Listen now to a conversation between between Yhonnie Scarce, Kokatha and Nukunu artist from South Australia, Mykaela Saunders, writer, teacher, and community researcher and Dimity Hawkins, Australian activist, researcher and academic.

This podcast concludes the series produced in association with 'Yhonnie Scarce: Missile Park', including Glass with Yhonnie Scarce, Kristel Britcher and Lisa Slade, Architecture with Louis Mokak, Mikhail Rodrick and Kim Bridgland, Family with Hannah Presley and Lisa Waup and Concrete Archives with Yhonnie Scarce and Lisa Radford.

Nuclear: Yhonnie Scarce, Mykaela Saunders and Dimity Hawkins

Listen now to the third conversation in the Think Tank series as part of the forthcoming exhibition Who’s Afraid of Public Space?

Presented in partnership with Art Projects Australia (APA), this session will be moderated by ACCA’s Public Programs Coordinator Bianca Winataputri and include contributors Dewi Cooke, Eleanor Jackson, Sim Luttin, Michael Camakaris and Ed Service.

ACCA is pleased to co-host further Think Tanks over the coming year to consider a wide array of considerations pertinent to the exhibition and the work of our partner organisations and co-hosts. The Think Tank discussions will continue to feed into the critical concerns of the overarching Who’s Afraid of Public Space? project, contributing to a polyphonic and polycentric understanding of our increasingly complex public realm.

Who’s Afraid of Public Space? Think Tank #3 – Visibility and Accessibility

What similarities and alliances can be drawn across borders, and how do we work and learn differently in response to the specificities of locality, place, culture and community? Can we work better together? What futures are possible or likely for the contemporary art ecology?

Listen now to Expanded: Collectivity and Solidarity in Changing Times now, with ruangrupa and The Unbound Collective, as part of our lecture series Experimental Institutionalism: Contemporary Art and Curatorial Ecologies.

ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technology, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication. 

The Unbound Collective brings together years of research in a performance that moves through spaces that have historically seen Aboriginal and Torres Strait Islander Australians excluded and reduced to tell untold chapters of Australia’s true history. The Collective consists of Ali Gumillya Baker (curator), Simone Ulalka Tur, Faye Rosas Blanch and Natalie Harkin.

Experimental Institutionalism: Expanded with ruangrupa and The Unbound Collective

Listen to artists Lauren Burrow and Nicholas Mangan as they discuss their works featured in the exhibition 'A Biography of Daphne'.

​‘A Biography of Daphne’ is a curatorial project that revisits the Classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglement in contemporary art. Daphne, the nymph who turned into a tree to evade the assault of the god Apollo, is a figure in, and of, crisis, but also a symbol of resistance and transformation.

Read more here: https://acca.melbourne/exhibition/a-biography-of-daphne/

A Biography of Daphne Artist Talks: Lauren Burrow and Nicholas Mangan

Listen to curator Mihnea Mircan in conversation with artists Ho Tzu Nyen, Jill Magid, and P. Staff and Candice Lin to discuss their works featured in the exhibition 'A Biography of Daphne'.

A Biography of Daphne Artist Talks: Ho Tzu Nyen, Jill Magid, P. Staff and Candice Lin

Employment: Art, labour and changing modes of working

This program is part of ACCA’s 2021 Lecture Series, Experimental Institutionalism: Contemporary Art and Curatorial Ecologies and features two short lectures by Alana Kushnir and Julieta Aranda followed by a conversation with ACCA Curator Miriam Kelly.

Alana Kushnir explores collaboration, labour and scaling-up the artist’s studio in the context of the contemporary art ecology, and Julieta Aranda examines our relationship – as beings, as humans, as artists, as cultural workers – to the toxic environments that we have created.

ABOUT THE SPEAKERS:
Alana Kushnir an art lawyer, curator, art advisor and Director and Founder of Guestwork Agency based in Melbourne, Australia. She is the Principal Investigator of the Serpentine Galleries R&D Platform Legal Lab and a sessional lecturer at The University of Melbourne, teaching subjects on curating, contemporary art and art law.

Julieta Aranda is an artist and co-director of the online platform e-flux. Her artistic practice spans installation, video, and print media, with a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. 

Read more, including full speaker biographies here: https://acca.melbourne/program/experimental-institutionalism-employment/

Read more about the series here: https://acca.melbourne/series/experimental-institutionalism-2021

Experimental Institutionalism: Employment with Alana Kushnir and Julieta Aranda

Listen now to Mihnea Mircan in conversation with artists Erik Bünger, Inge Meijer, and Katie West to discuss their works featured in the exhibition 'A Biography of Daphne'.

A Biography of Daphne’ is a curatorial project that revisits the Classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglement in contemporary art. Daphne, the nymph who turned into a tree to evade the assault of the god Apollo, is a figure in, and of, crisis, but also a symbol of resistance and transformation.

Read more here: acca.melbourne/exhibition/a-biography-of-daphne/

A Biography of Daphne Artist talks: Erik Bünger, Inge Meijer, and Katie West

Listen now to Cheri Magid and Stephanie McCarter on ‘A Poem and a Mistake’, presented between 27 August – 12 September at acca.melbourne as part of the exhibition 'A Biography of Daphne.' 

Read more here: https://acca.melbourne/program/a-poem-and-a-mistake-by-cheri-magid/

In Conversation | Cheri Magid and Stephanie McCarter on ‘A Poem and a Mistake’

Electronic: Modelling the digital present and tools for the future

Speakers: Seb Chan and Sahej Rahal

Seb Chan is the Chief Experience Officer (CXO) at the Australian Centre for the Moving Image where he is responsible for a holistic, multi-channel, visitor-centred design strategy for the institution. Until August 2015, he was Director of Digital & Emerging Media, at Cooper Hewitt Smithsonian Design Museum in New York. There he led the museum’s digital renewal and its transformation into an interactive, playful new museum reopened after a 3-year rebuilding and reimagining. His team’s work won awards from the American Association of Museums and Museums and the Web, One Club, D&AD, Fast Company Innovation by Design, Core77 Design Awards, and has been featured in Slate, The Verge, Fast Company and elsewhere.

A sculptor, coder, painter and performer, Sahej Rahal is a graduate of the Rachana Sansad Academy of Fine Art, Mumbai. He has been a recipient of a number of residencies including Bar1, Bangalore, 2011; FUTUR foundation, Zurich, 2011; INLAKS Shivdasani Foundation sponsored residency at KHOJ international artists’ association, New Delhi, 2013. Rahal has presentd work in major solo and group projects, including recently at Akademie Schloss Solitude & ZKM Center for Art and Media, Stuttgart, Germany in 2018, at the Vancouver Biennale and Australian Centre for Contemporary Art in 2019, in the 2020 Gwangju Biennale, and as part of Transmediale.

Experimental Institutionalism: Electronic with Seb Chan and Sahej Rahal

Ecological: Practices and challenges of sustainability
Speakers: José Roca and Keg de Souza

In this lecture, we are joined by José Roca, Artistic Director of the 23rd Biennale of Sydney, and artist Keg de Souza, with a focus on the practices and challenges of sustainability. Roca’s presentation questions whether biennales are sustainable, sharing the processes, curatorial considerations and some of the challenges faced in developing the 23rd Biennale of Sydney. de Souza’s presentation is centred on ‘Ecologies of Place,’ exploring the importance of community, place, and collaboration in relation to their recent work 'Not a drop to drink' 2021, followed by a discussion on building and imagining a more sustainable future for the arts.

This program is part of ACCA’s 2021 Lecture Series, Experimental Institutionalism: Contemporary Art and Curatorial Ecologies, which delves into the artistic, curatorial, organisational and institutional models in which artists, curators and producers reflect and shape the role of contemporary art practice.

José Roca is a Colombian curator living and working in Sydney. He is currently the Artistic Director of FLORA ars+natura, an independent space for contemporary art in Bogotá. Roca was recently appointed as Artistic Director of the 23rd Biennale of Sydney in 2022. For a decade, he managed the arts program at Banco de la República in Bogotá. Roca was previously Estrellita B. Brodsky Adjunct Curator of Latin American Art for the Tate, London, and for a decade oversaw the arts program at the Museo del Banco de la República in Bogotá, establishing the institution as one of the most respected in Latin America.

Keg de Souza lives and works in Sydney on unceded Gadigal land and uses mediums such as; temporary architecture, food, mapping and dialogical projects to explore the poetics and politics of space. This investigation of social and spatial environments is influenced by formal training in architecture and experiences of radical spaces through squatting and organising. Keg often creates site and situation specific projects with people, with an emphasis on knowledge exchange. These often manifest as temporary architectures that become framing devices to host pedagogical platforms, centring voices that are often marginalised, for learning about place.

Experimental Institutionalism: Ecological with Keg de Souza and José Roca

Listen now to a panel discussion on A Poem and a Mistake, written by Cheri Magid, with Alexis Grenell, Cheri Magid, Stephanie McCarter, Sarah Baskin and Tamila Woodard. 

Read more here: https://acca.melbourne/program/a-poem-and-a-mistake-by-cheri-magid/

A Poem and a Mistake Panel Discussion

Speakers: Biljana Ciric and iLiana Fokianaki

In this lecture, curator and researcher Biljana Ciric discusses her educational platform What Could/Should Curating Do? and long-term project 'As you go... the roads under your feet, towards a new future' as experimental models for cross-cultural collaborations. Writer and curator iLiana Fokianaki shares her curatorial journey in establishing the non-profit gallery ‘The State of Concept’ in Athens and her interdisciplinary program 'The Bureau of Care'. Ciric and Fokianaki also reflect on the future of art institutions and the responsibility of curators and arts workers in these changing times.

Read more here: https://acca.melbourne/program/experimental-institutionalism/

Experimental Institutionalism: Rethinking infrastructures and curatorial practice

Listen to N’arweet Carolyn Briggs AM, Sarah Lynn Rees, Andrew Atchison, Stephanie Pahnis, Lauren Crockett, Nicola Cortese, Timothy Moore, and John Tanner as they share their approaches to transforming ACCA’s four galleries to become civic spaces: Gathering Space: Nargee Djeembana, Education Space: Creating Art in Public, Reading Space: The Common Room, and Project Space: The Hoarding.

Artist Talks: Who’s Afraid of Public Space? – Onsite exhibition spaces

Listen to a panel discussion on Melbourne-based collective APHIDS’ new moving-image work 'DESTINY' with artist Eugenia Lim, and worker-performers Cher Tan and Wasay, moderated by Amelia Wallin. 

'DESTINY' 2021 is a moving-image work made in collaboration with on-demand or ‘gig economy’ workers – rideshare drivers, food delivery riders and cleaners – exploring personal and global experiences of the platform economy.

Panel discussion: APHIDS DESTINY

Join artists Simona Castricum, Michael Candy, Hoang Tran Nguyen, and Callum Morton at ACCA as they discuss their commissioned works as part of Who’s Afraid of Public Space? offsite projects.

Artist Talks: Who's Afraid of Public Space? – Offsite projects #1

Join artists Sean Lynch and Mikala Dwyer, and writer Alicia Sometimes for a panel discussion about public art, presented in association with the recent launch of two major City of Melbourne temporary public art commissions in University Square, Carlton.

Panel discussion: City of Melbourne Commissions

Join Melbourne Art Library for the second in their series of discussions about experimental modes of sharing information as part of Who's Afraid of Public Space?.

The forum panel includes: Nell Fraser (Melbourne Art Library), Caroline Phillips (Womens Art Register), and Nick Henderson (Australian Queer Archives).

Distribution series #2: Alternative Collections

Join artists Jon Campbell, Guled Abdulwasi, and Laresa Kosloff at ACCA as they discuss their commissioned works as part of Who’s Afraid of Public Space? offsite projects.

Artist Talks: Who's Afraid of Public Space? – Offsite projects #2

Listen to Melbourne Art Library for the first in their series of discussions about experimental modes of sharing information.

Reflecting on the library of written materials on public art, public culture and public space in the Reading Space: The Common Room, Melbourne Art Library unpack the role of the contemporary art librarian.

Forum Series: Distribution
What power dynamics are at play in the distribution of information? How democratic is ‘collective’ knowledge? And how are individuals and collectives disrupting the flow of information?

The Distribution forum series prods, unravels, makes-visible, and excites non-mainstream ways of information sharing. Engaging publishers, editors, and alternative institutions, the series explores active projects in Naarm/Melbourne that question the traditional flow of information.

Presented by Melbourne Art Library, a not-for-profit lending library exploring art librarianship as a philosophy and mode of practice; a practice guided by collaboration, criticism, and exchange.

Distribution series #1: Introduction to Art Librarianship

Listen to ACCA’s Artist Educator and Curator of the Education Space Andrew Atchison with artists Ross Coulter, Eugenia Lim and  James Nguyen for a discussion about art and working in public space. This program is associated with the Education Space: Creating Art in Public, a hybrid studio, classroom and gallery designed to promote active participation with, and careful consideration of, public art practices and the diverse and inventive approaches artists adopt when creating artwork for public space.

Artist Talks: Education Space with Ross Coulter, Eugenia Lim and James Nguyen

Urbanists and planners need to engage in broader and messier practices if they are to design inclusive and accessible public spaces. The production of space is as much a social and political process, as a physical one, and identities of places are often latent, contested and invisible. A new genre of artists and creative practitioners are engaging in public space, using site-based practices that catalyse new uses, build new constituencies, and amplify marginalised voices.

Moderated by Mel Dodd, this roundtable event brings together five leading creative practitioners from Monash Art, Design and Architecture (MADA) – Gene Bawden, N’arweet Carolyn Briggs, Emily Floyd, Timothy Moore and Sarah Lynn Rees – all working in the public realm, to reveal a more representative city and explore the ways we can make spaces truly public.

Making Spaces Public

Creative practice researchers: Prof Carol Brown, Dr Troy Innocent, and A/Prof Linda Knight, chaired by Rachel Iampolski addresses how artistic practices offer insurgent modes for developing reconnection with urban spaces after a prolonged lockdown, and sustained anxiety around public spaces.

The panel shares their practical and creative approaches for being in the world and the key role that insurgent artistic modes will play in redeveloping our confidence in public space. The experimental visual art practices, digital and gestural drawing, sound art and sonic practices, walking, creative movement, performance and installations explore emotion and affect, aesthetics, the sensorial as well as conflict, tension and congestion, and activism and play in the post-pandemic urban space. Collectively the panel advocates for the generative potential of insurgent modes for urban reconnection.

Insurgent modes for urban reconnection: Scaling, augmenting, and counter-mapping public space

Listen to Melbourne Art Library for the final in their series of discussions about the values of the public library.  Reflecting on the library of written materials on public art, public culture and public space in the Reading Space: The Common Room, Melbourne Art Library discuss the purpose and complexities of developing a community library collection and archives.

Forum Series: Distribution

What power dynamics are at play in the distribution of information? How democratic is ‘collective’ knowledge? And how are individuals and collectives disrupting the flow of information?

The Distribution forum series prods, unravels, makes-visible, and excites non-mainstream ways of information sharing. Engaging publishers, editors, and alternative institutions, the series explores active projects in Naarm/Melbourne that question the traditional flow of information. 

Presented by Melbourne Art Library, a not-for-profit lending library exploring art librarianship as a philosophy and mode of practice; a practice guided by collaboration, criticism, and exchange.

Distribution series #3: Publishing Art Serials

This panel discussion explores ideas of safety, movement, surveillance, physical distancing, visibility and invisibility within Melbourne’s public spaces.

Think Tank Moderator Nur Shkembi, artist, curator and PhD candidate, University of Melbourne, and Curatorial Advisory Group member for Who’s Afraid of Public Space?, is joined by esteemed local cultural contributors including Idil Ali, writer, performer, youth practitioner and community organiser; Antony Hamilton, Artistic Director, Chunky Move; Nicole Kalms, Associate Professor in Department of Design and founding director of Monash University XYX Lab; and Steven Rhall, artist, curator and PhD candidate at Monash University.

This Think Tank is fourth in the series presented by ACCA and produced as part of 'Who’s Afraid of Public Space?'

MTalks—Who’s Afraid of Public Space? Think Tank #4: Movement of People & Safety in Public

This conversation was recorded in association with the exhibition 'Frances Barrett: Meatus', now showing at the Australian Centre for Contemporary Art in Melbourne until 19 June 2022.

In this conversation we hear from artist and curator Frances Barrett and from Daniel Mudie Cunningham, who is head of Programming at Carriageworks.
 
'Frances Barrett: Meatus' forms part of Suspended Moment: The Katthy Cavaliere Fellowship, an initiative designed to support a solo exhibition by Australian-based female artists who work in performance and installation. Over the past two years this has included exhibitions at the Museum of Old and New Art, and Carriageworks, and at ACCA, as well as a nationally touring iteration.
 
In this conversation, Frances and Daniel discuss 'Meatus', as well as the influence on both their practises of the late Australian performance artist Katthy Cavaliere, whose life and work is honoured in the exhibition series.

In Conversation: Frances Barrett and Daniel Mudie Cunningham

This Artist Talk was recorded in association with the exhibition ' Like a Wheel That Turns: The 2022 Macfarlane Commissions', now showing at the Australian Centre for Contemporary Art in Melbourne until 4 September 2022.

In this Artist Talk we hear from exhibiting artists Lucina Lane, Betty Muffler and JD Reforma.

Artist Talks: Lucina Lane, Betty Muffler and JD Reforma

Listen to our Artist Talks with Gian Manik, Jason Phu and Jahnne Pasco-White.

This Artist Talk was recorded in association with the exhibition ' Like a Wheel That Turns: The 2022 Macfarlane Commissions', now showing at the Australian Centre for Contemporary Art in Melbourne until 4 September 2022.

Artist Talks: Gian Manik, Jason Phu and Jahnne Pasco-White

Listen to the lecture by editor Mykaela Saunders speaking on the critically acclaimed anthology 'THIS ALL COME BACK NOW'.

'THIS ALL COME BACK NOW' is the world’s first anthology of Aboriginal and Torres Strait Islander speculative fiction – written, curated, edited and designed by blackfellas, for blackfellas and about blackfellas. In these stories, ‘this all come back’: all those things that have been taken from us, that we collectively mourn the loss of, or attempt to recover and revive, as well as those that we thought we’d gotten rid of, that are always returning to haunt and hound us.

This critically acclaimed anthology was a collective undertaking, and editor Mykaela Saunders discusses how she worked with others at each different stage of the project. From the first conception of the anthology through to publication and beyond, Mykaela has ensured that the project has been built from good relationality – the very stuff that all healthy communities are made of.

Mykaela Saunders is an award-winning Koori and Lebanese writer, teacher and community researcher, and the editor of the critically acclaimed 'THIS ALL COME BACK NOW', the world’s first anthology of blackfella speculative fiction (UQP).

This lecture was recorded at ACCA on Thursday 4 August 2022, 6–8pm. Read more about the free event here: https://acca.melbourne/program/writing-concepts-lecture-with-mykaela-saunders/

Image: Cover, 'THIS ALL COME BACK NOW'. Courtesy Mykaela Saunders and University of Queensland Press

WRITING & CONCEPTS Lecture with Mykaela Saunders

Listen to the in conversation with artist Paul Yore and Nick Henderson, volunteer committee member at the Australian Queer Archives, and Curator at the National Film and Sound Archive of Australia. They will be discussing Yore’s extensive survey exhibition 'Paul Yore: WORD MADE FLESH', unpacking the past fifteen years of his practice, with a focus on the major new immersive installation commissioned by ACCA.

This lecture was recorded at ACCA on Saturday 1 October, 5–6pm. Read more about the free event here: https://acca.melbourne/program/paul-yore-in-conversation-with-nick-henderson

Image: Paul Yore, 'WORD MADE FLESH' 2022, installation view, Australian Centre for Contemporary Art, Melbourne. Photograph: Andrew Curtis.

Paul Yore In Conversation With Nick Henderson

This recording is part of a video commissioned for 'Writing in the Expanded Field IV: Touching Feeling Writing' developed in conjunction with ACCA’s exhibition ‘Paul Yore: WORD MADE FLESH’ (23 September – 20 November 2022). The digital publishing project exploring new compositional modes and publics for art writing will be released in early 2023.

Credits: 
Rebecca Bracewell, sound editor 
Sofie McClure, videographer 
Lucinda Strahan, editor and program leader 
Loni Jeffs, editorial coordinator 
Michaela Bear, participant 
Ange Crawford, participant 
Mig Dann, participant 
Rachel Keir-Smith, participant  
Carmen-Sibha Keiso, participant 
Shari Kocher, participant 
Josephine Mead, participant 
Nasim Patel, participant 
Sofia Stavrou, participant 
Denise Thwaites, participant

Presented in partnership with RMIT University non/fictionLab.

Read more and watch the video here: https://acca.melbourne/program/writing-in-the-expanded-field-iv-touching-feeling-writing/

Writing in the Expanded Field IV: Touching Feeling Writing (Audio-only)

Conversations and events from Melbourne's flagship contemporary art space

Popular tracks by ACCA (Australian Centre for Contemporary Art)