distribution

Facebook: https://www.facebook.com/petrola80/
Bandcamp: https://petrola80.bandcamp.com/releases

Press:

http://adhoc.fm/post/minais-b/
https://secretthirteen.org/minais-b-as-the-river-at-its-source/
https://www.theransomnote.com/music/mixes/minais-b-the-monday-is-okay-mix/
http://www.seeksicksound.com/minais-b-river-source/
https://bostonhassle.com/minais-b-as-the-river-at-its-source/
https://www.thenewnoise.it/minais-b-as-the-river-at-its-source/
http://www.straylandings.co.uk/news/minais-b-of-posh-isolation-signed-trio-khalil-to-release-solo-record
https://nichemusic.info/minais-b-as-the-river-at-its-source/

As The River At Its Source

Buy 12" / DL

PET-002: Minais B - As The River At Its Source

For this compilation, original recordings and stems of “The Idealist”, a song on Soho Rezanejad’s recent full-length album Six Archetypes, were sent to friends and collaborators. What resulted are 25 wildly variant remixes by a community of artists.

The Idealist Compilation:
https://siliconerecords.bandcamp.com/album/the-idealist-compilation

The Idealist music video:
https://youtu.be/A8bn3zPrzrs

“The Idealist Compilation” by Various Artists was mastered by Miccel Mohr and released on Silicone Records, 2018.

The Idealist Compilation

SKY H1 & Soho Rezanejad - The Idealist

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

White River

Amnesia Scanner — AS Acá (feat. Lalita)
Format: DL
Cat.No. PAN 108S
Release Date: 19 November 2019
Purchase: https://bit.ly/352sY8t / https://bit.ly/2O9pN88
Video: https://bit.ly/34XnZWn

AS Acá is the first song to surface from a new collaboration between Amnesia Scanner and Peruvian musician and artist Lalita who has both written and performed the song’s Spanish-language vocals. 

More music from Amnesia Scanner and Lalita’s collaboration is forthcoming.

AS Acá is Amnesia Scanner’s first release since the critically acclaimed album Another Life released by PAN in September 2018. It marks the beginning of a new cycle of work to be released throughout 2019-2020.

The single is accompanied by artwork and a music video by Amnesia Scanner’s long-time collaborators PWR. The video features a performance by three Lalitas.

The release is mastered by Enyang Urbiks

@amnesia-scanner
http://p-a-n.org

Amnesia Scanner - AS Acá (feat. Lalita)(PAN 108S)

Freedom Doll LP out via @ad93rec
Founder & Artistic Director: NATURE LOVES COURAGE FESTIVAL
Bookings: shame.mgmt@gmail.com

Gangsters Were Weeping

ABYSS X

Recent comments

Pani Marta

Criss

Akasai Dasu

ZIYAN

Related tracks