poem & vocals, electric guitar & sounds by Sophie-T
drums & beats & sounds by INTERpEST --> @interpest please check out his great music!

WATCH VIDEO POEM --> https://www.youtube.com/watch?v=4W0Q8SY5czk

A dark poetic journey --> buy here: https://sophie-t.bandcamp.com/track/into-sun-glow

This poetry piece is connected to the cover painting (by me Sophie-T, for sale).

POEM:

INTO_SUN_GLOW

I sweep the clouds
from the busy roads
fog is getting darker
sun’s a tiny light

Look out of the window
what do you see?

1000 lives moving
into the night again

as the birds are dying slowly
all the thoughts in my head
burning down like candles in a storm

in a quiet room I sit at dawn
of bleak memories
lead me back to the place I was born
disturb my inner peace

as the rain keeps crashing down
wired words above the ground
interfacing souls to feel alive
bound on darkened diamond moons
shape tomorrow’s healing wounds

sun will glow in the darkness for you

INTO_SUN_GLOW with INTERpEST

CHRONOLITHE 12 pm Tuesday 27.02 Lyl radio

Ce collage sonore porté sur la voix : parlée, prononcée, bredouillée, chantée, est un assemblage de field recording, musiques électroacoustiques et chants traditionnels de Sardaigne, de Bretagne, de Bulgarie, de Mantras argentins et pakistanais, mais aussi : d’une respiration inversée et de poils qui crépitent, de Space Lady dans son jardin au printemps, d’une séance de spiritisme qui fonctionne, d’un ordinateur qui s’appelle John Wayne, de mâts sifflants sur le port de Locmiquélic, d’une balade nocturne en Aveyron et d’un animal non identifié, d’un cours de yoga, d’un apprentissage d’un sonnet de Shakespeare, de chuchotements imperceptibles et d’un enfant qui veut vous croquer l’oreille.

Les percussions résonantes de Felicia Atkinson entrent en écho avec celles de Geir Jenssen recueillies au Tibet , les nappes électriques vivantes d’Aho Saan parfument les micros sons de Qoa - issus d’une biocénose Abletonienne qui titille le tympan - Le ressac thailandais dans les tuyaux vibrants de Félix Blume donne un espace aquatique à la monodie de Roxane Métayer et autres jeux d’associations d’hétérophonies.

CHRONOLITHE w/ TOCO VERVISCH LYL RADIO 27.02.24

Rùithe Nam Bean

Original Track By:
https://soundcloud.com/congeerats/shades-tryptophylia-ver

Congee Rats - Shades (Senglar Voz Rmx)

I heard a lot of duets last week, a lot of good ones. In the end I went with the German Romantic and played SOMA Terra.
thanks @analo & @torsten goerke for your inspiring duet:https://soundcloud.com/analoc/right-beside-you-disquiet0637?in=disquiet/sets/disquiet-junto-project-0637&si=6ecc2889c9a2400dbeccda5796ff8c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Morning on top(disquiet0638) feat. analoc & Torsten Goerke

Inalowendor

sound art for disquiet0636

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

For more about this weeks junto challenge:
llllllll.co/t/disquiet-junto-pr…0638-center-3-of-3/

third epoch (disquiet0638) w/ Tristan Louth-Robins & ECHINACEA PURPUREA

Déjà-Vulnerable

Eternight tranquilitude

Inundated

the coin age

https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

Déjà-Vulnerable

Yellow Salamand'r

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