synth vox are often cheesy imo but these sound brilliant; amazing idea to use them this way; hats off!

cool! wonderful variations... another creative piece. super work!

noooice noises man - love the clave, juxtaposes well against the gritty darkness of the sidechained synths.... wurd

Chill 6

Free DL: grasps.bandcamp.com/track/brothers-wash

Artwork: Grasps
 Vocals: ssgkobe 
Mix, Master: Grasps

@grasps
 www.instagram.com/grasps_/
www.twitter.com/grasps_ 
www.facebook.com/grasps95

Download

BROTHERS (WASH)

Martin Stimming...the 'trippy house' god.

here is where i stole these chords from https://youtu.be/aRTLlfDRzpU?t=1457
i then further edited the notes to fit my liking,and came up with this...
enjoy.

stimming

One for a night-time drive, a dance with friends or a moment alone, Kalopsia provides you with the space (and place) you might not have realised you need. Unafraid but not arrogant, this EP wanders into emotions with enough space to take your own journey, but never leaves your side. Kalopsia is an invitation to explore your nuances and travel wherever you dare.

T SOMETHING G
Always nearby, but never close enough, T Something G provides a space for youthful (sometimes naïve) curiosity and questioning. Ever present tambourine teases at something more but you never reach it – at least not the way you’d expect.
“What happened?” “What did they do to you?”  
Maybe you already know the answer, or maybe you wish you didn’t know, or maybe you haven’t been asked before, maybe you have no fucking idea. Either way, it doesn’t matter. T Something G is asking, and it’s listening.

HEARING VOICES
Hearing Voices opens like an eerie dollhouse – haunting, ominous, looming. Despite the growing hum, there is a sense of ‘lack’ with the spaces left in the track providing a kind of hollow weightlessness. Repetitive low-end beats keep you grounded as sound speeds past your face like a cool breeze. Hearing Voices recognises the strength required to keep going in tough times but reminds you of your ability to persist.

AMBER
Amber is a dynamic journey through the abyss of reflection, but not necessarily resolution. Like a busy but well-planned motorway, the song moves with intention and consideration. You can find a certain beauty in controlled chaos, and Amber proves this. Soulful vocals flutter through slowly and swirl back into the music as swiftly as they come.
Closing like an interrupted thought and demanding the replay button, Amber is as fluid and multifaceted as the thoughts, emotions, and life of its listener.

U 4 ALL
Mechanical breakbeat shatters and splinters as breathy, pitch-shifted vocals float by. Metallic kicks and snares slice through the atmospheric low end but don’t disrupt the tracks overall course. The track moves through the spectrum of emotion like a grieving mind; anger, bargaining, accepting, and repeating. U For All finishes with a level of ambiguity while still feeling instinctive and relieving, like a bird disappearing into a dark horizon.

LIMELIGHT 
Orchestral and atmospheric, Limelight begins at the end. Diving in headfirst, the track invokes a sense of longing – for information, understanding, connection. The song builds to something dark and solemn but intriguing, like a painful yet relieving realisation. Distorted vocals pull you out but leave you in a kind of aural limbo, unable to predict what’s next. There is a confused emptiness created by the repetitive build and release of synth that threatens to consume but is ultimately held together by the song's ability to transform with grace.

Mitigation
Soft and gentle, short and sweet. Mitigation is reminiscent of a child’s wind-up box but is far from childish. Like a big, cathartic breath before diving back underwater, you know comfort can’t last forever. Mitigation is a sentimental stroll through experience, a soundtrack for re-living bittersweet memories. Is the story it’s telling sad or happy? You decide.

Lithe Remix
A grimy, futuristic version. The limited vocals in the initial take the forefront and are supported by a comfortingly familiar breakbeat that has many shifting forms throughout the track. Deep bass rides in to support the weight of the vocals and drums. This one is one for some good headphones.

Small Crab
Small Crab brings life to spaces that you didn’t know where there and bends the song into a new form. As primal beats keep time, industrial flairs slice through to create a sonic playground. One for a summer sunset disco by the water with your mates (minus the mosquitos).

Kalopsia

Lucas SM -Kalopsia EP [Preview]

FREE DL

KIM POSSIBLE

Tracklist:

Jaymie Silk – Illegal Love
J. Wiltshire – Luv44
Bakey – B Bad
Ploy – Stinky
Martyn – EF40
Anunaku - Stargate
Mr. Ho, Mogwaa – Bail-E (Real Mix)
Strict Face – Whirlpool
Leonce – Splinter
SOPHIE – VYZEE
Chloe Robinson & DJ ADHD – Pax (Four Tet remix)
Jossy Mitsu – Turismo
Pugilist – Acid Flange
Floating Points – Problems
Escaflowne – I bet chu (emotional mix)
Nick Leon – Xtasis Feat. DJ Babatr (Pearson Sound remix)
Foura – U&Me

Back with another one - lots of tracks that have been really special to me over the last months/year. Give me some honest feedback I'm begging you.

50 min little treat mix

Self release from Eora/Sydney's Irene J. Atmospheric dubby cut from a place of unrest, 
Links
BC - https://irenejeileen.bandcamp.com/track/everyone-is-so-in-love-with-you
SC - https://soundcloud.com/user-362952870-815562993

PREMIERE: Irene J - Rom

Free Download: https://tomvr.bandcamp.com/track/babyxsosa-dont-listen-tom-vr-edit

I've been a huge fan of babyxsosa for a while, and have been wanting something of hers I can play out, so I made this :) 

Visualiser created by me with my own art: 

https://www.youtube.com/watch?v=4PfOQYipKJ8&ab_channel=TomVR

Babyxsosa - Don't Listen (Tom VR Edit)

VENICE BITCH (lana Del Rey Cover)

Overdone

Chilled jazz-hop kinda vibe. Maybe… my first album header… x
ps. Get the monika?

Nightmares of Tax

Con Tricksted

Joshua M Norton's Album

Provinces of Night

Appears on my album "In A Parallel Universe"
https://silentloverecords.bandcamp.com/track/a-flawless-state

A Flawless State

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Overdone

Acacia

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Nikolaia

Gruppo Infernal

FairyLand INC.

FairyLand INC.

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