Name: Greenpath by DCIMittons in Calm
Duration: 3 min 37 s
Description: Hollow Knight Original Soundtrack + Gods & Nightmares OST

I loved this song when I first started playing.
Now greenpath is annoying to navigate and makes this song less pretty and calm in my opinion.

best area in the whole game change out mind

112% all possible challenges all achievments

peakpeakpeakpeakpeakpeakpeakpeakpeakpeakpeakpeakpeakpeakpeak

came here from altheboi's the soul of sonic video o/

Calm

Stickersus Symphony

I could only find covers of very bad quality versions of this ost, so i just posted it myself

GENSHIN IMPACT - THE WIND AND THE STAR TRAVELER

A Sweet Smile

This track has been composed for a Steam-bestseller Potion Craft, developed by Niceplay Games.

Get Potion Craft on Steam:
https://store.steampowered.com/app/1210320/

Listen on Spotify:
https://open.spotify.com/track/1msbrCxvyORZ8ycIJg2aoi?si=50e75df435e44f99

All details on LinkTree: 
https://linktr.ee/pavellipski

Reach out via email:
lipski.musicstudio@gmail.com

Follow me on social networks:
Instagram: https://www.instagram.com/lipski.music/
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Soundcloud: https://soundcloud.com/lipski_music
Bandcamp: https://lipskimusic.bandcamp.com/

Mortar and Pestle

Title        : Spiral
Artist      : LONGMAN
Album    : -
Anime    : (opening) Mushoku Tensei II : 
                 Isekai ittara honki dasu
Licence  : SME, Sony Music Entertainment 
                 (Japan) Inc. (on behalf of Sony 
                 Music Labels Inc.)

LONGMAN - Spiral Nightcore.mp3

Encounter Elite!

Hades II - (Thrashing) Into Tartarus By Darren Korb

Hades II - (Thrashing) Into Tartarus

Left Bank Two

Left Bank Two - The Noveltones

Ashes of Velvet Dreams

Night In The Woods- Back to the Holler

Night In The Woods- Mae's House

Thank you for 10K subscribers! This track is free to download!
https://goo.gl/kqZLEY

Let's get this out of the way first. Breath of the Wild is a great game, possibly the best Zelda game ever made. The world is expansive and allows so much freedom, self-discovery, and experimentation. However, I felt that Nintendo really dropped the ball on the story and music. The Switch Presentation Trailer Nintendo showed gave me such hope for the epic music that would assault my ears, but sadly we were all misled.

To me the soundtrack is only half-complete. The tracks are all atmospheric, and fit the setting really well, but ineffective in describing the context. The whole world has been plunged into darkness. Ganon's calamity infects the landscape, and yet all the inhabitants feel like they're at peace with it. Link has woken up from a hundred year slumber, and the world barely reacts to his return. What I had hoped to see was Ganon reacting to Link's presence. As Link defeats each divine beast, there should be a great escalating response from the opposing forces. But the world stays pretty much the same. The sense of adventure I felt in the beginning of the game sort of faded away. Instead the world felt more like just a playground for Link to play in until he decides to go save Zelda.

The music for the enemies on the world map all have this playful silliness to it, which I felt was in contradiction to the context. Hence, this arrangement I made for the guardian battle, I consider more of a REVISION. I referenced the tone of the trailer music heavily in trying to come up with my version. For the percussion, I used a lot of wood and metal knick knack sounds to preserve the idea that the player is free to be creative with his/her strategies in fighting the guardians. When encountering these for the first time, most players probably fail and die quickly. The thrill you get from defeating these for the first time is very exhilarating, and I wanted the music to convey that. I borrowed the main theme of the game and injected it into the track to give it more emotion. Even though the end result is a lot more heavy highs and lows, I feel I still was able to keep the lightness of track intact.

Greenpath

DCIMittons

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